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The complicated personality of hamlet
The complicated personality of hamlet
The complicated personality of hamlet
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The Vanity of Polonious in Hamlet by William Shakespeare
Polonius is an important and respected person. It seems appropriate that he investigates and controls the behavior of his son and daughter. He, as the King's advisor is no longer a private person but a public one: what he or his children do has important public, not just personal implications. However, if his actions and speeches are examined closer, it is evident that he is a limited and vain person who is overly concerned with his appearance and wears different masks to tune up to different people.
In the following speech, Polonius is sending his servant, Reynaldo, to France in order to find out how Laertes, Polonius's son is behaving himself. Polonius instructs Reynaldo to inquire an acquaintance about all the vile things Polonius assumes Laertes to be doing.
"He closes with you in this consequence:
"and as you say,
I saw him enter such a house of sale" -
Vedelicet, a brothel - or so forth. See you now
Your bait of falsehood take this carp of truth;
And thus do we of wisdom and of reach,
With windlasses and with assays of bias,
By indirection find direction out." (II. i. 45-72)
Polonius seems incapable of acting in an honest manner. His actions are reminiscent of a hunter's job - using all his wit to uncover the unwary prey in a roundabout way. He even uses hunters' terminology. "Windlasses" means an indirect approach in hunting. He talks of the "bait of falsehood" - being dishonest to the "prey" - Laertes - and even to the people who are to help him catch the "prey" - the acquaintances. Polonius wants to catch "the carp of truth". This topic is echoed later on when Hamlet calls Polonius a "fishmonger" (II. ii 190). Carp, a big and hard-to-catch fis...
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...aks instructively and authoritatively. Polonius tries to show off his wisdom and uses inflated language in both of these passages, he still has different masks on, depending in the person he is speaking to.
Even though Polonius is a comical character, he has a functional relation to the main themes of the play and helps us gain insight on other characters. The stupidity of his advisor stresses one more time that Claudius is not as able a king as King Hamlet was before him. "Madam, I swear I use no art at all," (II. ii 104) says Polonius, and the readers laugh to the absurdity of this statement. This unfortunately is very characteristic of his personality - to use "art" and to act as a "lawful espial" (III. i. 35). The artificiality of Polonius suggests the kind of world in which Hamlet and the other characters are now living - full of deceit, pretense and masks.
“What is the matter, my lord?” asks Polonius. Hamlet answers, “Between who?” (2.2.193-194). Tenney Davis responds to this by saying that Hamlet feigned his insanity convincingly by taking things too literally, which manifested in a desire to “split hairs” (Davis 630). Hamlet was always annoyed with Polonius and his garrulous speeches, but reacted not in an irrational way, but to the contrary, with the most simple, though rude, coherent answers.
In Hamlet, The new king Claudius is able to gain respect from the kingdom. He even steals the love of Hamlet’s mother Gertrude. The old king’s councilor, Polonius, becomes Claudius’s councilor and his best friend. He helps Claudius keep an eye on Hamlet and tries to keep him from finding out anything about his father’s death. Polonius believes that if he helps Claudius that he can make life better for himself and for his daughter and son. But in the end, his actions get him slayed, drive his daughter to insanity, and eventually set...
After hearing this description, Polonius assumes that only one thing could cause Hamlet to behave like this so he asks is Hamlet is “Mad for thy love?” (II, i, 94) This scene is full of beautiful language spoken b...
structure of the future leaders of the country. Through the conceit of the adults in Hamlet,
First of we need to keep in mind the fact that Polonius is chief advisor to the Dane, this puts him in a great position to give an insight into one of the primary characters, Claudius. The conversations held between the king and Polonius gives the reader a more vivid picture of just how twisted the mind of Claudius is and adds to the tragic atmosphere of the play. From these dialogues Polonius exhibits that he is not as simple minded, as he seems. There is a whole lot more going on in the head of the bumbling fool than it appears to be. To show this you would have to consider the faces of Polonius, devotion to his family and loyalty to the king.
one of Polonius’ most ironic lines: "Madam, I swear I use no art at all," (II. ii 104). Readers
The scene between Hamlet and Polonius took place in Act II Scene 2. In Hamlet's first encounter with Polonius, he immediately insulted the old man by calling him a "fishmonger". He then quickly changed his opinion and complemented Polonius by calling him an honest man. Hamlet said, "to be honest, as this world goes, is to be one man picked out of ten thousand". As we know Polonius definitely was not such a man. Hamlet was portrayed as a clever lad, who was playing a psychological game with an old fool. He asked Polonius whether or not he had a daughter, pretending he did not know that Ophelia was Polonius's daughter. When Hamlet was asked about what he was reading, he replied by saying, "words, words, words". Throughout this scene, Hamlet revealed himself to Polonius as a mentally unstable man. He was playing a fool himself, while ingeniously using this to make Polonius look like an even bigger fool. He cleverly insulted Polonius' appearances indirectly, by referring to the book he was reading. According to that book old men had grey beards, their faces were wrinkled, they had a plentiful lack of wit, and so on. He was describing Polonius exactly. Perhaps the most humorous part took place when Hamlet, while saying, "for yourself, sir, shall grow old as I am, if like a crab you could go backward", he advanced towards Polonius, causing him to walk backwards. Those words and the actions on the stage revealed Hamlet to be a daring young man. When Polonius finally left, Hamlet dropped his pretense and yelled, "These tedious old fools!". In Act III Scene 2, Hamlet used a recorder, the musical instrument, as a telescope when Polonius entered the scene. He asked Polonius, "Do you see yonder cloud that's almost in shape of a camel?". Hamlet always pretended to be the madman in front of Polonius, while he actually made him look like an old fool.
When Polonius decides that he wants to know what his son is up to in Paris, he hires Reynaldo to spy on Laertes. His suggestion is that Reynaldo should say he has “some distant knowledge of him, as thus: ‘I know his father and his friends, and, in part, him’” (2.1.14-16). Polonius wants Reynaldo to lie about his friendship with Laertes in order to gain information on him. When Hamlet accidentally kills Polonius instead of Claudius, his mother tells Claudius that Hamlet “whips out his rapier, cries, ‘A rat, a rat!’” before stabbing Polonius behind a curtain (4.1.11). Gertrude swears to her husband that Hamlet had no intention of killing any human. While she is lying to Claudius, she is attempting to protect her son from harsh
Hamlet – the Wise Polonius The older gent in Shakespeare’s tragedy Hamlet, namely Polonius, is no type character. Rather he is quite rounded and complex. This essay will explore his character.
In William Shakespeare’s tragic drama Hamlet, the hero, Hamlet, appears to be guilty of hubris, an overstepping of the bounds of both his and humanity’s destinies, which ultimately leads to his downfall. Reading the play with a consideration as to how Hamlet’s hubris manifests itself sheds light on why he performs certain actions, and simultaneously enlightens the reader to the dangers of attempting to overstep the confines of humanity. In this essay, I will prove that Hamlet has extreme pride, and is therefore guilty of hubris; in accordance with Harold Skulsky’s assertion in his article, ““I Know My Course”: Hamlet’s Confidence,” Hamlet is hubristic because while he believes that his own soul is impenetrable based on his external facade, he feels that he possesses the supernatural ability of knowing the internal truths of others based on their external appearances. I will illustrate how Hamlet’s pride grows throughout the play as he progressively draws more drastic conclusions about others’ inner natures based on their external actions, and how his pride ultimately leads him to make crucial mistakes that contribute to, but do not cause, his downfall.
...ot he was completely guilty for Polonius’s death, but as I studied his actions and mannerisms I came to the conclusion he was guilty of both. I was assured when his feelings of depression over his fathers continued and his only goal in life became power over the situation and avenging him. Being in control became somewhat of an obsession because he thought he could overcome any situation if that was the case, but it was just a simple minded way of trying to justify the situation. When you pretend to be something for so long it either unintentionally reflects off you automatically, you begin to forget whom you really are and what you stand for, or you end up liking the front you’ve created for yourself more than your true self; and I believe that is exactly what happened.
Prince Hamlet is an authoritative figure in Denmark. Although he is no the king, he is adored by the population and respected by the nobility. Because of this he can get away with more than the average person. In this way he hides behind his title when he carries out some of his actions. He knows that nothing can be done to harm him because he is a prince. He uses this when he kills Polonius. There is also another more concrete hidden there.
Polonius is over-eager and tries to give unwanted advice, during the play he is tactless and often rude. For instance, Polonius is a comic relief during his conversation with Gertrude and Claudius regarding Hamlet’s madness. Polonius rambling through his conversation contrasts with Gertrude’s seriousness of wanting to find out the reason to Hamlet’s madness. As Polonius begins to deliver to the king and queen the results of his investigation, he makes this statement, “My liege, and madam, to expostulate/ What majesty should be, what duty is,/ What day is day, night is night, and time is time,/ Were nothing but to waste night, day, and time;/ Therefore, since brevity is the soul of wit,/ And tediousness the limbs and outward flourishes,/ I will be brief. Your noble son is mad. . . .”(IIii,86-92) . Polonius’ speech is windy and nonsensical he wastes ti...
Claudius, the shrewd politician is the most obvious example of a man who manipulates words to enhance his own power, possessing a professional grasp of the language. Using this he can oppress people and assert his authority, as we see him doing when delivering a polished speech to the council. He cleverly justifies the ill-viewed situation of his marriage to Gertrude, reminding them that their `better wisdoms' have `freely gone with this affair all along'. In this way he can brush past this sensitive matter, expect no interludes and proceed to other issues. It is interesting to note the changes and flexibility of his language. Addressing the crowd he initially adopts a personal tone on the matter of the past kings death, with creative oxymoron's like `wisest sorrow' and `defeated joy', knowing he speaks of a matter dear to all of them. He pays his own respect, in public, to the sensitive subject that should force the whole kingdom to `be contracted in one brow of woe'. Yet, once he has drawn the crowd to him, sympathised with them and become `one' of them in mourning, he then quickly proceeds to other matters in a far more formal tone. His clever use of language is once again shown, in his interrogation of Polonius's son. Laertes reveals that his `thoughts and wishes bend again toward France' and asks the Kings leave. Claudius does grant him the leave, but ...
... the only way to honour his father Polonius is by killing Hamlet. In addition, as Claudius reads the letter from Hamlet to Laertes he says “'Tis Hamlet’s character. “Naked” And in a postscript here, he says “alone.” Can you advise me?” (IV, VII, 52-53). This shows that Claudius takes advantage of Hamlet’s return alone as an opportunity for Laertes to kill him. Through Claudius’s actions the readers observe how he deceives Laertes into killing Hamlet for his own benefit without getting blood on his hands. Furthermore, Claudius’ desperation to kill Hamlet leads to him losing sight of what is important, which is being the king of Denmark, what he originally wanted, instead the lies he told and the manipulation he spread is now taking over. To conclude, it is evident through the play that the words and actions of Claudius have only lead to the spread of deception.