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Hondo is my favorite western, although it is the only one I have read that has nothing to do with it. It has all of the requirements to be a western, the type of western that focuses on the untamed frontier. I mean it has conflicts between the settlers and the Indians, open landscape of mountain ranges, rugged lands, and vast plains; all with with small towns (or town) and isolated homesteads. Plus the parts of the untamed frontier such as, hostile environments, shoot outs, show downs, and the classic good guy v.s bad guy. Now there is one part of the western that is uncanny between all of them, the hero, the skilled gunfighter that we all root for, the manly, courageous, tough, and honorable man that everyone wants to win. This hero is know as Hondo, the man of skills, he can blacksmith, lasso, track, handle horses, and of course killing. Now lets go deep into were each of these characteristics and really look at who or what they are in this story. …show more content…
Untamed frontier, well just look at the beginning of the book, Hondo is standing in the burning sun on the desert that he had to learn for years to master living in, just the terrain had made him a hard man, with little regard for human life.
Actually that came from another characteristic of a western, the conflict between settlers and Indians, after being raised with the Indians for three years he had killed several settlers. Then after he had left the Indians side to join the white mans army he killed many more Indians, that's how he had crafted his skills as a gunman and survivalist. It even is shown in the story that he has been killing for years, when he kills the first two Indians, he has a fast and accurate shooting style. Also he has the background to know were others may be hiding such as in a bush, or
tree. Also in Hondo there is a big part surrounding the isolation of settlers homesteads, which is were Angie and Johnny live. It is far from the nearest post, but also far from the nearest Indian camp, truly isolated in the fact of if someone died there, no one would hear them scream. Then there is also the "small town" know as the army settlement, it has most of the means to be a town. It has a main street, which is the only street, a jail, a stable, a saloon and a general store. With what we consider settlers, cowboys wearing spurs, boots, bandanas, denim, and of course there gun, no western is complete without ninety percent of everyone having a gun. These cowboys were hired to do several other things, such as be scouts, like Hondo, for the army. And allot of these men were involved in the number one thing a western needs in my opinion, shoot-outs, show-downs, and fist fights. Just like when Hondo beat the ever living piss out of Ed Lowe in the bar, Buffalo could have easily joined in if he pleased. Hell that whole bar could have joined in, no one would care, but they did not. Now lastly, there is the part that involves Hondo the most out of anyone else, the concept of a hero. Now Hondo my not be a sheriff, or a marshal, or a cowboy, but he is one hell of a gunfighter. That's all we need in a western novel, someone we wish we could be, someone who seems untouchable, someone that could kill the real us in as instant. Now this hero cannot be anyone, oh no, he has to meat the criteria. He must be courageous, running into danger for the ones who matter, but not being foolish about it. Like when Hondo killed the two Indians by the river the second time, he snuck up on them and then charged. He must be masculine, which means, having qualities or appearance traditionally associated with men, especially strength and aggressiveness. Who has more of this than Hondo, the man is over flowing with the stuff of legends, if anyone's wife saw him in real life, they may not be married anymore. He must also be tough, like burning your hands on charcoal and shaking it of a day later tough. Which is what Hondo did. Now the skill set of the hero has to be towering. Well just to show how much Hondo can do, lets list the skills he has; blacksmithing, handling horses, fishing, hunting, surviving, gunplay, fist fighting, agility,sneaking, communication, and of course love. now you may argue that love is not a skill, that its just something that happens, you are right. But, loving someone is hard work, sometimes you have to do something that pains you to keep them happy, and that to me is more important than the rest of the list of skills, loving is the hardest thing to do. Now that I have shown you all the different criteria that is needed to be a western novel, and explained were or who that criteria is in Hondo. You can be the judge of if it can make the status quo. You can answer the question. What's the question you ask? Is Hondo a Western in your eyes, and is it the best western as formally stated by my opinion? I can only answer for myself, now go read that book. I gave you the basis of what you need to know you have to go do some in depth reading.
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
	Few gunmen in history have been as notorious as the late John"Doc" Holliday. Part of the reason Doc has enjoyed such a famedhistory is because of the overall descent man he was, that is when hewasn’t gambling, drinking, and gunslinging. When Doc died he mighthave had a handkerchief, a pocket knife, a deck of poker cards, a flaskhalf full of whiskey, and a small essay entitled "My Friend DocHolliday" by Wyatt Earp.
The Wild West is known for its cowboys and gunslingers. In the Wild West the pistol
The frontier changes people. Its is a harsh landscape that only very adapted people can survive in. Duncan Heyward and David Gamut both learn this the hard way. They are used to the posh life of England, and do not understand how life on the frontier works. The events of the story change them however, to become men who, while not as good as the Indians, can hold their own in the harsh landscape of North America.
James Fenimore Copper presents Deerslayer as a man of integrity, virtue, and honor. He is a warrior who lives by his word. Even if the situation places his life in jeopardy, he refuses to abandon what he believes in and what he says he will do. Deerslayer’s greatest display of character and honor is seen when he refuses to compromise his standards even though it threatens his life.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
General Custer graduated from the U.S. Military Academy in 1861; ranking last in his class. He served in the Civil war where he was a fearless cavalry leader, and in 1865 he was awarded a temporary rank of Major General. Many people believed that he shouldn’t even have participated in the Civil War, let alone graduate. Though, many who served with him said they admired his bravery and success but many were jealous of him. His enemies often said that he was a “glory hunter.” He was a glory hunter and looked to make a name for himself. After the Civil War, Custer went on to fight the Indians in the Southwest, Dakota’s and Montana territories. The war against the Indians stretched from the 1820’s all the way until 1890. When settlers started to flood the western part of America, railroads followed. These railroads made it easier for people to come out west and also buffalo hunt. Americans were killing buffalo’s left and right. Soon enough, the bu...
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The story is an Eastern take on the Hollywood western with a dash of satire,
When one thinks of the United States of America, they probably consider our history, our culture, our media, our impressive cities and the extremely wide variety of beautiful wildernesses that we are lucky enough to still enjoy. We are lucky enough to have a melting pot of cultures in this country, and many different kinds of people. However, when thinking of an original, all-American figure, cowboys come to mind for many people. Our history and the settlement of the U.S. was unlike any other country, and the development of the country in the more western states came with the unique and fascinating time period referred to now as “The Old West”. The Old West was a crucial time in American history, and though it was a simpler time it also came with its share of excitement. Some of the most memorable details about the Old West were the characters that came with it, and some extremely interesting ones were the least conforming- the outlaws. Jesse Woodson James was one of the most notorious outlaws in American history. His name would go down in history as one belonging to a tough as nails and fearless bank robber who led a group of outlaws across the mid-west robbing banks and trains, and even murdering people. When we look at the big picture of what the U.S. has become today, The Old West certainly has had a large impact on our culture, and Jesse James certainly had a large impact on the Old West. Though most would argue that he was not a decent or moral person, one cannot argue that he was still a very interesting and unique icon of the west. So how did Jesse Woodson James change and leave his mark on the United St...
Wyatt Earp, Doc Holiday, and the gunfight at the O.K. Corral were they really fighting for justice or revenge. In the attempt to serve “justice” they blurred the lines of the system to their gain. This essay is prove a point that the marvelous western hero lived a much darker live fueled by revenge, bribes, and gambling.
The development of the Western genre originally had its beginnings in biographies of frontiersmen and novels written about the western frontier in the late 1800’s based on myth and Manifest Destiny. When the film industry decided to turn its lenses onto the cowboy in 1903 with The Great Train Robbery there was a plethora of literature on the subject both in non-fiction and fiction. The Western also found roots in the ‘Wild West’ stage productions and rodeos of the time. Within the early areas of American literature and stage productions the legend and fear of the west being a savage untamed wilderness was set in the minds of the American people. The productions and rodeos added action and frivolity to the Western film genre.
The storyline is normally about a hero who comes to a town to bring peace and drive the villains out. A hero is usually seen as a vigilante as he is not told to come to help but does anyway. The hero often appears as a quiet, secretive, mysterious person who may make the audience admire him one minute and dislike him the next, he is also a very smart, cunning and adaptable which are all good values in a hero. The villain is usually fixed to one idea he thinks it is a smart cunning person but in the end is always defeated. Many scenes are set around the Saloon (bar) and there is quite often a romance involved with the hero and a local girl, the villain competing for her affections! There are two different types of villains in typical westerns Native Americans and white villains (cowboys).
What makes a hero a hero? In western movies such as The Searchers and Stage Coach, they portray the issue of masculinity and the hero in an exceptional way. In each of these movies the main character is represented with the traditional appearance of masculinity, toughness, and honor. Rarely does the hero smile or only smiles in the face of confrontation. He has courage and is daring, therefore not fearing anything. Most of the time revenge is the motivating force behind the hero’s actions. At first, Django is the helpless slave that is chained and broken, but through the teaching of Dr. King Shultz, Django takes the role of hero very quickly and transforms from a needy slave to a cultured, well-mannered, and brutal bad–ass that soon becomes the real focus of the film. Shultz...
He is portrayed as a boy even though he is seventeen years old, for his mother takes control of his pay. His dad treats him like a kid and still beats him if he did something wrong,"Yuh wan me take a tree n beat yuh till yuh talk". He doesn’t feel respected neither from family or other workers in the field. He feel if he had a gun he’ll gain the respect of others. "But, Ma, we needa gun. Pa ain got no gun. We needa gun in the house. Yuh kin never tell whut might happen." He tries to explain to his mother that they need a gun for protection but he need it to feel powerful, to feel like a