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Hondo is my favorite western, although it is the only one I have read that has nothing to do with it. It has all of the requirements to be a western, the type of western that focuses on the untamed frontier. I mean it has conflicts between the settlers and the Indians, open landscape of mountain ranges, rugged lands, and vast plains; all with with small towns (or town) and isolated homesteads. Plus the parts of the untamed frontier such as, hostile environments, shoot outs, show downs, and the classic good guy v.s bad guy. Now there is one part of the western that is uncanny between all of them, the hero, the skilled gunfighter that we all root for, the manly, courageous, tough, and honorable man that everyone wants to win. This hero is know as Hondo, the man of skills, he can blacksmith, lasso, track, handle horses, and of course killing. Now lets go deep into were each of these characteristics and really look at who or what they are in this story. …show more content…
Actually that came from another characteristic of a western, the conflict between settlers and Indians, after being raised with the Indians for three years he had killed several settlers. Then after he had left the Indians side to join the white mans army he killed many more Indians, that's how he had crafted his skills as a gunman and survivalist. It even is shown in the story that he has been killing for years, when he kills the first two Indians, he has a fast and accurate shooting style. Also he has the background to know were others may be hiding such as in a bush, or
	Few gunmen in history have been as notorious as the late John"Doc" Holliday. Part of the reason Doc has enjoyed such a famedhistory is because of the overall descent man he was, that is when hewasn’t gambling, drinking, and gunslinging. When Doc died he mighthave had a handkerchief, a pocket knife, a deck of poker cards, a flaskhalf full of whiskey, and a small essay entitled "My Friend DocHolliday" by Wyatt Earp.
The frontier changes people. Its is a harsh landscape that only very adapted people can survive in. Duncan Heyward and David Gamut both learn this the hard way. They are used to the posh life of England, and do not understand how life on the frontier works. The events of the story change them however, to become men who, while not as good as the Indians, can hold their own in the harsh landscape of North America.
James Fenimore Copper presents Deerslayer as a man of integrity, virtue, and honor. He is a warrior who lives by his word. Even if the situation places his life in jeopardy, he refuses to abandon what he believes in and what he says he will do. Deerslayer’s greatest display of character and honor is seen when he refuses to compromise his standards even though it threatens his life.
The story is an Eastern take on the Hollywood western with a dash of satire,
Wyatt Earp, Doc Holiday, and the gunfight at the O.K. Corral were they really fighting for justice or revenge. In the attempt to serve “justice” they blurred the lines of the system to their gain. This essay is prove a point that the marvelous western hero lived a much darker live fueled by revenge, bribes, and gambling.
The development of the Western genre originally had its beginnings in biographies of frontiersmen and novels written about the western frontier in the late 1800’s based on myth and Manifest Destiny. When the film industry decided to turn its lenses onto the cowboy in 1903 with The Great Train Robbery there was a plethora of literature on the subject both in non-fiction and fiction. The Western also found roots in the ‘Wild West’ stage productions and rodeos of the time. Within the early areas of American literature and stage productions the legend and fear of the west being a savage untamed wilderness was set in the minds of the American people. The productions and rodeos added action and frivolity to the Western film genre.
The stereotypical hero is usually skilled with a weapon. Natty is in pioneer times, so there isn’t much choice in weaponry. Besides his gun that he kills deer with, there isn’t much that Deerslayer can do. When facing the tribe, waiting on his sentence, Le Panther, the Huron leader, throws a tomahawk at Natty. With his quick thinking he grabs the tomahawk before it even gets to him. He throws it back at Panther.
Although the scenery of isolated towns, mystic rivers, and endless forests is consistent with the western genre, the philosophical tone of the movie is not. The philosophy of a true western film deals a character fighting with guns to maintain honor (and of course order and justice). He kills because he has to and that is the end of it. In Dead Man, William Blake appears to be doing the same thing. He begins to use his gun for survival, but it is different. The gun actually stands for something in the film. Blake becomes a poet by the use of his gun, which mirrors the legendary American poet whose name he shares. The guns show how disgusting it is in American society to kill and Jarmusch doesn’t glamorize it in the way that Hollywood blockbusters about violence do.
The storyline is normally about a hero who comes to a town to bring peace and drive the villains out. A hero is usually seen as a vigilante as he is not told to come to help but does anyway. The hero often appears as a quiet, secretive, mysterious person who may make the audience admire him one minute and dislike him the next, he is also a very smart, cunning and adaptable which are all good values in a hero. The villain is usually fixed to one idea he thinks it is a smart cunning person but in the end is always defeated. Many scenes are set around the Saloon (bar) and there is quite often a romance involved with the hero and a local girl, the villain competing for her affections! There are two different types of villains in typical westerns Native Americans and white villains (cowboys).
What makes a hero a hero? In western movies such as The Searchers and Stage Coach, they portray the issue of masculinity and the hero in an exceptional way. In each of these movies the main character is represented with the traditional appearance of masculinity, toughness, and honor. Rarely does the hero smile or only smiles in the face of confrontation. He has courage and is daring, therefore not fearing anything. Most of the time revenge is the motivating force behind the hero’s actions. At first, Django is the helpless slave that is chained and broken, but through the teaching of Dr. King Shultz, Django takes the role of hero very quickly and transforms from a needy slave to a cultured, well-mannered, and brutal bad–ass that soon becomes the real focus of the film. Shultz...
Western Films are very standard, the protagonist is generally a handsome rogue cowboy or gunslinger. They always have some sort of antagonist or “evil” groups that take advantage of the general population, thus bring them wealth and notoriety. People that watch Western films expect to see cowboys, US Rangers, gunslingers, thieves, outlaws and trains are a common feature.
The image created for the outlaw hero is the “natural man.” They are adventurous but also wanderers, and loners. Outlaw heroes are more likely to commit a crime, use weapons and carry guns. The outlaw hero represents self-determination and freedom from conflicts. On the other hand, the official hero is portrayed to be “the civilized” man. He often follows the norms of society, and has typical roles such as a lawyer, teacher, and family man.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
The Wild West is known for its cowboys and gunslingers. In the Wild West the pistol
He is portrayed as a boy even though he is seventeen years old, for his mother takes control of his pay. His dad treats him like a kid and still beats him if he did something wrong,"Yuh wan me take a tree n beat yuh till yuh talk". He doesn’t feel respected neither from family or other workers in the field. He feel if he had a gun he’ll gain the respect of others. "But, Ma, we needa gun. Pa ain got no gun. We needa gun in the house. Yuh kin never tell whut might happen." He tries to explain to his mother that they need a gun for protection but he need it to feel powerful, to feel like a