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More handpicked essays just for you.
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Historic relics are the treasures of history and culture, which symbolized the development of nations and the progress of human civilization. Similarly, the cultural is a symbol of national identity and state’s spiritual home. This shows how significant to a country of artifacts. With a long history of thousands years and its brilliant civilization, artifacts have developed many forms of different culture, which have exerted profound and fat-reaching influence on different countries. Therefore, artifacts, which are surviving after thousands years are crucial for a country. As more and more artifacts are found during developing economy such as mining, and people pay more attention to this topic of art repatriation. More controversy also appeared …show more content…
Many of artifacts in current countries were stolen. According to the electronic source“The cultural artifacts should be returned to their own country of origin”, many countries, which keep cultural artifacts were stolen from their home quondam countries and kept unlawfully.(2011, para.1). It is hard for a country to realize their ancient culture clearly even could not distinguish whether they are representative artifacts of their culture. Artifacts also were difficult to keep and many countries got them during war. (“Artifacts”, 2011, para.1). In other words, returning artifacts will protect countries’ right. It is a country’s right to take back their artifacts and required of current countries to return them instead of keeping them illegally. (“Artifacts”, 2011, para. 4). Every country has to be respected in the whole world whatever the level of economic. According to Bell Malcolm, a professor emeritus in the McIntire Department of Art at the University of Virginia, returning artifacts to origin country also prevents unlawful digging that could break ruins of ancient items.(Bell, 2010, para.4). Many grave robbers were found recently and archaeologists were struggling to keep up with looters, who often ransack ancient sites before the experts can get to them. Every country has to observe the rules of the whole world and repatriation is a way to embody this …show more content…
Artifacts have special cultural value. Many artifacts contained the non-material circumstance that had their own culture’s tough characteristic and they symbolized the culture and historical of a country.(“Artifacts”, 2011, para.1). The worth of artifacts inflects a country’s or a nation’s culture developments. Values, esthetic interests, and economic conditions in its period. Lots of artifacts had the extraordinary meaning of a nation and the nation would lose record of a part of ancient culture if artifacts changed their primary environment.(Bell, 2010, para.2). Similarly, Artifacts in origin country are convenient for people to recognize and study. Artifacts had international identity and people had access to recognize what is their culture.(“Artifacts”, 2011, para.2). Cultural relics are carriers of civilization and the materializing cultural. Also, it was easier for foreign people who traveled to another country to learn and understand their culture more effective if artifacts were returned to origin place.(“Artifacts”, 2011, para.1). Ancient people create abundant culture and lots of them are reflected in artifacts, it is a significant way to record the process of a country’s culture with keep artifacts in origin
To identify the specific type, functions and time period of the artifacts, various archaeology books, reports, and journal were referred. The interpretation was then conducted by dividing the artifacts into different area on the map and investigating their relationships.
Imagine that one piece of history that is taken from a town. This piece of history tells l people how this town was built and all the important people that were apart of the community. “Returning Antiquities to Their Countries of Origin” by Joyce Mortimer can many people about how objects are getting taken from Museums. They should be returned immediately. There are so many artifacts out there that could be so important to people, and if someone can just imagine what it would feel to have one of the most important object taken from a museum and to be never returned again. Many people enjoy seeing these objects so why are they being taken?
Separating the Lancer Company into a brand of authentic, exclusively sold artifacts, and a brand of quality, limited distribution products, keeps the perception of Lancer Gallery high in the mind of consumers. This is beneficial because for those who buy authentic artifacts do so to show their social class or prestige, or, because they are interested in that country’s culture. By buying their artifacts from Lancer they be assured that what they purchases is not an imposter or anything that can be bought by the average Joe.
Hunt insists that returning the marbles to Greece would create a precedent for other restitution claims. This in turn would rob all museums of their ability to provide a multicultural presentation of history. He declares that “we need the sharing of cultures.” I assert diversity can be achieved with castings, similar to the Romans copying Greek
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
Baxandall, Michael. "Exhibiting intention: Some preconditions of the visual display of culturally purposeful objects." Exhibiting cultures: The poetics and politics of museum display (1991): 33-41.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
The three artifacts in the exhibition depicted the early days when the community was in immigration into the American boundaries, the importance that comes with these people upholding their culture despite moving into a new environment where there already exists a cultural belief and lifestyle that differ with theirs. The university museum is a modern establishment in the United States of America that historians and research analysts go to as a primary source of historical information concerning several cultures and beliefs that existed in the country in the early development days. Music on the hand is a core element in the Greek American culture and traditional beliefs that uniquely identifies this group of people. Handmade textiles as well are relevant in the exhibition because it represents the social and economic activities of that the Greek America community members were engaged in during the 1880 to 1910 period after immigration into the American soil. The textile tools were useful in their farming activities as tools for cultivation in the Northern American region; the textiles also comprised of beautiful artifacts that old men of the Greek American community had for particular traditional functions of the community. Wooden carving, for instance, was for decorations; these were sold out to members of other
What is an artifact? According to the dictionary, an artifact is “something made or given shape by man, such as a tool or a work of art, especially an object of archaeological interest” ("The Definition of Artifact"). In archaeology, the word “artifact” defines an object recovered by archaeological attempt, which might have a cultural attention. In the same way, the article “The Life of An Artifact” written by Michael Shanks mainly discusses some of the key points of interpretive archaeology and the relations between social sciences and material culture. The author believes that material culture plays an active role in society, and that the society is built upon the presence of artifacts. He emphasizes that “artifacts
In a word, cultural heritage belongs to where it is created. Based on this precondition, cultural artifacts can be shared by all the human being only when its owner offers this on his own.
Recently the major countries that were part of WWII are starting to try and push for museums to send back the stolen art to their rightful owners. With the millions of pieces that were stolen during WWII the number of pieces that have not been returned to its heirs is well over 100,000 pieces of art and most of them are currently missing.("Nazi Plunder," n.d.) To help return stolen art, museums search through all of their art to check if any of it was stolen during WWII. Currently though the progress has stopped for returning stolen artwork back to its rightful heirs, because the museums are refusing to give back some of the more major pieces of art. Also the lack of knowing who the art truly belongs to is also slowing down the
Finding out about antiques, relics, and customs through narrating has formed who I am. These three things have inhabited of all societies to realize who they are. Family customs demonstrate how individuals experience their lives and cooperate with others. They additionally indicate how individuals respond when a relative weds into a group of an alternate ethnic foundation. Relics are great cases of material things that can instruct about one 's family history. Antiquities show who individuals are. This is valid for every single ethnic foundation.
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces.
The essay will begin by defining nation-states and nationalism and will then go on to a brief discussion of the relationship between archaeology and nationalism. After a limited discussion