The Truman Show and Behavioral Psychology: Why a Utopian World is Unattainable

2008 Words5 Pages

For centuries, man has dreamt of constructing pristine simulated worlds , existing in a separate sphere from our imperfect reality. From the town of Pullman, a company town south of Chicago to Disney World, attempts to force Utopia have failed, falling prey to the complications of people’s personal desires. The Truman Show, directed by Peter Weir, tells us the story of The Truman Show, an elaborate reality show built around the control of one man’s life. Christof, the director, has created an entire living city for Truman, the star of his show, and the only one not in on this whole elaborate fakery. Essentially, Truman is living his life in the simulation of a flawless, archetypal American town, for the entertainment of millions of viewers around the world. Christof, along with countless others obsessed with the idea of controlling part of the world to fit their visions of an ideal reality, have deluded themselves into thinking fictional utopias can exist apart from the undeniable constraints of reality. Their fundamental flaw lies in relying on the assumptions of psychological behaviorism, and the belief that they could perfectly condition the behavior of the inhabitants follow the goals of the community.

In order for Christof’s scheme to work, Truman must be unaware that he’s living in a simulation, and be satisfied with the simulated life that’s presented to him. As much as possible, Christof and his crew try to control every element of Truman’s life. A massive dome is installed over Seahaven, Truman’s home town, complete with weather-control devices, an artificial sun, moon, and sky, and cameras capturing almost every angle of the town from above. Everyone, from his friends to his wife, have been carefully selected and p...

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...e no reason to continue complying with the artificial motives of The Truman Show, and the town loses its Utopian status.

Works Cited

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The Truman Show. Dir. Peter Weir. Perf. Jim Carrey. Paramount Pictures/Scott Rudin Productions, 1998. DVD.

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