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The theme the author uses in both the beginning and the ending has something that has to do with Mrs. Mallard’s heart trouble, in both physically and mentally. In the beginning, it tells us “Knowing that Mrs. Mallard was afflicted with a heart trouble” (524) as a medical term. But over time, we see that its more on her psychological mind and is more of an emotional state than a medical condition. In the ending the author compared Mrs. Mallard’s death to heart disease “When the doctors came they said she had died of heart disease of joy that kills” (525). Ironically the story is telling us that Louise was happy that she was free but became dissatisfied about Brently’s return which to her means that he has taken her
freedom.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
In the beginning of “Story of an Hour” the readers are introduced to Louise Mallard who found out that her husband has died in an accident. Louise reacts to the news like we would expect any wife would. At first she is obviously upset so she excuses herself and rushes off to her bedroom to have some space. While in her room she realizes that she in some sense she was happy. Now she had her freedom. “When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: “free, free, free!” The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and r...
Lawrence Berkove believes that the story was about self-assertions which were the cause of Louise Mallard 's death. She was obsessed with the thought of living for herself. Lawrence Berkove called her immature, egotist and a victim of her own self-assertion.
Many people interpret that Louise passes away from shock and disappointment from discovering her husband is actually alive. They feel that when Louise finally accepts that her husband is deceased and she discovers freedom, that seeing her husband alive causes her to get depressed, go into shock, and die. On the other hand, a more unique interpretation of Mallard’s death would be that she passed away from excitement and anxiousness from being completely independent, and having various opportunities in store for herself. Mallard may have not been able to handle the new exhilaration directly after experiencing deep depression and grief from the news of her husband’s accident. Some supporting evidence that Louise did not collapse from seeing her husband alive, is that the passage never directly states that she actua...
The story begins on a very sad note especially in the eyes of a reader. Mrs. Mallard is said to have a “heart
...new freedom?] Her “moment of illumination” (the true light) signifies her soul is now saved. She even breathes a “quick prayer” (13), which is symbolic of her quest for a divine intervention and repentance[.] (s[S]he is totally and completely engulfed with the presence of God). [No, what was she praying for? A long (not eternal) life.] One of Mrs. Mallard’s last actions is to rise (resurrection action) “at length and [open] the door” (the gateway to her salvation). In addition, the author provides the reader with the words “joy that kills” (13), the joy is symbolic of her freedom and “that kills” is symbolic of her eternal life. [CS -1] [Why would "that kills" be symbolic of "eternal life"?] These words provide the reader with an understanding that a human being must experience death to receive eternal life. Louise has found her freedom through eternal life.
Louise is trapped in her marriage. The lines of her face "bespoke repression" (paragraph 8). When Louise acknowledges that her husband is dead, she knows that there will "be no powerful will bending her" (paragraph 14). There will be no husband who believes he has the "right to impose a private will upon a fellow creature" (paragraph 14). Louise knows that her husband loved her. Brently had only ever looked at Louise with love (paragraph 13). This tells the reader that Brently is not a horrible ma...
Upon seeing her husband alive and well Louise realizes that the life she has imagined is not to be. The return of Brently signals a return of the patriarchal oppression in her life, and after imagining herself as an individual and then to be denied the chance to live freely is a punishment far worse than the crime. Louise loses her identity and once again becomes "his wife." Richards once more tries to protect her, a helpless woman, by attempting to block her view from her husband, because of the fragile state of her heart. Mrs. Mallard's strengths are gone, never to be acknowledged by the men in her life. For one, brief hour she was an individual. Now she finds herself bound by masculine oppression with no end in sight, and the result is death.
...els. When Mrs. Mallard sees her husband, the chains of bondage are thrown back onto her. The reviving and refreshing experience she has just had in her room is put out, and she dies. The doctors say that Mrs. Mallard dies "of joy that kills." Actually, her soul cannot handle the oppression after it has felt such freedom. Josephine's and Mrs. Mallard's differences are reflected in their reactions to Mr. Mallard's coming home.
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
Mrs. Mallard was at first overjoyed with freedom because her husband was supposedly “dead,” yet at the end of the story, Mrs. Mallard comes face to face with Mr. Mallard. A whole new wave of emotions overcame Mrs. Mallard as she laid eyes on her husband instantly killing her from “a heart disease-of joy that kills.” It is ironic how Mrs. Mallard is overjoyed about her husband’s death, and she ended up dying because she found out he was alive instead. Her joy literally was killed, killing her on the inside as
The main character in this story, Louise Mallard shows us her dream of freedom and proves these people wrong when her husband, Brently Mallard, dies. Louise’s husband was on a list of people that died in a railroad disaster. They tell her carefully since she has a heart condition. She starts crying, but afterwards she begins to think of all the positive things that come from his death. Her sister, Josephine goes upstairs to make sure she is okay,and once she finds out she is they come down. As they walk down the stairs she sees the door being opened and her husband comes in. Having her heart condition, she dies. The doctors thought “she had died from heart disease-of joy that kills.” However, she didn't die from the joy of getting to see her living husband but from losing her future filled with freedom.
She has now found a new desire for life. However, without warning, the tone abruptly reverts back to its grief stricken “ horror.” As Mr. Mallard walks in the door, her thoughts, dreams, and aspirations, quickly fade away. Louise’s heart, so weak, simply stops and all bliss transfers into extreme heartache. The drastic changes of tone reveals that freedom can be given and taken from someone in a heartbeat and the heartache will always remain.
Brently was dead, that her sister referred to her as just Louise. She suddenly became a person who has control over her own life rather than her husband controlling her. Initially, Mrs. Mallard felt a “storm of grief,” symbolizing the inward sentiments that were seething through her; in any case, as she sits in her room she watches “patches of blue sky showing here and there through the clouds,” symbolizing a steady move in her feelings. Mrs. Mallard’s “heart trouble” that is mentioned in the beginning can be a form of symbolism. It can give the reader some sort of foreshadowing of what is to come later on. The ironic ending is where her “heart” condition is mentioned again. When the doctor deliver’s the line “the joy that kills” because he is not aware of Mrs. Mallard’s true disappointment and despise towards the man that she thought was dead. The limitation helps better express the themes of the story because being such a short story requires a limited description of Mrs. Mallard’s surroundings. This makes her life seem truly empty and isolated on the inside. The limited setting better represents her emotional distress that she is experiencing with her
Mallard supposed to be with her husband by his side and giving him advice she was not. This also lead to the news that they gave her husband had died and she was happy , she felt free. Her sister thought Mrs Mallard was crying in her room or very sad but she was not. “She said it over and over under her breath: Free, Free, Free!”(Kate Chopin 's View on Death And Freedom in the story Of An Hour,1).This was unexpected and weird in many ways . It was expected that Mrs Mallard was going to react differently as she really did. This means that maybe the years she was with her husband she was going to get attached to him but she was not . “Her sister Josephine,reminded us of her conventional thought that women should attach themselves to their husbands”(Kate Chopin 's View on Death and Freedom in the story Of An Hour,1). After that Mrs Mallard wanted her time alone in the room nobody actually knew how she felt in reality. She had a conflict in her life. Mrs. Mallard had her own experiences and thoughts. Love , freedom, and marriage were her things. Maybe she was suffering and she stuck in her mind those ideas and felty all the peace she wanted. She was not really conscious it was between her world and the actual real world she had to face. This leads to her feelings sometimes she wouldn 't love her husband , and sometimes she would and it was all mixed up into different feelings and emotions. When she saw her husband in the door she cried , but it was of happiness not sadness and it was a rare death. We as readers consider that seeing her husband shocked her and anguish when she sees her husband. The doctor eventually said a different thing that the joy killed Mrs. Mallard .” The conflict between Mrs. Mallard’s life and death becomes so irreconcilable that she finally dies of heart disease when she is told that she will see her husband come home alive instead of death in the railroad disaster.”(Kate