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Postmodernism and its effects on society
Postmodernism analysis
Postmodernism and its effects on society
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The Transition to Postmodernism
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Postmodernism is a difficult term to define, as it is evident in many different disciplines, such as art, literature, architecture, technology, and, the precise emerging moment of this movement is also hard to identify. In order to truly understand `Postmodernism,' one must first identify with `Modernism' and it's subsequent decline which led to the appearance of the Post-modern ear. It is often suggested that Postmodernity is simply a continuation or advancement of Modernity. For example, Bauman, (Crook, Pakulski, & Walters, 1992: p.2) claims that `Postmodernism is simply a replacement of "classical" Modern capitalist society'. However, this assumption has undergone much debate and criticism. Those who reject this notion, maintain that Postmodernism is in fact a historical movement in it's own right, generating a distinct society from that of Modernism. Perry Anderson is one such optimist. In my essay I wish to present a summary of Anderson's attempt to offer a historical account of the decline of modernism and the transition to Postmodernism. I will begin by paying some attention to Anderson's Modernity and Revolution, which pursues the path of Modernism from the onset. Following this, I will engage in examination of, The Origins of Postmodernity, (1998), in which he offers a comprehendable account and subtle critique of Postmodernism, observing it's origins and implications. These two texts combined will allow me to present Anderson's credible account of Modernism's closing stages and the succession of Postmodernism. Throughout the essay I resolve to propose my own opinion of Anderson's `persuasive' abilities.
Until the end of the modern capitalist period, society ...
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...notions of `periodization' or timing; when exactly Postmodernism emerged. It was here that I was concerned with the changing aspects of the bourgeoisie, the academic establishment (or avant-garde), technology, and, politics. I also focused on Anderson's `polarities'; the way in which Postmodernism transitioned itself in contrast to Modernism. He acknowledges the universally accepted features of the movements in general and presents them in a more explicable and comprehendable manner. He also evokes the help of renowned thinkers such as Berman and Jameson, which gives his report more validity and support, but he also exhibits the ability to respectfully pinpoint some of their omissions, i.e. Berman. It is for these reasons that I consider Anderson as offering offers a truly persuasive historical account of the decline of Modernism and the transition to Postmodernism.
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
Macey, David. “Postmodernity.” The Penguin Dictionary of Critical Theory. London: Penguin Books, 2001. 307-309. Print.
Jameson, Frederick. "Postmodernism, or The Cultural Logic of Late Capitalism" New Left Review. 146 (July-August 1984) Rpt in Storming the Reality Studio. Larry McCaffrey, ed. Durham, NC: Duke UP, 1992.
Modernism indicates a branch of movements in art (Impressionism, Post-Impressionism, Fauvism; Cubism; Expressionism; Dada, Surrealism, Pop Art. Etc.) with distinct characteristics, it firmly rejects its classical precedent and classical style, what Walter Benjamin would refer to as “destructive liquidation of the traditional value of the cultural heritage”; and it explores the etiology of a present historical situation and of its attendant forms of self-consciousness in the West. Whereas Modernity is often used as ...
Postmodern literature contains an authoritative point of view as it expresses the “real” and the “unreal”. The authoritative viewpoint hides within the representation of words and the form of the text. Jean Baudrillard speaks of the masking of view in his essay, “Postmodernism and Consumer Society”, when he says, “This, feigning or dissimilating leaves the reality principle inta...
It is a complicated term, or set of ideas, that has only emerged as an
Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.
Modernism can be defined through the literary works of early independent 20th century writers. Modernism is exp...
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
If modernism and postmodernism are arguably two most distinguishing movements that dominated the 20th century Western art, they are certainly most exceptional styles that dominated the global architecture during this period. While modernism sought to capture the images and sensibilities of the age, going beyond simple representation of the present and involving the artist’s critical examination of the principles of art itself, postmodernism developed as a reaction against modernist formalism, seen as elitist. “Far more encompassing and accepting than the more rigid boundaries of modernist practice, postmodernism has offered something for everyone by accommodating wide range of styles, subjects, and formats” (Kleiner 810).
Jencks briefly explains post-modern aesthetics from their modernist predecessors’ and pinpoints the instant of modernism’s death, writing “Happily, we can date the death of Modern Architecture to a precise moment in time… Modern Architecture died in St. Louis, Missouri, on July 15, 1972 at 3:32 p.m. (or thereabouts)...” (23). Unlike Jencks, literary scholars talk about the first, most original or famous representatives of modernism, but they completely avoid pinpointing an ultimate end to the movement. Due to architecture’s visual character and Jencks’ early, authoritative, and internationally read scholarship, the differences between modern and post-modern aesthetics are often clearer in architecture than in literature. Architecture provides a helpful visual counterpoint for modern and post-modern aesthetics in literature. According to him, architectural post-modernism favours pluralism, complexity, double coding, and historical contextualism.
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the
This essay aims to explore the contextual ideas behind the modern movement, how it influenced today’s artists and thinkers, and how ‘Modernization, Modernity, Modernism’ shaped the world we live in. Towards the end of the nineteenth century, around 1860 after man had considerably conquered the machine, a new reality became prevalent in the lives of the newly industrialised world. Modernism includes more than just art and literature. By now it includes almost the whole of what is truly alive in our culture”(Greenberg 1982:5). This quote can be applied to the earlier days of modernism when jobs had changed from agricultural based employment to corporate and menial based labour.
Bertens, J. W., and Bertens, H. 1995. The idea of the post-modern: a history. London, Routledge.
Postmodernism assumes an ontology of fragmented being. Where modernism asserts the primacy of the subject in revealing universal truth, postmodernism challenges the authority of the subject and, thus, universal truth based on it. Modernism and postmodernism, however, draw upon distinctly different epistemological modes: critical and dogmatic.