In the book “Circe” by Madeline Miller, the witch Circe finds her place in a male-dominant society, set centuries ago. In the “Odyssey”, by Homer, Circe is depicted as a desperate, selfish, and evil witch, who harnesses power for ominous reasons. However, in the retelling of Circe, by Madeline Miller, the audience is able to see life from the perspective of the witch herself. Circe, born to the Titan Helios, sees the world around her change, from the newfound power of the Olympians to the punishment of Prometheus. Yet, she is also able to see the cruelty of the gods and their lack of compassion. Despite being divinity herself, Circe sets upon a path to become nothing like the spiteful and egotistic gods around, while being trapped on the Island …show more content…
When Circe fell in love with the mortal, Glaucus, she desired to make him immortal, so that both he and she would be able to live together forever. Despite being denied any form of such transformation, Circe finds pharmakeia, and feels the power within those delicate flowers. She finds a profound knowledge within herself and harnesses the power of those flowers to transform Glaucus into a God. Soon, she discovers that Glaucus has become power-hungry and no longer wants to be with her. In spite, Circe uses the same herbs to transform the nymph, Scylla, who was going to marry Glaucous, into her true form, which turns out to be a hideous beast. Overcome by guilt, Circe goes to Helios’ halls and tells the truth about the transformation of both Glaucus and Scylla. However, Helios simply ignores her claims and tells her that she does not have the power to transform anyone. But in that moment, Circe is more sure of herself than she has ever known, causing her to argue against the Titan of the Sun. For her defiance, Circe is banished to a remote island, called Aiai. On Aiai, Circe has the freedom to live the life she wants, away from the cruelty of her previous
Greeks had a misogynistic society, however women still had important roles in the Odyssey. Mortal women's most esteemed roles were either wife or mother. All the mortal female characters in the Odyssey existed to interact with a male, due to their beauty or sex appeal. But, the most powerful female characters in the Odyssey have other qualities such as cleverness which still play a role. Beauty is still one of the most important thing to Homer. For instance he starts a war using Helen of Troys beauty, and makes the two of the biggest obstacles Odysseus has to deal with love interests, Circe and Calypso. If you’ll remember he stayed on Circe's island an extra year longer of his own free will. However, Circe and Calypso are not mortal, so they already have the advantage. Homers non mortal women all have other qualities to them that allow them to help the plot along. Namely, Penelope, Queen of Ithaca and Odysseus bride.
In medieval literature, the role of women often represents many familiar traits and characteristics which present societies still preserve. Beauty, attractiveness, and grace almost completely exemplify the attributes of powerful women in both present and past narratives. European medieval prose often separates the characteristics of women into two distinct roles in society. Women can be portrayed as the greatest gift to mankind, revealing everything that is good, pure, and beautiful in a woman's life. On the other side of the coin, many women are compared to everything that is evil and harmful, creating a witch-like or temptress quality for the character. These two aspects of European culture and literature show that the power of women in medieval narrative can be portrayed through both evil and good, and more often than not, power is derived from the latter.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
In Homer's composition, The Odyssey, the roles women play are very significant. The best examples of the true nature of women occur when Odysseus encounters Circe and Calypso. These two characters illustrate the thoughts and feelings of how women how a woman feels and how they think. As the quote states, Circe and Calypso illustrate how women really can be crafty, intelligent, sneaky, disloyal, and cruel. In contrast to battles with men, Cyclops, or animals, sexual battles with women are sometimes much more difficult to win.
The gender roles in Vergil’s Aeneid are a complex composition that can be read differently from varying contextual views. Particularly nuanced is his representation of female characters, both goddess and mortal. The intricacy of this representation stems from the dichotomy of a modern reading compared to the contemporary values of the time. Current values and norms have socialized the modern viewer to view Vergil’s female representations through culturally constructed roles, or tropes. Juno and Venus both exemplify traits that a modern viewer may identify as that of a woman scorned. Similarly, Dido and Amata reflect the typical characterization of the hysterical woman. It is these culturally constructed concepts that are subliminally framing the work for the modern reader that can cause a discrepancy in representation. Therefore, readers can interpret that Vergil is depicting the female characters as irrational, and are a stark contrast to the males of the epic, particularly Aeneas. However, contemporary values revealed that the motivations of the female characters were in fact normal. Pietas, the Roman value that called for devotion to the state, gods, and family, can be seen as the catalyst of action for all of the female characters. Consequently, the female characters actually embody many of the same values of Aeneas. For this reason, modern viewers can be faced with difficulty determining the representation of women in the Aeneid. Throughout the epic, Vergil seems to portray women as irrational and meddlesome from a modern point of view. However, their motivations are driven by virtues of devotion that were typically accepted by contemporary standards and associated with men as represented in the epic, such as Aeneas.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
The Odyssey by Homer tells the account of the celebrated king Odysseus and of his great feats on his way back to Ithaca, much like the Epic of Gilgamesh expresses the feats of the great king Gilgamesh and his friend Endiku. These male characters are exemplified in their incredible feats and capabilities. However, many of these deeds would not be possible without the help of the female characters. The seemingly perfect male characters have their greatest weakness in women and many of their pitfalls are a result of encounters with women. The female characters in both the Odyssey and The Epic of Gilgamesh show how even though women both mortal and immortal are subservient to men in society, whenever women are pitted against men, women almost
In the Homer's epic poem the Odyssey, there are many themes that serve to make a comment about the meanings of the story. The theme of women in the poem serves to make these comments but also establishes a point of view on women in the reader. From this point of view, a perspective is developed into the "best" and "worst" in women. Achievement of this is through the characterization of many women with single notable evil qualities. Similar to the biblical story of Adam and Eve, Eve like the many women in the Odyssey brings about pain and suffering for mankind. Contrary to the depicting of women as roots of evil, the reader sees the other traits of women that are most desirable. The roles of these women are achieved by their portrayal throughout the poem. This in return has a significant affect on how the poem and the message that is conveyed.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
Women have given birth to new generations for centuries and have the common stereotype of being caring and gentle. But in the creation myth, women were given to man as a punishment. In the book of collected Greek tales, " Mythology Timeless Tales of Gods and Heroes", by Edith Hamilton, women take up important roles that shape each story. Although women are usually characterized as being helpful and motherly, Greek mythology, on the other hand, portrays them to cause distress, fear, and anxiety to numerous men. Women’s actions are shown to be influenced with jealousy and vengeance which gives them an evil nature.
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Ibsen). This saying also applied to the times of the Odyssey, an epic constructed by the blind, eight century B.C.E. poet, Homer. As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves. He engraved into his poem women’s roles; the roles of women, as mothers, wives, seductresses, and goddesses are exemplified in this epic, when shown in comparison to the men of that era.
The society in which classical myths took place, the Greco-Roman society was a very patriarchal one. By taking a careful gander at female characters in Greco-Roman mythology one can see that the roles women played differ greatly from the roles they play today. The light that is cast upon females in classical myths shows us the views that society had about women at the time. In classical mythology women almost always play a certain type of character, that is to say the usual type of role that was always traditionally played by women in the past, the role of the domestic housewife who is in need of a man’s protection, women in myth also tended to have some unpleasant character traits such as vanity, a tendency to be deceitful, and a volatile personality. If one compares the type of roles that ladies played in the myths with the ones they play in today’s society the differences become glaringly obvious whilst the similarities seem to dwindle down. Clearly, and certainly fortunately, society’s views on women today have greatly changed.
Just as this genre exemplifies the masculine ideal, it also promotes the feminine ideal, largely by casting female characters who do not meet this ideal in an antagonistic light, and thus maintains the male-dominant system of the societies which produced these works. This paper therefore argues that female characters in epic poetry, namely The Epic of Gilgamesh, Homer’s Odyssey, and Vergil’s Aeneid, play the role of an antagonistic “Other” group by employing their agency to act beyond the established gender roles of their societies, thereby disrupting the social order and creating obstacles for the male protagonists.
Since the beginning of human civilization, women have often occupied inferior roles in society while the dominant role has been played by men. In Homer’s The Odyssey gender roles in Greek society are emphasized showing how men controlled society while women were undervalued and constantly disrespected. Although it may be argued that Homer poses some rather feminist views, it is evident by several elements that The Odyssey is a misogynistic text. First, women in the Odyssey were continually oppressed by men never having true free will. In addition, Women were depicted as symbols of lust, seduction, and evil who bring destruction to men, undermining the true values of women. Furthermore, Women were expected to remain loyal to men while men have no expectation for themselves which promoted gender inequality. Exemplified by these three elements, it is evident that The Odyssey is a misogynistic text depicting a society where women occupy subservient and inferior positions.