The corpse being found in the house was completly unexpected for me. The short story discribes Ms. Emily as being a strong willed woman but her being a murddrer never crossed my mind. The fact that she brought the arcinic poisioning and was hessitant about telling the pharmanisis what she was going to use it for lets the reader know that she did not have good intentions with it. After reading the ending I understand why the townsmen come to the house complaining about a horrible smell after Homer's disaperance. Ms. Emily never left the house which colud have been her way of gaurding the body. The narrowrater tells us that Emily has an aunt that suffered from some mental health issuse which, in my opinon may have been a way of hinting to the
A theme in “Our Secret,” by Susan Griffin that is developed through the character of Himmler, and the symbolism with the development of a cell is that if individuals hide constantly behind masks, they will struggle internally.
...y of Homer Barron was found in the locked room. Well that was what she used to kill the man she thought to have loved. Her fear of abandonment mix with her already messed up head, is what led her to commit those heinous acts. Evidence showed that she also slept next to Homer’s corpse based on the facts that there was an indentation on the second pillow with grey hair found on top of it. It is obvious that the stuff done by Emily, someone who is sane would not have done that.
Maus is a biographical story that revolves around Vladek Spiegelman’s involvements in the Holocaust, but masks and manipulation is one of the few themes of the book that has a greater picture of what the book entails. Vladek’s experiences during World War II are brutal vivid detail of the persecution of Jews by German soldiers as well as by Polish citizens. Author Art Spiegelman leads the reader through the usage of varying points of view as Spiegelman structures several pieces of stories into a large story. Spiegelman does this in order to portray Vladek’s history as well as his experiences with his father while writing the book. Nonetheless, Maus deals with this issue in a more delicate way through the use of different animal faces to
“In Defense of Mask,” by Kenneth Gergen he states that it is not possible for humans to find a coherent self identity without having a solution. The idea of developing a “coherent sense of identity” makes us act a certain way to please the wish of others. Gergen wants to find intentions of an individual 's choice of mask and how outward appearances and inward feelings we all come across. The author proves his statement by experimenting on people who had a positive and negative reaction from an interviewer.Therefore, the “coherent identity” versus “multiple identities” is detrimental to many individuals when they are trying to perceive into someone that they wish to become. I agree with Gergen, because having a mask hides
Du Bois' metaphor of double consciousness and his theory of the Veil are the most inclusive explanation of the ever-present plight of modern African Americans ever produced. In his nineteenth century work, The Souls of Black Folks, Du Bois describes double consciousness as a "peculiar sensation. . . the sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity" (Du Bois, 3). According to Du Bois assertions, the Black American exists in a consistent "twoness, - an American, a Negro"(3). Further, he theorizes, the African American lives shut behind a veil, viewing from within and without it. He is privy to white America's perspective of him, yet he cannot reveal his true self. He is, in fact, protected and harmed by The Veil.
"For now we see through a glass, darkly" --Isiah 25:7 W.E.B. Du Bois's Souls of Black Folk, a collection of autobiographical and historical essays contains many themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture; but one of the most striking themes is that of "the veil. " The veil provides a link between the 14 seemingly unconnected essays that make up The Souls of Black Folk. Mentioned at least once in most of the 14 essays it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world with yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others.
There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.
After being reclusive for decades, Miss Emily dies in her dusty house at age 74 (305). After her burial, they force entry into the “room in that region above the stairs which no one had seen in forty years” (306). They find the “bridal suite” and remains of Homer laying “in the attitude of embrace” along with evidence that Miss Emily had also been in that bed with him (306). Readers believe that Emily kills Homer with the arsenic. In her mind, she is not going to allow him to leave her. She prefers to have him dead in her house, rather than gone
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
...h to question. It seems as if it is Homer who lies in the bed, although it is not verified. Had Homer attempted to desert Miss Emily as everyone thought? Had she in turn killed him with arsenic she had purchased just before their relationship had struck up? Had the cousins who visited arranged such a murder? Had Miss Emily, crazed with years of being an old maid and an outsider from society, stayed in bed next to her beloved, as if he had never left her?
Later on, the author gets to the time when her father just died. Miss Emily felt so alone that she decided to keep her dead father’s body in the house, and not let anyone take him away from her. After the neighbors kept coming to the city council and complaining about the fowl smell that was coming from miss Emily’s house, the judge sent a few men to put lime around the house to kill the smell. As the reader later finds out, the smell was coming from miss Emily’s father’s decaying body. Finely the authorities took the dead body out of the house and buried it. As the story goes on, the reader is told that the town was being renovated, streets being paved and such. With the renovators, came a young man, by the description, he was a handsome young man. The town kept talking as they always did, gossiping about miss...
...ity to question Miss Emily, being the “high and mighty Grierson” she was. If someone would have simply investigated this smell a little further, if the druggist would have held his ground and not sold the poison to Miss Emily (page 394 lines 35-48 Norton), or even if someone even had the compassion to come and ask Miss Emily about Homer Baron's sudden disappearance, the story very well could have had a different outcome. Instead the townspeople did whatever they could to avoid any sort of confrontation with Miss Emily, in hindsight, this was their biggest mistake, it cost the life of a man as well as drained the town of what was rightfully theirs (taxes). This thus produces the theme that no one should be above the law. No extent of intimidation or status should supersede justice, because if it does, then those who are empowering it shall endure the consequences.
Masks by Emil Nolde is an oil painting which is currently displayed at The Nelson-Atkins Museum in Kansas City Missouri. My first response to the still life painting was that of a very weird and bizarre, yet playful mood. The mischievous looking figures rendered with intense color, gave off a sense of horror without the dim dull color scheme typically portrayed in horror settings. At first glance, one could notice the eerie grin or grimace upon the countenance of each of the five individual figures. I believe Nolde rendered the painting in this manner to capture the viewers attention in a way that would provoke a sense of terror and jab at their emotions.
At the beginning of the story when her father died, it was mentioned that “[Emily] told [the ladies in town] that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body” (626). Faulkner reveals Emily’s dependency on her father through the death of her father. As shown in this part of the story, Emily was very attached to her father and was not able to accept that fact that he was no longer around. She couldn’t let go of the only man that loved her and had been with her for all those years. While this may seem like a normal reaction for any person who has ever lost a loved one, Faulkner emphasizes Emily’s dependence and attachment even further through Homer Barron. After her father’s death, Emily met a man name Homer, whom she fell in love with. While Homer showed interest in Emily at the beginning he became uninterested later on. “Homer himself had remarked—he liked men” (627) which had caused Emily to become devastated and desperate. In order to keep Homer by her side, Emily decided to poison Homer and keep him in a bedroom in her home. It was clear that she was overly attached to Homer and was not able to lose another man that she
... had occurred. Emily’s neighbors refuse to acknowledge this, and instead try to cover the smell up with lime. They try to excuse themselves from finding the real source of the rotten odor by saying it would be wrong to tell a lady that her house smells. Even though they and Emily went along with this charade, it cannot completely disappear. The truth finally appears after her death, when it is revealed that Homer had been rotting in his wedding bed since the town thought he he had skipped out. It is a strong image when the state of decay is described to the reader and the townspeople realize that a single strand of Emily’s gray hair is proof that she had been sleeping beside him for all of those years.