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The theme of death in literature
The theme of death in literature
The theme of death in literature
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Death is a nebulous, inescapable force that everyone must confront and learn to deal with in some way. In The Tiger’s Wife, Death is everywhere, in the near constant fighting and dangerous remainders of several wars. For “The Tiger’s Bride”, however, Death remains just outside the scope of the story, brushing along the edges of our awareness but never put plainly before us like the many corpses of Obreht’s novel. Or at least it seems this way until we recognize The Beast as more than just a tiger making play at humanity, that he is instead Death manifested in flesh and fur. If, then, the tiger is Death given physical form, what does this mean for The Tiger’s Wife? Even here, the tiger is tied to imagery of Hell, devils, and Death. It open for …show more content…
Galina, as the tiger visits it, is described as being “marked with heavy snowstorms” that cut off Galina from easy escape, and furthermore, “the ground was frozen solid” (110-11). Again, we see the imagery of an icy hell, but here, the tiger, devils, and Death are even more closely connected as the villagers believe the tiger is a devil, starting from Vladiša’s first sighting of it. To them, Death is also one of the many devils of their lives, as Obreht writes, “Sometimes, the devil was Death…” (106). Once more, the tiger is the devil, and so therefore it is …show more content…
At the end of the story, we again see it when Natalia says, “… my grandfather did not die as he had once told me men die – in fear – but in hope, like a child” (335). Perhaps the most significant passage comes from Natalia’s grandfather himself, “But children die how they have been living – in hope. They don’t know what’s happening, so they expect nothing” (154). To die as a child then is to meet Death as the tiger’s wife and the narrator of “The Tiger’s Bride” meet their tigers in the end, without pretense, expectation, disdain or even
In Alistair McLeod’s collection of short stories the Lost Salt Gift of Blood; death seems to be a constant companion. Death is important and perhaps even symbolic in this collection of short stories. It is important because it has the power to affect people and relationships, invokes freedom and even predetermines ones future, through the death of animal’s people and the impending death of others.
“Watch your tone young lady” a phrase known all too well to the American culture, whether it be from mom giving her children a lecture or on a television screen being spoken out by an actor. The tone of voice that one uses while speaking plays an extremely significant role in what the spoken words actually mean. Many times one can say one thing and mean another just from placing emphasis on a particular word. With tone of voice plays such a vital role in the meaning of a sentence it becomes clear that poetry, although often times found in books as written work, is meant to be read aloud; this was not all that clear to me until I attended my very first poetry reading. On November 10th Ramapo College welcomed the marvelous poet Mark Doty to its campus. Through Mark Doty’s reading of “House of Beauty” and “Theory of Marriage” it became clear that the use of emphasis and tone are vital characteristics that allows for the poet to challenge poetic traditions and conventions.
The struggle for superiority can sometimes grow too intense. In Penelope Lively’s novel Moon Tiger, she illustrates a scene with two siblings scaling a cliff at the beach as they search for fossils. Once Claudia sees her brother Gordon find something, she desires to reach the top of the cliff in hopes of finding a wealth of these fossils. As she attempts to pass Gordon to reach the top, he tries to block her path, and she ends up slipping and falling to the ground below. Their mother, Edith Hampton, attempts to calm her children and help Claudia regardless of her exhaustion. Lively uses literary devices such as diction, personification, imagery, repetition, and selection of details to dramatize the complex relationships among the family
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
Once while hunting for boar with Arab Maina, Arab Kosky, and her dog, Buller, Markham comes face to face with a dangerous, lone lion. In this section, Beryl is extremely descriptive and recalls the memory in a fashion that allows the reader to see the events unfolding through her eyes at a lifelike pace. “Buller and I crouched behind them, my own spear as ready as I could make it in hands that were less hot from the sun than from excitement and the pounding of my heart.” (Markham 87), depicts Beryl’s thrill at the possibility that she may go toe-to-toe with the lion. This excitement outweighs her fear of injury for herself; however, she restrains Buller, as to prevent him from trying to sacrifice himself in the conflict.... ...
Just as the miller’s daughter hides herself behind a cask when the bridegroom and his band enter, Mary sneaks behind a barrel, watching as Mr. Fox drags another maiden in. Notably, both Grimm and Jacobs use the verb “dragging” to describe the bridegroom’s treatment of the maiden. In keeping with the class shift from Grimm’s text, Mr. Fox uses a more extravagant weapon (a sword instead of an axe) to remove the maiden’s hand. This hand has a diamond ring, not a gold one, symbolically strengthening the link between death and marriage. Once again like the miller’s daughter, the hand lands on Mary’s lap, and she carries it with her when she escapes. Then, she sets a trap for her bridegroom at a public pre-wedding breakfast. When he urges her to
In his famous “To be or not to be” soliloquy, Hamlet contemplates death and existence. To him, death is full of unknowns and existence is full of suffering and pain. Eventually, he decides to endure “the heart-ache and the thousand natural shocks/that flesh is heir to…” (Shakespeare 62-3) rather than face the possible horrors that might be revealed in death. Kumin’s “In the Park” agrees with Hamlet in the aspect that death and the afterlife is mysterious. Through the exploration of Buddhist and Jewish beliefs on death and the near death experience of Roscoe Black with a grizzly bear in Glacier Park, Kumin comes to a conclusion that death is inevitable and non-discriminatory. Her nonchalant acceptance of death contrasts with Hamlet’s fear of death. The attitude of both poems towards life further sets them apart. Hamlet is tormented and intimidated by the suffering and pains of existence while Kumin subtly appreciates the complexity of life and the possibilities it offers.
Throughout the short story “The Masque of the Red Death,” Edgar Allan Poe uses vivid symbolism, structure, and reoccurring details to paint a powerful image regarding the finality and inescapable reaches of death itself. “The ‘Red Death’ has long devastated the country,” yet the Prince Prospero continues to hold extravagant parties for his fellow elite members of society. Rather than merely telling a series of events, Poe carries his readers throughout the many rooms and scenes that hold the Prince’s masquerade, up until the clock strikes midnight and the partygoers can no longer hide behind their façade, and death comes in to take those that thought themselves invincible (Poe 438-442).
In this poem, the speaker’s encounter with death is similar to a courtship. In the first stanza of the poem the character Death is introduced as playing the role of the speaker’s suitor. In this way, this poem about death takes on an unexpected light tone, giving the reader a sense that the speaker is content to die and able to approach it with a sense of calm. Death’s carriage is also introduced in this stanza serving as a metaphor for the way in which we make our final passage to death. The final line in this stanza introduces a third passenger in the carriage. Both the uses of Immortality, the third passenger, as well as the use of Death are examples of personification.
To introduce the narrator says “ Cinnamon was a princess a long time ago[…] her eyes the purest pearls.” As Gaiman describes her having pearl eyes, the color represents innocence. This leads the reader to conclude that she is a innocent sheltered princess in need of a savior. As her savior arrives, “ One day a tiger came to the palace. He was huge and fierce, a nightmare in black and orange” How Gaiman describes the tiger, through an archetypal lens, the reader can conclude he is the savior that Cinnamon needs. The tiger symbolizes the savior, even though he is a tiger, he has the characteristics of a prince like savior. After the tiger has saved the girl, she tells her parents. “ The tiger has told me of the jungle. I am going with the tiger. “In this moment the tiger has officially saved the princess and she is ready to escape and live life with him. Soon she will inherit the life of the tiger. The part of the archetypal lens we use to see Gaimans work is the character types in the typical works of literature and
... Nature, including human beings, is `red in tooth and claw'; we are all `killers' in one way or another. Also, the fear which inhabits both human and snake (allowing us, generally, to avoid each other), and which acts as the catalyst for this poem, also precipitates retaliation. Instinct, it seems, won't be gainsaid by morality; as in war, our confrontation with Nature has its origins in some irrational `logic' of the soul. The intangibility of fear, as expressed in the imagery of the poem, is seen by the poet to spring from the same source as the snake, namely the earth - or, rather, what the earth symbolizes, our primitive past embedded in our subconsciouness. By revealing the kinship of feelings that permeates all Nature, Judith Wright universalises the experience of this poem.
The “Tigers Bride,” by Angela Carter is another widely known version that has to do with the fairytale “The Beauty and The Beast.” This version was written in 1979 and shows ways of femininity through the main character of the story who is narrating. She shows femininity in a way where she does not follow certain values in this time period. The main character exposes herself to the Beast by lifting her skirt and exposes her body in way society would not accept. This shows how women should break free of their beautiful appearance and figure and embrace parts that they never show before. This gives society an image about women in a different perspective. In this film the mother character is absent which shows how she only had a father figure, even though he did not play a good fatherly role.