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Epic of gilgamesh analysis
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The Epic of Gilgamesh is a legendary poem dated way back to early Mesopotamia. This book is extremely important because is often refereed to as the first surviving epic poems in literature. The Epic of Gilgamesh was written and amazingly preserved on clay tablets. This story revels the adventures and journeys that the great king of Uruk, Gilgamesh, embarked on. In Mesopotamian culture, dreams were very important to Mesopotamians. In the book, dreams were repeatedly discussed and considerably focused on. I will be discussing and breaking down what dreams all meant to the characters and people of Mesopotamia in the book of The Epic of Gilgamesh. I will bring up about how these dreams were visions, symbols, and, a way of communicating from the …show more content…
A lot of these dreams were also made to emphasis the concept of fated heroes and brought to light there chosen destiny. Knowing this, it is easy to say that Mesopotamians at this time, strongly believed in predestination and that everything is picked out for you no matter what and can’t be changed. For example, in the book the goddess Ninsin, Gilagamesh’s mother, interprets Gilgamesh’s dream. “…He is the strongest of wild creatures, the stuff of Anu; born in the grass-lands and the wild hills reared him; when you see him you will be glass; you will love him as a woman and he will never forsake you. This is the meaning of the dream.’ Ninsum is accurately explaining Gilgamesh the dream he had. She interpreted the dream and knew someone was coming soon in the future, which was Enkidu. (The Epic of Gilgamesh page …show more content…
For example, the axe and the meteor that appear in Gilgamesh’s first couple dreams all represent the character Enkidu. “Mother, I dreamed a second dream. In the streets of strong-walled Uruk there lay an axe; the shape of it was strange and the people thronged round. I saw it and I was gal. I bent down, deeply drawn towards it; I loved it like a woman and wore it at my side.” (The Epic of Gilgamesh Page 67). As I mentioned earlier, the axe that Gilgamesh is talking about represents the character Enkidu. The axe that Gilgamesh dreamed about specifically symbolized Enkidu’s battle performances. In the dream Gilgamesh loves the axe and wears it on his side which represents that in battle they are partners and protectors of each other. In the dream, Gilgamesh also talks about a meteor. The meteor also represents Enkidu’s and symbolizes that were viewed to Gilgamesh as a god-sent and fell from heavens above down to him. The feelings that Gilgamesh has for Enkidu’s symbols was compared to the love of a woman. This means that Gilgamesh has strong feelings for Enkidu’s that he is most likely lonely and wanting a relationship of some
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
Gilgamesh who has always gotten what he wanted could not save Enkidu from death. The death of Eknidu effected Gilgamesh and the way the character would evolve from the death of his friend. The friendship with Enkidu allows Gilgamesh to see the reality of death. When Enkidu dies then Gilgamesh becomes obsessed with his own mortality. “What my brother is now, that shall I be when I am dead.” (Gil. 31)
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
The second significant change in Gilgamesh was caused by the loss of his brotherly companion, Enkidu. Gilgamesh couln't bear the loss of a love so powerful. Despite his astonishing power and leadership, something in his life was missing. Moreover, he wept for seven days and nights, thinking his friend would come back because of his weeping. It is in this stage of the epic that one can see the truly sympathetic and compassionate side of Gilgamesh. The grief in his heart had far surpassed the magnificent pride that he had previously displayed so boldly. Enkidu's death left Gilgamesh frightened and confused. However, the despair in his heart was so great that he could not rest; would he ever be at peace? Thus, he became terrified of his own death.
---. “The Development and Meaning of the Epic of Gilgamesh: An Interpretive Essay.” Journal of the American Oriental Society 121.4 (2001): 614-622. JSTOR. Web. 28 Feb 2014.
While researching, I consulted the many translations of Gilgamesh found on the web. It seemed that the more sources I sought, the greater the amount of differing opinions and convoluted versions I uncovered. In an effort to remain true to the epic, I will mainly be referring to the book, World Mythology, written by Donna Rosenberg with a few inclusions from Kovacs' translations. Although Rosenberg's version lacks the flair of the latter, it provides a simple doorway opening to a complicated, yet profound, tale of the first great epic that brings time, mortality, and the anguish of humanity into a world of personal destiny basically related to our own (Campbell, OM, p. 87-90). The essay is written with the understanding that the reader has prior knowledge of the main subject matter, Dr. Carl Jung's theories of the unconscious, and Joseph Campbell's idea that myths are synchronistically reproduced across time.
According to dreams in the ancient world persons light is believed to be consists of knowledge. It is believed that there are three worlds for a person one is here in the world; the other is in the other world and, third one in intermediate state which is the state of sleep. The intermediate state helps the person helps the person to see both the states.“On being born hat person assuming his body, becomAes united with all evils: when he departs and dies, he leaves all evil behind”(p125). The intermediate state does not have any roads; no joy’s no happiness’s but himself.
The beginning of the Epic finds Gilgamesh hunting immortality through the ways of old. He is trying to achieve everlasting life through the fertility of young virgins promised to another. This action by Gilgamesh caused the people of Uruk to call for the gods to restore the order which the traveler from abroad had destroyed (pg.62). From the sacred order of the goddess Aruru's mind Enkidu emerges from the profane wilderness (pg. 63). It is told that a trapper came "face to face" with the chaotic ways of Enkidu and was "frozen with fear". It is only through the love of one woman that order is brought to the life of Enkidu. He is then declared wise enough to challenge Gilgamesh and restore the order to "strong walled Uruk" (pg.65). So, when Gilgamesh is headed to the bridal bed to partake...
The dreams in Epic of Gilgamesh resemble the poem as a whole. In general, they are a foreshadow of the poem. Gilgamesh and Enkidu both have dreams with strange symbolic images. These images are flowed into the poem as a very important message to the main characters. In the olden Mesopotamian days, dreams were important to people; dreams represented the future of their well being or their misfortune. It was another way of God sending a future hint to a person. Dreams are essential to these people, similar to the main characters in the poem, Epic of Gilgamesh.
Throughout time, people of all cultures have told stories of heroes and kings. The most ancient story we have on record is the tale of King Gilgamesh. This story is an account of the King's journeys and accomplishments. Although it was written over four thousand years ago, many comparisons can be made between the society in which the story was written and our own modern society. In this essay, differences and similarities between the two societies will be examined.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).