Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Human nature in the Frankenstein
The role of nature in the poems by Shelley
Frankenstein theme analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Human nature in the Frankenstein
In 1818 Frankenstein was written by Mary Shelley. In Frankenstein, Victor Frankenstein brings a creature to life. The creature kills William, Henry Clerval, and Elizabeth. Victor had promised to make a female creature for the creature, but he did not fulfill his promise. This makes the creature enraged. The creature runs away and Victor follows him. Victor gets on a boat with Walton. Victor dies and the creature comes and is very sad that his creator has died. The creature says that he must end his suffering and he jumps into the ocean. In the novel Frankenstein, Shelley uses the theme of nature to show how it is like the characters of the story and how it affects the characters.
The theme of nature is shown throughout Frankenstein to represent the creature. For example the lighting and storm are like the creature. This is illustrated when Victor says,
During this short voyage I saw the lightnings playing on the summit of Mount Blanc in the most beautiful figures. The storm appeared to approach rapidly; and, on landing, I ascended a low hill, that I might observe its progress. It advanced; the heavens were clouded, and I soon felt the rain coming slowly in large drops, but its violence quickly increased. (49)
The lightning and storm are like the creature. The creature might be beautiful in Victor’s eyes, but the creature is also violent and dangerous. The creature is very destructive like the storm; he kills William. It takes Victor a long time to create the creature, but once the creature is created he quickly became violent. In the essay, The Sublime Setting, David Ketterer states, “It is the sublime settings- the region around Mont Blanc and the Arctic wastelands- which predominate among the books scenic effects” ( Ketterer...
... middle of paper ...
...he way he thinks. The creature is affected by the different seasons. Nature is a symbol for the creature and both Victor and the creature are affected by nature.
Works Cited
Brennan, Matthew C. “The Psychology of Landscape in Frankenstein. Bloom’s Guides: Frankenstein. Ed. Harold Bloom. New York: Infobase Publishing, 2007. 119.
Ketterer, David. “The Sublime Setting.” Bloom’s Guides: Frankenstein. Ed. Harold Boom. NewYork: Infobase Publishing, 2007. 86-89.
Phillips, Bill. “Frankenstein and Mary Shelley's 'wet ungenial summer'.” Atlantis, revista del Asociación Española de Estudios Anglo-Norteamericanos. 28.2 (2006): 59+. Literature Resources from Gale. Gale. Alabama Virtual Library Remote Access. Web. 12 Mar.2011. http://go.galegroup.com/ps/i.do?&id=GALE%7CA165578074&v=2.1&u=avlr&it=r&p-LitRG&sw=w.
Shelley, Mary. Frankenstein. New York: Dover, Inc, 1994.
Works Cited Shelley, Mary. Frankenstein. 1818. Ed. J. Paul Hunter. Norton Critical Edition. New York: Norton, 1996.
Since the beginning of time, water has been a source of utmost power. In the Bible’s book of Genesis, the story of creation is told. On the third day, God is said to part the waters to give life to men, animals, and vegetation inhabiting the land. This is similar to how Victor Frankenstein gives life to his monster. Later in Genesis, God approaches Noah, who is a righteous man of God. He tells Noah to build an Ark because he intends to flood the Earth to rid it of the evil and corruption. The Bible, written over 3,000 years ago shows the ability and power of water to transcend time. This allusion shows the power which water can have. In Mary Shelley’s Frankenstein, she relates water to her main character, Victor Frankenstein. He gave life to a monster with innocent intentions, yet the monster goes on to kill and destroy. In Mary Shelley’s Frankenstein, Victor Frankenstein’s actions symbolically relate to water and the antithesis in which it not only creates, but also destroys life.
Levine, George. ? Frankenstein and the Tradition of Realism?. A Forum on Fiction, Vol. 7, no. 1 (1973): 17-23. Rpt.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
The reason why the creature had no name is because Victor saw him as an abomination, and without a name the creature had a sense of belonging which was probably one of the factors that caused his wrath. Lastly, both Victor and his creature have many things in common, such as revenge. After killing his younger brother, Elizabeth, and his best friend, Victor, after having no family left, wanted to put an end to it all, so he ended up chasing his creation and dying before catching it. After bringing the creature into this world and leaving it behind to fend for itself, the creature endured lots of agony and pain from society which drove its rage to Victor and his family and he ended up killing this younger brother and soon to be wife. Both were isolated from society, Victor brought isolation upon himself through locking himself up to create the creature and ignoring everything around him as stated in the article, “The summer months passed while I was thus engaged, heart and soul, in one pursuit.
“Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family. This idea is then reincarnated in the form of a monster which leads to the conclusion that Mary Shelley felt like an abandoned child who is reflected in the rage of the monster.
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Shelley, Mary. Frankenstein. Ed. D.L. Macdonald and Kathleen Scherf. Orchard Park, NY: Broadview Press, 1999.
His ambitions are what isolate him and bring to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated from everyone, including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge.
Frankenstein chases the monster to the North Pole, in an attempt to kill it. Weakened by the cold and long chase, a dying Victor is taken aboard a ship, where he relates his tale to the captain and dies soon after. The next night the monster visits the ship and looks upon Victor's body, ashamed by all of the killing he has done the monster flees into the Arctic Ocean, never to be seen again. Frankenstein appears to be a novel about the evil ways of man, but it is truly about the human soul and how it needs friendship and love to survive.
Victor Frankenstein and his creation are alike in several ways, one of them being their appreciation of nature. Victor embraces the nature for the quick moment that he escapes the creature as it “filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy” (Shelley 84). Vict...
Unlike the Romantic who revered and honored nature, Victor wants to use it for his own gain. He expects “happy” and “excellent natures” to obey him, and he doesn’t dwell upon the consequences of his actions. His outlook changes after the creature comes to life. As Victor stares into the watery, lifeless eyes of his creature, he finally realizes his mistake in trying to disrupt the natural order of the world. Scared by the outcome of his actions, Victor attempts to run away and find comfort in nature.
The elements of romanticism and nature in Frankenstein, these elements lend suspense and literary merit to the novel. Nature is used as a godlike figure that controls and enhances the emotions of Victor and the creature. It is used differently for each character, creating a contrast between the two of them throughout the novel. The romantic elements lend literary merit and cultural identity to the novel that sets it apart for other novels of the time, while lending it to the creation of the genre on science fiction.
The vivid similarities between the two tragic characters are driven by their isolation from the secluded world, which refuses to accept those who are different into society, by hatred, and most importantly by the absence of motherly figures in both Victor’s and the Creature’s lives. As Victor had stated, “I seemed to have lost all soul or sensation but for this one pursuit.” (Shelley 40) as he described that he lost all touch with the world due to his work. Both figures seem to strongly despise one another yet strangely enough, they both also despise themselves for their wrong and disastrous actions. Family ties and vengefulness are truly one of the most significant aspects affecting the resemblance of both Victor and the Creature. At a young age, Victor was left without his mother after her death and as a result, he never got to experience the true feelings of a mother’s warm touch and love. “She died calmly...it is so long before the mind can persuade itself that she whom we saw every day and whose every existence appeared a part of our own can have departed forever and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.” (Shelley, 29) Just like Victor, in his own time, the Creature never got to experience not only the love of a mother but the love of a father as well. These driven characters thrive for the same goals, feed of similar pain, and feel the same