Have you ever worn a mask before? Maybe the mask wasn't a costume mask, but it was a mask to make you seem happy, or seem cool, or anything that made you feel like something than you are not normally. Chances are you have. Trying to fit in with the crowd, a mask is used to obtain the things we cannot reach on our own. Masks are especially common today because of the pressures to belong to the 'in'; group, or the pressures to succeed. Books, using masks, commonly show the many connotations of masks. They are used to find out what people are for real, on the inside of the mask. The imagery of masks is used throughout the book of Twelfth Night. Shakespeare uses the imagery of masks to reveal characters true emotions and to express the power of raw beauty. Shakespeare uses this imagery through all of his characters in the play, but especially the two characters of Viola and Feste.
The perfect example of the use of the masking imagery can be seen through Feste. Acting as a wiseman and not the fool, Feste shows the development of masks. Feste tries to 'conceal [him] for what [he] is';(1.2) because he knows that if the people knew that he was a wiseman, than he would not be called upon to sing his songs, symbols of what is right. Also, the people would not come to him for the advice he gives them in his songs and speeches. This is a strong example of masking imagery because it shows of what the character might be like without his mask, and what he might be treated as if he wasn't the fool. In the play, full of masking imagery, Feste shows his many personalities. He shows the 'devil man';(4.2) in himself when talking to Malvolio. This is shown as a mask to the audience because it shows that not only is Feste a wiseman and a fool, but he is also a mean and tricky person. This shows that the masks of Feste are shown in many different cases, causing them to be very well developed. Feste's masks tend to show what everyone wants at that time. Feste acts as 'an ass';(5.1) for his friends. Pleasing the people, the masks show that Feste can be more liked and more used for all purposes. But the identity of Feste can always be revealed through eyes.
In the past there were two types of shamans, the good and the bad. The good ones
George Orwell quote, “He wears a mask, and his face grows to fit it.” The documentary, “The Mask You Live In”, directed by Jennifer Siebel Newsom shows different ages of males who struggle to be themselves while battling America’s limited meaning of manliness. George Orwell quote, “He wears a mask, and his face grows to fit it.” Influenced by the media, among their age group, and the grown-ups in their lives, adolescents dissociate their emotions, disrespect women, and is aggressive. Society gender stereotypes affect young males to change to fit into the societal norm as they characterize “real” men.
Paul Lawrence Dunbar, an African-American poet, describes the suffering that blacks were subjected to in his 1913 poem, “We Wear the Mask”. In his poem, Dunbar asserts that blacks are partially responsible for the suffering of African Americans due to their belief that a deceptive “mask” was necessary for their survival.
The poem We Wear the Mask by Paul Dunbar is filled with many powerful statements. Dunbar talks writes about how there is so much hurt behind people’s smiles and so much pain in their past. He also asks why society should be “over-wise;” it tries to act like it knows what is best for people. The play An Octoroon by Branden Jacobs-Jenkins has a lot in common with this poem. Nataki Garrett who was the director of this play at the Mixed Blood Theatre saw how well this poem went with the play, and she added it into the program. Both the poem and the play talk about how it was like for African Americans to live in a white dominated society.
In the twentieth century, the United States of America has transitioned into a more diverse nation. Immigrants arriving from around the globe combined with African Americans to challenge the American identity. As a result, prominent figures including Theodore Roosevelt believed every American should indeed be Americanized. Throughout the twentieth century, Americanization, which means to sacrifice an old culture in favor of American culture, remains an issue amongst authors in particular. Authors in the twentieth century expressed their stance on the battle between cultural heritage and American assimilation. Some authors such as Langston Hughes supported diversity and pride in their culture. On the other end of the spectrum, others like Booker
“Be a man”, is on of the most destructive phrases to tell boys and men. The Mask You Live In explains the struggles boys and men have growing up in a patriarchal society. I chose to watch this to understand how men feel oppressed. All year, I became aware of females and their struggles in the patriarchy. It is interesting to see that men are affected too. The documentary should have had more personal stories because it allows the audience to connect with and have empathy for men. On the other hand, the movie thoroughly demonstrated the inner conflict boys and men face in society. Men feel they must be strong and dominate. They feel they need to hide emotion and empathy in order to fit in. They must be manly in order to
A person’s identity develops from birth and is shaped by many components, including values and attitudes given at home. We all have a different perspective about who we want to be and what fits better with our personality. However, is our identity only shaped by personal choices or does culture play an important role here? It is a fact that the human being is always looking for an inclusion in society. For instance, there is a clear emphasis in both, “Masks”, by Lucy Grealy, and “Stranger in the Village”, by James Baldwin that identity can be shaped by culture. Grealy does a great job writing about the main issue that has made her life so difficult: her appearance. Cancer has placed her in a position where people,
Social psychology is the study of our thoughts, feelings, and behavior about other people and how other people influence our feelings. Social psychology is mainly based around stereotyping, discrimination, and prejudice. In the documentary The Mask You Live In, these three factors come into play in more lives than most people realize, and also have major effects to people’s lives. In our society, many schemas have been developed, which now result in discrimination if a person does not fit that schema. This will then cause many people to develop psychological issues.
Perhaps the most straightforward aspect of the way Feste communicates with other characters that resembles the communication of theater itself is the overtly performative nature of his character. A clown, Feste is often portrayed in productions caked in elaborate makeup or in a fancy jester costume. In this sense, he is almost a caricature of the way actors don new ident...
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).
A mask is a covering worn on the face or something that disguises or conceals oneself. All the characters in Shakespeare's Hamlet hide behind masks to cover up who they really are, which contridictes a main idea, expressed by the fool, Old Polonius, "To thine ownself be true" (Polonius - 1.3.84). All the characters share strengths and triumphs, flaws and downfalls. Instead of revealing their vulnerabilities, each of them wears a mask that conceals who they are and there true convictions. The masks brought about feelings such as fear, hatred, insanity, indecisiveness, ambitiousness, and vengeance all of which contribute to the tragic ending of the play. Shakespeare reveals the idea of the masks in the first lines of the play, "Who's there" (Barnardo - 1.1.1). "Nay, answer me. Stand and unfold yourself" (Fransisco - 1.1.2).
As in most comedies, William Shakespeare's Twelfth Night extensively. uses disguises, masks and mistaken identities to add to the comical nature of. the play. Viola's disguise as Orsino's page, Cesario, becomes crucial to the action in the play. Without this important element, the action in the play would slow down dramatically, making the story much less intriguing.
Viola's male masquerade also calls attention to the more general theme of masking. As Cesario, Viola suggests that things are not always as they seem, that identities are protean, that self-deception rivals self-knowledge and that only Time can untie complicated "knots." Coppelia Kahn points out that the cross-dressing in Twelfth...
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...