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The archetype of shadow in literature
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Neil Gaiman’s American Gods is in a modern society, but with a twist. The twist is that there are a bunch of Old and New Gods, which all range from Norse to Egyptian ones to just plain old made up ones, like “Mr. World” and “Media” and “T.V Lady.” The main argument here is to believe and discovering oneself. To show this theme throughout the story, the main character Shadow his constantly visited by the buffalo-man in his dreams, that give him advice throughout his travels. The one thing that sticks out most to Shadow is the piece of advice that he tells him is to “Believe”. Shadow is constantly met with Old Gods who give him valuable lessons in life as well as helping him in his journey to stop the coming war between Old and New Gods. Although there are some hints of magic within this piece, they are brushed off to the side by Gaiman as dream-like moments from Shadow. Shadow starts off normal getting out of a prison, but then is suddenly thrown into a fantasy-like scenario. Overall, Gaiman is showing a connection between his readers and the world he creates in his novel.
Some common elements and subjects is the made up factor
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and magical elements it has. It brings up the topic of religion and mythology as well and not just secluding it to one either. He had both Norse and Egyptian Gods. Compared to other sources in this project, Gaiman’s character is the son of a God whose sole purpose is for sacrifice, but denies fate to end up saving the world as a hero. The mythical feel and dark style lets it shine apart from the other works. Just as the novel says, “we die, when our believers stop”. This novel focuses more on the fate of people and how it can change with a snap of a finger, which influenced my thinking into staying more open. One specific scene that taps into the theme of self-discovery in American Gods is when Shadow is having a dream-like scenario with one of the zhenobya sisters. In his dream he meets up with them and she takes him to the roof of a building where she shows him a portal to another world. It all feels so real to Shadow and even ends up having sexual intercourse in him dream. Upon waking up, he sees scratch marks on his chest which signify the sister’s trait as a cat. So to him he knows it happens and feels strange. In his search for self-discovery, he unlocked his spiritual and shamanic side that lets him feel and see things that he would not normally see. This shapes him up to be a shaman like figure, who discovered himself as the son of a Norse God and became a believer. The Warded Man follows three POV characters in their passage from childhood to adulthood. They live in a world infested by demons known as corelings, which rise from the planet's core each night to feast upon humans. There are many different types of demons and they are each associated with a specific element. The attacks from these demons have pushed humanity into a “dark age” where there world which was once filled with technology is now gone. The only way to bear the demons is to use defensive wards or like magical runes that are drawn around settlements. As the novel progresses, so do the three protagonists, Arlen, Leesha, and Rojer. As a child, Arlen’s village is attacked by demons, but Arlen manages to escape and trains as a messenger. He learns that humanity can fight back against the demons. Arlen witnesses the murder of his own mother and the coward like behaviour of his own father. As a messenger he stumbles upon the city of Krasia who actually fight demons. He was inspired and eventually fights with them. He finds a spear covered in wards, which is a lost relic of Krasia that is a combat spear. He is betrayed by the people of Krasia and is left in the desert, but two other POV characters intersect with Arlen at the end of the story. Leesha Paper is a girl from the village Cutter’s Hollow.
She loses her marriage prospects when her boyfriend falsely claims to have deflowered her before marriage. Leesha's reputation is ruined and she becomes an apprentice to the village gatherer, a sort of medicine woman with knowledge of herbs and potions. She uses this knowledge of herbs and potions to fight off demons. On the other hand Rojer's house wards fail when he was a small boy. His family is killed by demons, but he escapes with a traveling jongleur a kind of bard who entertains villages with songs and tricks. Rojer becomes the jongleur’s apprentice and becomes a master fiddle player. He can control the demons with his fiddle playing skills, which help calm the demons down and control them. The three of them finally meet paths and set out to be humanity’s hope against the
demons. Peter V. Brett’s The Warded Man is in a world similar to the world today, but with DEMONS! His novel emphasizes on three main characters which primarily focuses on their transition from childhood to adulthood. Arlen is the character we follow the most, but also Leesha and Rojer get spotlight as well. The main argument here is that there is always hope, no matter how hard it gets. These three characters at a very young age are maliciously attacked by demons and traumatized, but aim for the impossible and set out to destroy these demons. To show the theme of self-discovery throughout the story, various topics are covered, which include religion, demonology, and surrealism. To show the theme of hope throughout the story, the three children mentioned all deal with life traumatizing childhoods, and persevere through their journeys to ultimately destroy the demons. Normal ordinary people would be scared deathless with the thought of the demons, and this attitude is signifying the downfall of the human race. The three kids, however want to challenge the system and seek to destroy the demons with each of their individual traits. Brett’s work is very useful in examining the self-discovery of the protagonists, because it shows three separate characters. Some common elements and subjects is the reason for hope. It brings up the topic of religion occasionally, and demonology throughout because the whole book revolves around the demons killing humans. There was even a whole social order between the demons, they each represented an element of nature, such as fire, wind, water, rock, and air. When looking at the theme of endless creativity, this novel fits perfectly with my research. The dark and horror-ish feel help set it apart from the other works. Three separate individuals can ultimately come together because of a shared experience in their childhood. Not actually shared, but they have very similar traumatic experiences, such as demons killing parents and separation. Whether it be demons, Gods, or rebels, whatever life throws should be treated as a lesson as it is useful in one’s own self-discovery. One must persevere regardless of what happens, in order to find their future selves.
In Shadow House:The Gathering, by Dan Poblocki, he writes this book in 3rd person omniscient. He includes horrific pictures and events that happen in the book, so this book’s genre is horror and mystery. He makes the book nerve racking, engaging, and a terrifying adventure. This book includes 215 pages of non-stop thrills.
...ere watching the actual God. In this work, the events and nouns in nature symbolize the presence of God; whether it is beautiful and giving such as the pear tree, or destructive and vengeful such as the hurricane. Many events of the book revolve around the weather and the climate, the seasons, and it shows that religion is open-minded, and that it can be interpreted in many different forms.
Mythology is a key part of many of Zora Neale Hurston’s short stories and novels. She researched the stories of her home town and many other areas of the world. Hurston used this knowledge of myths and stories to help her carry them on to later generations in a form that almost everybody could relate to. Through out all of Zora Neale Hurston’s stories, mythology has been a crucial keystone. Her novel, Their Eyes Were Watching God, has been influenced by three different ancient myths: the myths of Ezili Freda, Osiris and Isis, and Aphrodite and Adonis.
In Native American literature, both creation myths and trickster tales were frequently told and passed down through generations upon generations orally, and then eventually written down. A creation myth is a tale that tells of how the world began or how people first came to live here, while a trickster tale is a short story that tells of a “trickster” with vacuous behavior, whose actions are meant to teach a lesson. Both types of literature are still relevant in modern society, whether it’s through pop-culture or re-told stories, and continue to guide individuals through their life, teach lessons about life on earth, morals, and human nature.
Mythology has been present throughout human civilization to provide a sense of awe, wonder, and fear. According to Joseph Campbell’s The Need for New Myths, a myth offers gratitude or rapture to reveal a comprehensive image of man’s universe and his place within the world. In the novel Fifth Business by Robertson Davies, magic and religion reassemble human struggles into a relatable, yet awe inducing myth. The sensation of wonder, surprise, or fear induces a feeling of self-insignificance at the vastness of the universe. To accommodate for this overwhelming experience, a person undergoes catharsis where their mental schemata is reset. In this release of emotions, one accepts their place in the universe and becomes a better self. Dunstan and Paul rely on religion and magic for the mending of a traumatized childhood. The reenactment of the Christian Faust legend in the magic act portrays the eternal struggle of good versus evil in humanity. Eisengrim, as an allusion to Jesus, provides wonder and release to his audience. In Fifth Business, Magic and religion both reconstruct everyday experiences to provide catharsis in wonder.
As human beings, we are designed to belive in something. Although the belief in a higher power or religion is diverse, many theologies share common themes. “The Epic of Gilgamesh” and the Hebrew book of “Genesis” are seemingly polar opposites. Christianity, demonstrated in Genesis, is monotheistic, and the Hebrews base their faith on their relationship with God. On the other hand, Sumerian philosophy, found in Gilgamesh, is polytheistic, and the Sumerian people base their theology on fear. Ancient polytheistic literature forms an archetypical pattern of the mortals trying desperately to please the gods. A mortal’s entire existence rests in the hands of the sometimes childish gods. In spite of this, these two stories
Campbell, Joseph. The Masks of God: Creative Mythology. New York: The Viking Press, Inc., 1968.
They have been called "gods." These almighty, powerful beings that are far too superior for us to understand; or so most of us have been made to believe. Some may say he is a Great Examiner, others could say he is the Creator. Some could even say he doesn't exist. Frankly, what I want to emphasize is how such beliefs could reduce even the bravest and strongest of us all to a whimpering child. Something that we ar...
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Myths relate to events, conditions, and deeds of gods or superhuman beings that are outside ordinary human life and yet basics to it” ("Myth," 2012). Mythology is said to have two particular meanings, “the corpus of myths, and the study of the myths, of a particular area: Amerindian mythology, Egyptian mythology, and so on as well as the study of myth itself” ("Mythology," 1993). In contrast, while the term myth can be used in a variety of academic settings, its main purpose is to analyze different cultures and their ways of thinking. Within the academic setting, a myth is known as a fact and over time has been changed through the many different views within a society as an effort to answer the questions of human existence. The word myth in an academic context is used as “ancient narratives that attempt to answer the enduring and fundamental human questions: How did the universe and the world come to be? How did we come to be here? Who are we? What are our proper, necessary, or inescapable roles as we relate to one another and to the world at large? What should our values be? How should we behave? How should we not behave? What are the consequences of behaving and not behaving in such ways” (Leonard, 2004 p.1)? My definition of a myth is a collection of false ideas put together to create
Caldwell, Richard S. The origin of the gods : a psychoanalytic study of Greek theogonic myth
...vior. In that same realm, Mink finds salvation as a repentant and punished sinner. On television and in the novel, harmlessness always prevails.
Slabbert, Mathilda, and Leonie Viljoen. "Sustaining the Imaginative Life: Mythology and Fantasy in Neil Gaiman's American Gods." Literator 27.3 (2006): 135-155.Humanities International Complete. Web. 9 Feb. 2014.
Anger, selfishness, violent tendencies, the quest for uncontrollable power, and sexual desires are all undesirable traits which are frowned upon by society, and are concealed to avoid scrutiny. These traits can be referred to as one's shadow. The shadow is the repressed unconscious side of a personality (The Shadow Archetype). The shadow is considered to be a dark force because it consists of all the negative emotions and behaviors of an individual that they choose to hide in order to avoid society’s pressing judgment. In literature, the shadow can carry negative or evil qualities, as seen in many texts that revolve around a character’s struggle with some form of a shadow. The shadow, whether a physical being or a darkness within, grows in response to knowledge of culture and experience; it sees the evil in society and uses that information to grow as a threat to goodness. When the shadow builds it is usually repressed because of its threat to humanity. Even though the shadow is usually repressed, fought against, undeveloped and denied, the shadow should be confronted in order to know and understand one's true self. One must be self-aware of his/her physical or inner shadow, learn how to fight against it or deal with it, be prepared to struggle against it’s darkness or prevail against it by finding light, and ultimately find a resolution between himself/herself and his evil side.
Mythology: used in numerous religions to rationalize the unexplainable. The creation of the universe remains unknown to this day. Greek and Norse mythology concluded their own philosophy of how the earth came into existence. The creation of gods allows people to identify with their religion through shared characteristics. Brave tales of heroes represent the best qualities of man-kind: courage, wisdom, and devotion. Mythology allows people to feel a sense of belonging while also describing the creation, origin of gods and goddesses, and the heroic deeds of mankind.