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Brokeback mountain movie &society analysis
Masculinity and sexuality in brokenback mountain
Masculinity in the brokenback mountain
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In every film, there is one significant scene that shifts the remaining portion of the film. In the movies, Brokeback Mountain and American Me, the scenes include strong representations of sex and violence. In the scenes, the characters’ perspectives are completely changed and they are able to find out a little more about themselves. Nonetheless, both of these scenes are turning points in the movies and alter the atmosphere of the remainder of the films. The film, American Me, the most momentous scene in the movie occurs when the protagonist, Montoya Santana, loses his virginity with a female for the first time while his gang members are simultaneously raping a man is prison. Santana is a man that was introduced to a gang at a young age due …show more content…
Although Santana may appear like the emotionless, fearless leader of his gang, this scene reminds us that he is still a vulnerable man that is reminded of the sexual abuse that he and his family has experienced. He still feels the emotional damage from the abuse inside, but he puts on a hardcore image so he can display masculinity by allowing no one can see “weakness” inside of him. For example, when he first goes to prison, he is raped by a fellow prison cellmate. As he experiences rape for the first time, he becomes filled with rage and murders his rapist in cold blood. He puts on a nonchalant attitude in front of his cellmates, but from that moment on, he begins to correlate sex and violence. He and his gang members rape and murder cellmates without thinking twice about it. Murder is his attempt to “not just rescue himself, but to bring his dead self back to life” (Gilligan, 41). As he continues to murder, he feels as if he is rejuvenating the life that was taken out of him after he was raped. As a result, he puts on a violent persona that makes him appear powerful and heartless, although he was just a man that was still grieving from the rape that his mother and he both …show more content…
Both of the men appear to be the stereotypical strong, heterosexual cowboys that herd sheep on a place called Brokeback Mountain and exemplify masculinity. One cold night, Ennis gets drunk and sleeps in Jack’s tent with him. Jack proceeds to try to cuddle with Ennis, but Ennis violently pushes him off. As the men get up and make eye contact, they forcefully grab each other’s face and begin kissing each other. Then, Jack forcefully removes his pants and the men begin have violent sexual intercourse. The violence that the men have while they are having intercourse encompasses the passion that they have for each other. Nevertheless, this scene is a turning point in the movie because it completely alters the men’s perspective on their sexuality. Although they initially blame their encounter on Ennis’ drunken state, they soon realize that their violent sex scene stemmed from the endless love that they have for each
Some kids have no other choice but to join the gangs at an early age. Lack of parent supervision has been shown to be linked with both boys and girls joining a gang. Even though most have men to prove they are the violent ones, not every gang member is shown to be violent. While the rest of Luis’s gang members treat women with disrespect, Luis seems to respect everyone no matter what gender they are. Being told his own mom the pain she had to go through influenced his ways of viewing and treating
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
Jack is made the leader of the hunting tribe. He and his hunters have much trouble trying to hunt and kill a pig. Since he was raised as part of a sophisticated and wealthy family in England, he has not had any experience with hunting before. He struggles to become a hunter. But Jack is shown to have savage urges early. The author says, "he [Jack] tried to convey the...
In The Pathos of Failure, Thomas Elsaesser explains the emergence of a new ideology within American filmmaking, which reflects a “fading confidence in being able to tell a story” (280) and the dissolution of psychologically relatable, goal-oriented characters. He elaborates that these unmotivated characters impede the “the affirmative-consequential model of narrative [which] is gradually being replaced by another, whose precise shape is yet to crystallize” (281). Christian Keathley outlined this shape in more detail in Trapped in the Affection Image, where he argued that shifting cultural attitudes resulted in skepticism of the usefulness of action (Keathley). In Robert Altman’s McCabe & Mrs. Miller and Roman Polanski’s Chinatown, this crisis of action is a key element of the main characters’ failure, because it stifles the execution of classical narrative and stylistic genre conventions.
...eam, as Romero showcases the fact that the flaws shown within the characters end up turning their situation into something far worse than it had been in the beginning. It shows just how depraved, violent and absolutely terrifying humans can easily become when put into situations without consequences. Romero’s film is dredged in cynicism towards the modern American Dream, the way he deals with symbolism towards how “just” the American system is during battles and war, and how incredibly messed up our generalized view on racism and the ever ongoing struggle for certain ethnic groups to survive is. “The negativity of the characters extends, in fact, into every facet of their lives; indeed, the film implies the deepest denial of the goodness of effectiveness of every facet of human life in general. Every kind of human relationship is ridiculed or negated in the film.” 4
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
For centuries, the ideal masculinity has been seen as the provider, the macho man, the cowboy and the emotional rock, but new representations of manliness in the media have been challenging this idea (Watson 2015, p. 270). Within these new depictions, there lies a hierarchy where one form of masculinity is more accepted than the rest (Kluch 2015). Macho masculinity has been seen as being dominant in the hierarchy for generations, however, in recent years, there have been an influx of new representations of masculinity that disrupt traditional hierarchal ideas. The masculinity of the twenty first century includes emotions, sensitivity, discipline, and intelligence. These new aspects of the hierarchy have been introduced by movies such as Brokeback Mountain, 22 Jump Street, The
American History X is a great film that delivers a very strong message about deviant behavior. The story of Derek Vineyard and Danny inspires a lot in terms of changing the deviant behavior through various social concepts. The film shows good application of these theories and it involves the audience into a gripping tale of the change one hoes through to fight deviance and get through the tough journey of correcting oneself and choosing the right path.
The main theme of Werther's[1] essay on cultural theory is a subpatriarchial reality. But if capitalist
In the film adaption of Brokeback Mountain, Ang Lee, with the help of Larry McMurtry and Diana Ossana, expands certain scenes in the screenplay in order to shed more light into the lives of the two main characters. Lee directly parallels the Thanksgiving dinner scenes of Jack and Ennis to contrast each character’s status in their lives outside of Brokeback Mountain while also using these family scenes as a reminder of Jack and Ennis’ other lives. These Thanksgiving scenes represent a shift in power; Ennis is no longer the calm and composed one with a handle on his life—Jack is now the one who is starting to feel more secure in his life. By juxtaposing the two scenes, Lee illustrates the strong friction of Jack and Ennis’ realities following the sudden shift in their relationship after Jack drives over after hearing about Ennis’ divorce. Because Annie Proulx focuses on Ennis’ life and his regrets, we are unable to understand Jack’s side of the story. The film, however, is able to expand on the idea that the divide between dreams and reality drives Jack and Ennis apart over time; in these Thanksgiving dinner scenes we see the inevitable change and consequences of their distinct beliefs.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
On February 1, 2004, millions of Americans sat down around their television sets with their family and friends to watch the biggest sports event of the year: Super Bowl XXXVIII. Inside the Reliant Stadium of Houston, Texas, the New England Patriots beat the Carolina Panthers 32-29 in one of the closest games in recent history; but this year it wasn’t the football game or even the commercials that had people talking. It was an incident that occurred during the halftime show that involved pop singers Janet Jackson and Justin Timberlake that ended in millions of Americans having the privilege to see the left breast of Janet Jackson for a few moments. This single issue may not have been a huge ordeal in itself, but it brought to surface some very pertinent questions about how far was too far in the media, what the government should do to control it, and what effects sex and violence in the media were having on American culture.
Brokeback Mountain and The Love of Siam are two movies, which two main characters from each film, namely Ennis and Jack from Brokeback Mountain and Mew and Tong from The Love of Siam, all four of them have a connection that goes from friendship to a homosexual relationship, respectively. Four of them are commoners that end up being infatuated with each other.
sex scene. Even Forrest Gump, a highly acclaimed movie, had a sexual act and nudity
Has there been an increase in violence in American media, or is it just that there is more information being produced and consumed? Between 24-hour news cycles, Facebook, Twitter, and many other types of social media, information is available more quickly than ever before. Who is to blame then? Is it the video games, books, radio, music, TV, or the fact that we are getting our information faster and in many more forms that is to blame? Jim Morrison, the front man for the Doors, strikes a chord when he says, "Whoever controls the media, controls the mind." Is it possible that media has a greater impact on violence today (Gyln, 2016)? I would also like to look at the motivational and emotional benefits of video games. Given today’s cell phones,