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Essay on Beowulf literary analysis
Main themes of beowulf
The different death with beowulf
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The grand story of Beowulf is challenged by Tolkien in his scholarly literary criticism, in to which he goes into substantial depth of the overall poem and its meaning. His literary criticism is the epitome of criticisms as he provides details to all of his claims, and shows an obvious understanding of the novel Beowulf and its background information. Tolkien provides the readers with his view of the book and its literary significance while making a thoughtful idea that revolves around the theme of mortality in Beowulf.
In Tolkien’s literary criticism, he comments about Beowulf and how it is a poem more than it is a historical content. He suggests that, although the book is historically accurate not and can serve as a learning device, Beowulf should be viewed as more of
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a masterful poem than anything else. His central thesis is that, unlike many other scholars, he disagrees with the idea that the story’s “weakness lies in placing the unimportant things at the centre and the important on the outer edge” (Tolkien). These “unimportant things” are all the monsters and creatures in the story, and he believes that they are actually an important aspect to the entire story. One of the ways he supports this is by mentioning that the dragon is the perfect enemy for Beowulf in his journey to greatness. His argument revolves around the fact that the story should be viewed as a unique and powerful story to all, instead of some historical document used for the study of the Anglo-Saxon culture. A rather interesting point that Tolkien brings up in his criticism is that readers “must dismiss… the notion that Beowulf is a ‘narrative poem,” since it is not going in any particular order (Tolkien).
This is probably the most accurate statement Tolkien makes throughout the whole essay because the original author of Beowulf wants to constantly remind the reader of the theme of mortality. Throughout the story, many “kings who ruled” the Spear-Danes “had courage and greatness,” and a bit after the author would speak of their illustrious careers, he would quickly speak of the rulers’ death (2). The author must have done this to prove that; no matter what happens, death is inevitable. It is a continued cycle that no one will ever be able to get out of, not even the great Beowulf. All of the monsters included in the story have importance because the main ones are defeated by Beowulf, making him stand out amongst his peers as a superhuman. There seems to be no imperfection about him, though the inevitable truth comes back again, as even Beowulf is classified as mortal. Therefore, the author incorporates the theme of death and mortality quickly, and establishes this every so often throughout the
book. Tolkien makes a thorough argument against the critics of Beowulf, to which he provides many well thought out support for his claims and an obvious knowledge for the story itself. His essay provides many details of Beowulf and the importance of monsters in it, while also mentioning a variety of interesting points, including the repeated theme of mortality.
Frank, Roberta. “The Beowulf Poet’s Sense of History.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
In the length of the poem, Beowulf goes from abandoned child to gallant warrior to King. This transformation, expressed in the tone and content of the poem, shows the importance of the relationship between lord and thane and expresses the ultimate value of that connection. From the difference in battle scenes to Beowulf’s speeches, it is clear that he has gone from a somewhat self-loving hero to a selfless king. Within this change he also goes from serving a lord to becoming a lord, and in that way the poem shows us the importance of both sides of the relationship.
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
Shippey, T.A.. “The World of the Poem.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987..
Beowulf begins with a history of the Danish kings. Hrothgar is the present king of the Danes. He builds a hall, called Heorot, to house his army. The Danish soldiers gather under its roof to celebrate and have fellowship with each other. Grendel, who lives at the bottom of a nearby swamp, is awakened and disgusted by the singing of Hrothgar's men. He comes to the hall late one night and kills thirty of the warriors in their sleep. For the next twelve years Grendel stalks the mead hall known as Heorot.
A writers mind is very intellectual, they tend to have an unparalleled vision within their sense of understanding. The differences of this vision, compared to the levels of understanding, shows itself transversely throughout the novel Grendel and the epic poem Beowulf. Both forms of literature are distinct in the plot and setting, but Gardner’s perceptiveness of Beowulf in his novel differs from the view of the unknown author’s relay of Beowulf in the poem. In the poem, Beowulf is portrayed as an epic hero, brave honorable, and dignified, with vast generosity and munificent loyalty. While in the novel, he is portrayed as an unsettling stranger that connives his way into everyone’s life by his dangerous nature and entrancing stories.
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
Abrams, M.H., ed. Beowulf: The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 2001.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
Beowulf. Trans. E. T. Donaldson, 1966. The Norton Anthology of English Literature. Ed. M.H. Abrams. 6th ed. Vol. 1. New York: Norton, 1993. 2768.
to have been composed between 700 and 750. "No one knows who composed Beowulf ,
Holland-Crossley, Kevin, and Bruce Mitchell. Beowulf. New York: Farrar, Straus, and Giroux. Poupard, Dennis, and Jelena O. Krstonc, ed. Classical and Medieval Literature Criticism: Volume 1. Michigan: Gale Research, 1988.