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Recommended: Gender roles
It is easy to say that when cloud nine originally opened in 1979, most people had a fairly black and white view on gender, you were either a male or a female and that was it. From the very start of the play Churchill speculates that gender may not be about biology but that it may actually be a performance that we give all day every day because that is what we are taught from a very young age. The fact that there are characters cross dressing from the very first few moments of the play suggest that Churchill is going to spend most of the play bending the concept of gender. Churchill tries to show the audience that society has created the expectation of gender being completely one or the other, set at a stiff standard where nothing in between …show more content…
Clive’s wife betty is played by a man, the African helper Joshua is played by a white actor, the young son Edward is played by a fully grown female actor while Victoria, a two-year-old child is played by a doll. It is understood that Clive represent the major theme in act one which is oppression. Betty is unable to act the way she wants to because of her feelings of obligation to Clive. Edward tries to supress his homosexuality and femininity because he fears the reaction Clive will give to it. It is easily recognised that the writer uses the sexuality of the characters to show the parallel she has found between sexual oppression and colonialism. To show this the play is set in two completely different times. The first act is set in Africa around the 1870’s during the British colonisation, therefore taking place during the Victorian era. The second act takes place in the far more liberal time of 1979 in the then modern day …show more content…
It can be seen as humorous that a man is playing Betty, the wife of a very obviously homophobic Clive. It could also be seen as humorous by some that Clive tries to force his son Edward to be less feminine and to act more like a man, despite the fact that he is played by a woman. There is also the fact that since betty is played by a man, she could be far tall, larger or muscular than Clive which could be seen as comedic as he attempts to make himself more powerful than his wife both physically and mentally. The characters portrayed seem not confident of their sexualities. They are all controlled by Clive in this patriarchal society and it shows how oppression differed with the different gender. In act two every character seems liberated given the fact that they are no longer under the ruling of Clive. The fact that the characters are not cross dressing in act two show how they are gaining self-appreciation and learning about who they really
The film presents the stereotypical behavior of gay men that is evident in our society. Many of the costumes are designed to highlight the characters and the way they live. For example, Bernadette wears long flowing clothes usually white or an off cream. ‘She’ is an older ‘women’ and dresses to look like one with flowing skirts and tops with her hair done up simply.
...elings and portrays them through the main character Elphalba. It is as if he is taking a part of himself, the part filled with rage and frustration, and building the character Elphalba with it. She is the feminine, yet somewhat masculine, part of him revealing itself through the book.
Through the actions of the male hegemony and the mother figure, both plays show the different perspectives both sexes have towards homosexuality. The patriarchal figures, show an intolerant and abusive perspective whereas the mother figures show a more understanding way of coping with the identities of their sons. By seeing the reactions of both males and females, it is to say that the maternal figures of the play show a more comprehensive attitude towards the struggles that the male protagonist undergo. Both plays are related to today´s society, because there are still families in which homosexuality is not accepted. People are still
Each play represents the issues faced by each gender during the time period in which it was written. However, many of the issues are similar in each time period, as well as throughout most of history. These issues will likely continue to affect both women and men for a long time in the future.
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
Though its primary function is usually plot driven--as a source of humor and a means to effect changes in characters through disguise and deception—cross dressing is also a sociological motif involving gendered play. My earlier essay on the use of the motif in Shakespeare's plays pointed out that cross dressing has been discussed as a symptom of "a radical discontinuity in the meaning of the family" (Belsey 178), as cul-tural anxiety over the destabilization of the social hierarchy (Baker, Howard, Garber), as the means for a woman to be assertive without arousing hostility (Claiborne Park), and as homoerotic arousal (Jardine). This variety of interpretations suggests the multivoiced character of the motif, but before approaching the subject of this essay, three clarifica- tions are necessary at the outset.
...ng it through Grace’s mother and Mrs. Humphrey. The novel depicts this construct of gender identity through society by molding Grace to believe women are subordinate and need to get married and be good housewives to be successful. This construct is seen through emotion as women who are emotional are seen as “abnormal” and sent to asylums, while men had to power to do so. The societal construct of gender identity was seen as men were to bask in their sexuality and be assertive, while women were to be passive and suppress their sexuality. Mrs. Humphrey challenged this construct as she was assertive and the instigator. Lastly, the societal construct of gender identity was challenged through Grace’s mother as she took over the males position of being the provider. Overall, women were looked at as subordinate to men in the Victorian age and Atwood challenged this belief.
...the female and male gender across cultures. This role can cause problems when mistaking a male for a female much like Gallimard did in the play. Everyone from children, to the media, creates stereotypes. Stereotypes corrupt members of society, compelling them to view cultures and gender unfairly. Societies must eliminate the amount of stereotypes that are being distributed to various cultural around the world. Stereotypes are powerful, limiting, and discriminatory, and they prevent people from understanding other cultures fully. Without the demolition of stereotypical ideas, cultures that stereotype others will not see the differences between the stereotypical ideas and the real ideas of a culture.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
Elizabeth uses the stereotypes of her gender and knowledge of both literature and when to manipulate her gender to explain why she needs
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
The system of patriarchy allies itself to economic power (Bryant-Bertail, 1). In the first act of the play, several references are made that allude to the economic power being held by the men. The play opens with the line “Come gather, sons of England, come gather in your pride” (Churchill, 810) and in Clive’s opening speech he makes several fatherly references; “I am father to the natives here, and father to my family so dear” (810). In the next song the line “The forge of war shall weld the chains of brotherhood secure” (810) can be found. It is interesting to also note that intermixed with these lines are references to Queen Victoria’s sovereignty. Several lines such as, “we serve the queen wherever we may roam” and “O’er countless numbers she, our Queen, Victoria reigns supreme” (810) can be found. The author intended these lines to be ironic and humorous. Even though the male characters are the ones saying them, they really don’t have any respect for her as a person, just as a figure.
Robert Kimbrough, author of Androgyny Seen through Shakespeare’s Disguise offers a completely different critique on the sexuality in Twelfth Night. Kimbrough interprets the staging for an Elizabethan audience by explaining how boys would have played the female roles, and sexuality would not have been an issue (Kimbrough). This type of thinking is practically impossible for modern audiences. Modern audiences are accustomed to hints geared towards others sexuality. Today’s audience would pick up the fact that Viola is disguised as Cesario, a man; whereas, the Elizabethan audience would have been more oblivious to this. Stephen Greenblatt, one of the most famous new historicist, also explains his opinion regarding sexuality in Twelfth Night. In his article Fiction and Friction, he examines the topic of homoeroticism and how it is definitely an issue in Twelfth Night. He
One of the most intriguing aspects of As You Like It by William Shakespeare concerns the issue of gender. This issue generates a lot of interest and discussions due to its complexity. The main reason for such a concern in the play is the cross-dressing and role-playing. The central love interest between Rosalind and Orlando calls into question the conservative wisdom about men and women and their gender roles. It also challenges our presumptions about these roles in courtship, love, and relationships.