The traumatic life adversities Edgar Allan Poe has overcome, and experienced in his lifetime are insurmountable. Although these hardships were painful, it were these that helped shaped and establish the sheer horror, fear, and inevitability of death in his stories such as “The Tell Tale Heart”, “Hop Frog”, and “The Masque of The Red Death.” Primarily, horror is easily established in Poe’s The Tell Tale Heart. This is easily understood through the way Poe goes into exquisite detail on how meticulous the efforts were of the narrator to murder his roommate. For example, the narrator says, “I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening” (Poe 3). The narrator goes …show more content…
into such precaution to not wake up his roommate, that it is horrifically insane. This shows how Poe establishes horror into the writing because it gives more evidence on how the narrator is slowly turning against himself. Another way Poe fabricates horror into his story is by making the reader know that the narrator’s subconscious is slowly decaying and eating away at him. In “The Tell Tale Heart,“ the narrator is confident and cool knowing there is no possible way the police could discover the dead body. That is until the beating occurs: “The ringing became more distinct: --It continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears” (Poe 16). This statement proves that his subconscious is slowly withering away until he believes that the dead man’s heart is still beating under the floorboards. Horror is easily established here because the Narrator is slowly deteriorating as a person as a whole, eventually succumbing to the pressure and confessing. Sub sequentially; Poe is unbelievable at establishing fear in his stories.
For example, in Poe’s story, “Hop Frog,” there is an ominous and overhanging atmosphere of fear and revenge inside the story. Primarily, one can tell that Tripetta has fear because she is worried about Hop Frog’s scheme he is fabricating: “Hop Frog! Whatever are you doing?” (Poe 6). This simple remark makes it easy to visualize as the reader what is going on in the story, it's almost as if the reader can see the wariness and fear in her face, thus causing readers to react with similar trepidation. Another way Poe inaugurates fear into the story is when the King realizes it isn’t a joke anymore. As Hop Frog chains the King and his seven companions, Hop Frog truly seeks for revenge: “It came from the fang- like teeth of the dwarf, who ground them and gnashed them as he foamed at the mouth, and glared, with an expression of maniacal rage, into the upturned countenances of the king and his seven companions” (Poe 8). Revenge has overcome Hop Frog, pushing him over the edge into a void of no return. Conclusively, Poe writes with a unique style that lets him manipulate the story into fabricating fear and revenge into the reader's
eyes. Poe creates and emphasizes multiple messages throughout his stories. In “Masque of the Red Death,” there is a perilous atmosphere in the story. The beginning scenes can infer this when Poe says: "The "Red Death" had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal—the redness and the horror of blood" (Poe 1). These few sentences let the reader know how serious and fatal the Red Death is. Prince Prospero thought that he could seclude and isolate himself from the outside world. This leads to the next point, the inevitability of death inside the story. Prince Prospero and his thousands of people isolated themselves for months: “It was towards the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence” (Poe 3). This lets readers know that even over time, the Red Death is still prevalent and malignant. Concluding, in “Masque of the Red Death,” Poe is able to convey multiple messages across, and ultimately the final one being the inevitability of death. In the end, Edgar Allan Poe fabricates sheer horror, fear, and the inevitability of death into his stories. Without his literary pieces, our horror genre that we know today could be skewed. His hardships in his life allowed him to be a well renowned and successful writer. From the unsettling meticulous acts of murder to the bleak reality of the inevitability of death, Poe changed the literary world, as we know it.
How do the authors of The Tell-Tale Heart and The Monkey’s Paw achieve the criteria to be categorized in the horror genre? The Tell-Tale Heart by Edgar A. Poe is concerning a man that has an altercation with the old man’s eye which led to a distinguished death. The Monkey’s Paw by W. W. Jacobs concerns a family and a magical incantation paw. Both short stories--The Tell-Tale Heart and The Monkey’s Paw-- achieved the criteria to be categorized in the horror genre because they contain mystery, suspense, and fear.
Edgar Allan Poe is known for some of the most horrifying stories ever written through out time. He worked with the natural world, animals, and weather to create chilling literature. Two most notable thrillers are “The Cask of Amontillado” and “The Tell-Tale Heart”. Poe was infatuated with death, disfigurement, and dark characteristics of the world. He could mix characters, setting, theme,and mood in a way that readers are automatically drawn into reading. Both of these short stories have the same major aspects in common.
Authors use various styles to tell their stories in order to appeal to the masses exceptionally well and pass the message across. These messages can be communicated through short stories, novels, poems, songs and other forms of literature. Through The Masque of the Red Death and The Raven, it is incredibly easy to get an understanding of Edgar Allen Poe as an author. Both works describe events that are melodramatic, evil and strange. It is also pertinent to appreciate the fact that strange plots and eerie atmospheres are considerably evident in the author’s writings. This paper compares and contrasts The Masque of the Red Death and The Raven and proves that the fear of uncertainty and death informs Edgar Allen Poe’s writings in the two works
The Tell Tale Heart, written by Edgar Allan Poe, and Psycho, directed by Alfred Hitchcock were both formidable, revolutionary and horrifying creations to the audience’s of their times and to some extent, still are today. Hitchcock drew audiences in into his work by utilizing certain camera angles, mise-en-scene and diegetic and non-diegetic sounds. However, Edgar Allan Poe used a variety of literary techniques such as varying sentence structure, imagery and irony to draw his readers in. While these two masterpieces are unique in terms of content, both of them explore a prominent theme, fear.
Edgar Allan Poe’s stories “The Cask of Amontillado”, “The Black Cat”, “The Fall of the House of Usher”, and “The masque of the Red Death” all share a similar setting, mood and characters. They also share a similarity of death. This is due to him loosing so many people to tuberculous. Throughout his life he saw his mother, his wife, and his sister die of the dreaded disease, which helped him write his stories and poems.
Dark romantic literature has delved into the pits of man’s soul, through the use of psychology, to showcase a new take on the horror one can experience. It is this literature that touches all who reads it with a cold hand through exploiting a common fear shared by most. In Edgar Allen Poe’s “Fall of the House of Usher” Poe creates an ominous and eerie set of circumstances that incites pure fear into the narrator through his use of the Gothic Elements and Psychology to exploit the narrator’s fear of insanity to create the single effect of fear.
Edgar Allan Poe was an American writer, literary critic, and editor. Despite his many talents, Edgar Allan Poe is best acknowledged for his poems and short stories, primarily his tales consisting of mystery and deception of death. For instance, in the story “The Masque of the Red Death”, the story involves a plague that is killing the people, which the Prince and his closest friend want to avoid. In the story “The Cask of Amontillado” is about a perfect murder planned for revenge, in which he succeeds. In the story “The Tell-tale Heart” involves the murder of an old man, in which the killer’s heart makes him tell the truth.
Death, despair, and revenge, these three words form a treacherous triangle to any reader who dare enter the mind of Edgar Allen Poe. In many of his works these expressions seem to form a reoccurring theme. Comparing the works "The Mask of the Red Death" and "The Cask of Amontillado", we will discuss these themes while analyzing the method behind Poe’s madness.
As Edgar Allan Poe wrote, "The Fall of the House of Usher", he uses characterization, and imagery to depict fear, terror, and darkness on the human mind.
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
Edgar Allan Poe, a well known and respected author utilizes multiple techniques to create fear and suspense in his short stories. Many of Poe’s stories such as “The Tell-Tale Heart”, “The Cask of Amontillado”, and “The Pit and the Pendulum” contain elements which thrill readers. Repetition, realism, and lack of detail along with great description in certain stories all contribute to the suspense and horror found in Poe’s pieces.
Edgar Allan Poe was a man who unfortunately was born into a life full of morbidity and grief. The stories and poems that he created reflect the experience he has with agonizing situations, in which Poe’s dark side developed; his evil reasoning and twisted mentality allowed Poe to develop extremely vivid and enthralling stories and works. Due to not only his family members but also his wifes to passing from tuberculosis, morbidity and grief is present in almost every work that Poe created. From major works such as “the Raven”, “Black Cat”, “Annabel Lee”, and the Tell- Tale Heart, Poe utilized themes such as death, premature burials, body decompositions, mourning, and morbidity to enhance his point an the image he attempted to convey.
Throughout Edgar Allan Poe’s life, death was a frequent visitor to those he loved around him. When Poe was only 3 years old, his loving mother died of Tuberculosis. Because Poe’s father left when he was an infant, he was now an orphan and went to live with the Allan’s. His stepmother was very affectionate towards Edgar and was a very prominent figure in his life. However, years later she also died from Tuberculosis, leaving Poe lonely and forlorn. Also, later on, when Poe was 26, he married his cousin 13-year-old Virginia, whom he adored. But, his happiness did not last long, and Virginia also died of Tuberculosis, otherwise known as the Red Death, a few years later. After Virginia’s death, Poe turned to alcohol and became isolated and reckless. Due to Edgar Allan Poe’s loss of those he cared for throughout his life, Poe’s obsession with death is evident in his works of “The Tell-Tale Heart”, “The Black Cat”, and “The Fall of the House of Usher”, in which in all three death is used to produce guilt.
A lot of the scary parts are in the pacing of the story. With the pacing, it starts off sort of slow but there is still that feeling, those kind of staggering moments where it goes a little faster than others. Like when he’s explaining how he is not mad and then says that he killed someone. “Observe how healthily–how calmly I can tell you the whole story” (Poe 303). In the first part, the narrator just sounds like a guy with some kind of disease. He really is not much more than a little odd. As a second part, it gets a little more intense. The narrator begins to show an obsessive side about some “Evil Eye”, He goes wild about it; he even goes into the old man’s room at night just to observe him. It’s really weird to think of why, since he hated it so much, he would continue to go out of his way to see it. Finally, in the third part of the story, it gets really freaky. There is a clear look at how inane the narrator really and definitely is when he kills the man and hides his body parts under the floorboards. He explains that he is not mad because of how nicely he has disposed of it, bit it is still painfully obvious for everyone that this man really is not right. Even after he is done with the murder he does not show any signs of remorse towards the old man even though he has not done anything to the narrator. A reader might think at least he would regret killing him a little bit since it is assumable they had some kind of acquaintanceship going on. A second way the story uses suspense to frighten its readers is by using a lot of foreshadowing. The man’s death is already known b the reader so it adds some fear wondering how he is going to die, which is very suspenseful. It is certain that it is going to happen but just do not know when, all that is known is that there is going to be a big lead up to it. The narrator tells us about all the
For as long as humans have communicated, they’ve written and listened to horror stories. Whether it’s the old Mexican folktale of “La Llorona,” or even Stephen King’s “IT,” of the cosmos of any genre of tales, horrifying stories have been one of the most successful of all time. Why? The characters within these works often transform into better people by the end of the story, grasping the need for change in all those who watch it. Characters often face horror throughout their development in a narrative. These experiences often change the mentality of these characters, transforming them into “new” people. In works such as “The Cask of Amontillado,” by Edgar Allan Poe, “The Birds,” by Alfred Hitchcock, and “Why we crave horror movies,” by Stephen