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Narrative essay conquering fear
Write A Narrative Essay Overcoming Fear
Write A Narrative Essay Overcoming Fear
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The Sweetest Thing and Coyote Ugly
Comedy / Romance movies deal with emotions in a variety of aspects. Overcoming your fears and getting what you want out of life is very important. In the movies The Sweetest Thing, written by Nancy Pimental, and Coyote Ugly, written by Gina Wendkos, both of the main characters are working towards overcoming their greatest fears while making their dreams come true. Even if doing this means making wrong decisions, it always becomes a good learning experience as long as you have friends to rely on.
“First came the rules of love. Now comes the fun.” This quote is the tagline for the movie The Sweetest Thing. Christina Walters, played by Cameron Diaz, doesn’t know commitment. Christina and her friends read the book of love, but are just out to play the field. When she accidentally runs into the man of her dreams she blows him off. When she finally realizes that she is in love with him, Courtney Rockcliffe (Christina Applegate) and Christina take a road trip to get him back. Running into many disasters on the trip they end up walking in on Peter Donahue’s (Thomas Jane) wedding. Incredibly embarrassed, she miserably returns home. After making a complete fool out of herself, she still ends up getting what she wants out of life: A man to be committed to and a man to love. Finally, in the end, Peter realizes that he is in love with Christina. He goes to her apartment to apologize, and after she finally is able to overcome her fear of commitment, she takes him in, and they end up being very happy together.
Violet Stanford (Piper Perabo), stared in the movie Coyote Ugly, is a song writer from a small town in New Jersey. She moved to New York to sell her music. She has too much stage fright to perform the songs herself, and is struggling to get her music heard because of her fear. Once her new apartment is broken into and everything is stolen, she is forced to get a job. She finds a bar and is hired to work not knowing what she is getting herself into. The bar is called Coyote Ugly. Five girls work in this bar dancing on the counters and serving drinks. She makes enough money to buy herself new equipment and finally gets some auditions.
There is no good and proper time to fall in love. In fact, most love stories derive from the most unlikely of circumstances. When two successful, career-driven individuals set out to advance their career at the unsuspecting expense of each other, the idea of falling in love couldn’t have been further from their minds. In the Paramount Studios 2003 film, “How To Lose A Guy In 10 Days”, what began as a selfish work project for a young successful man and woman, ultimately ended in the pair falling in love. Both parties are challenged to manipulate one another for their own personal gain. Throughout the film we see the interpersonal communication between the pair as they set out to achieve their goals over the course of a 10 day period. They are torn between victorious outcome of their challenge and keeping their selfish focus of their career advancement, and how they truly begin to feel about one another.
Within our society, there is a gleaming stigma against the drug addicted. We have been taught to believe that if someone uses drugs and commits a crime they should be locked away and shunned for their lifetime. Their past continues to haunt them, even if they have changed their old addictive ways. Everyone deserves a second chance at life, so why do we outcast someone who struggles with this horrible disease? Drug addiction and crime can destroy lives and rip apart families. Drug courts give individuals an opportunity to repair the wreckage of their past and mend what was once lost. Throughout this paper, I will demonstrate why drug courts are more beneficial to an addict than lengthy prison sentences.
Sixteen Candles, The Breakfast Club and Pretty in Pink have more in common than Molly Ringwald. Stereotypes, different economic backgrounds, and feminism all have some part in these 80’s teen films. The themes are all the same, rich vs poor, popular or unpopular and changing yourself to fit into the ‘norm’.
Once these individuals in rehab serve there sentence the majority of them, won’t look straight to the next opportunity to get high, but the next opportunity for a better future after being encouraged in rehab to accomplish something in life, compared to someone’s attitude coming out of prison. One story involved a man named Richard with his wife Marcia. She was an addict who was often jailed for it, but Anthony believed like many others that “addiction can be overcome with proper help. He believed that the solution was to get her into a mental hospital [and] get her whatever she needs – Xanax, morphine, to get her chemical imbalance right. Show her some respect. (114)” Give her some working skills, so once she gets out she is capable of being successful but instead she kept getting “kicked down the steps” by the criminal justice system. The jailing and torture of addicts is routine to people serving cases for drug related offenses, who are often not built to endure prison, let alone jail. “The Justice Department estimates that 216,000 people are raped in these prisons every year. (This is the number of rapes, not the number of rapes – that is much higher.) (109)” This is ultimately shows the simple fact that many people are not built to endure
Romantic comedies typically revolve around two people who are falling in love. These two characters meet through a combination of circumstances and obstacles. At first these characters deny having any emotional feelings for each other. The reason for this denial is usually that one of the characters already has a partner or because of a social standard. Eventually, this problem is put aside, and the characters end up dating or, in some instances, getting married. Romantic comedies almost always have a happy ending for all the characters involved in the movie, book, or play (Berkowitz 867).
Every movie that is written has a certain attitude to it. Some of these are intended to be laughed at and others are meant to be heartfelt. Though each movie is written with its own voice, so to speak, many have similar plots or themes. The two movies Fools Rush In and My Big Fat Greek Wedding are two of these movies that have similarities in the themes, but not necessarily in the plots. Both of these romantic comedies have strong religious backgrounds on the woman’s side of the family and differences in culture. The main theme between these two movies is the quest for happiness and all the troubles that must be overcome to achieve it.
In the New York Times article, “Safety and Justice Complement Each Other,” by Glenn E. Martin, the author informs, “The Vera Institute for Justice found a 36 percent recidivism rate for individuals who had completed alternative drug programs in New York City, compared with 54 sentenced to prison, jail, probation or time served.” Alternative programs are more likely to inhibit future criminal acts, while incarceration seems to lack long-lasting effects on individuals. In continuance, the author adds that 3 percent of treatment participants were rearrested for violent crimes, while 6 percent of untreated criminals were rearrested for violent crimes. Diversion programs are able to treat one’s motivation for their criminal acts, rather than assuming that illegal habits will go away with time. Instead of sending nonviolent offenders to jail, legislators should consider introducing practical
Have you ever found yourself in an extremely tough and difficult situation and wanted to give up? What about a life threatening situation? Well, The Call of the Wild, Of Mice and Men, and The Color Purple all feature these situations. The characters are faced with arduous decisions to make, whether to give in or not. They all end up persisting and standing firm. The Call of the Wild by Jack London, Of Mice and Men by John Steinbeck, and The Color Purple by Alice Walker, use the different rhetorical devices of personification, similes, and tone to achieve the same purpose of showing the struggle, discrimination, and poor treatment of animals, migrant farmhands, and African American women to show the importance of perseverance and never surrendering
“Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” “Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb” is a movie that portrays the situation during the Cold War in comical fashion. The movie is about the United State’s attempt to recall the planes ordered by the paranoid General Ripper to attack the Soviet Union and essentially save the planet from destruction. Producer and director Stanley Kubrick, basing the movie on the novel Red Alert intended the movie to be a straightforward drama but was unable to without using crucial scenes of the story that seemed to give the movie a more comical view of the plot. The first scene of the movie is the mid-air refueling of a fighter plan, where the refueling is depicted as a sort of sexual intercourse. The movie then shifts over to Burpleson Air Force base where General Jack D. Ripper, played by Sterling Hayden, gives his planes flying over the USSR the order to attack.
On average they weigh 4,000-7,000 pounds and grow approximately 16-20 feet long ( Great white sharks 1). < commentary needed>Great Whites are the apex predator of the ocean containing 300 serrated teeth and highly-developed senses to hunt prey. Sharks have a great senses of smell, the Great White can smell a drop of blood thousand of miles away. They’re hearing is very powerful , being able to hear the vibrations of prey distances of about 800 ft away and find the exact location through ‘ear stone’( Great white 3). A shark 's sense of hearing truly shows their uniqueness as an apex predator. In addition to great hearing they’re known to have great sight by being able to see up to 50ft away and transition into seeing in light and dark. Additionally sharks have a lateral line on their back that reaches from the front to the back tail, allowing
This often referred to definition is a pretty universally accepted and simple concept if we continue to do what has failed in the past why should we expect a different outcome? We shouldn’t but in the case of drug addicts the legal system holds on to the dogma of incarceration alone for the most part will somehow rehabilitate a disease. Prisoners with other medical conditions are sent to prisons that can meet there medical needs. Treatment for inmates who are mentally ill are mostly undertreated if they receive treatment at all. I will not say all because there are some states that are trying to offer treatment but unfortunately when money is tight as it has been for several years now this is one of the first programs to get defunded. I am not asking for preferential treatment for the drug abuser I am asking for equal treatment drug addiction is a disease and we need to treat it as such. The hardened criminal that has multiple convictions is not necessarily who I’m describing the first time someone is found guilty of possession this is where we start and teens who commit crimes to get drugs that is where we should start. Not to say if someone wants to get into the program that doesn’t fit that description we don’t help them out by all means we do but the earlier we can stop the progression of their criminal activity the better. If we continue to go on acting as if addicts don’t need treatment in our prisons we will continue to see them return which is insanity.
Who we are as a person has a lot to due with the various kinds of influences that we may encounter through different events, personal experiences, stories, and by others. Surprisingly enough movies can have a large impact on us, that can really change who we are. The Blind Side, August Rush, and The Devil Wears Prada, are among the many different films that have had a significant impact me on how I live my life and see the world. Films have a way of influencing people into thinking and believing in ways they may have never thought in before.
On the surface David Ives’ “Sure Thing” is a play about two strangers who meet, fall in love and live happily ever after. When analyzed in more depth, the play is actually about the struggle that exists between one’s desire to be an individual and the need to conform, to a certain degree, in order to be part of a couple. The play exposes and discusses the tension that exists between the value of being an individual and value associated with being in love. Love holds the promise that you will always having someone there for you and that you will always have someone to share everything with. However, to realize this love one has to make sacrifices in the process and potentially change who they are.
"What you see at fight club is a generation of men raised by women . . .. I'm a thirty-year-old boy, and I'm wondering if another woman is really the answer I need." These words are from Chuck Palahniuk's novel Fight Club. Tyler Durden is the alter ego, and only known name of the fictional narrator of the novel. Tyler suffers from Dissociative Personality Disorder, Antisocial Personality Disorder, Primary Insomnia, and probably a host of other disorders that I am not qualified to properly diagnose.
Almost everyone in America today has seen one of John Hughes’ iconic 1980’s teen movies. From Pretty in Pink, to Ferris Buellers Day Off, these iconic 80’s hits are still viewed as pop culture even two decades after their release. None of John Hughes movies has had as great an impact on society in America as The Breakfast Club. The 1980’s in America were filled with nuclear threats from the Cold War, President Reagan’s war on drugs and an increasing gap in wealth distribution. Even with America experiencing these heightened tensions, American teenagers were able to be more carefree, in a large part due to the draft being over, and worry about “teenage” problems. The Breakfast Club was able to capture this newfound freedom among teenagers as well as the feelings of anxiety, fear, and drama that came with high school. The film showed that one’s parents don’t determine your life, that breaking out of a label is possible, and that the emotions and issues that take place during this period of life aren’t any less important than the ones you face later on. The Breakfast Club by John Hughes was so impactful on 1980’s American culture because it gave hope for social class mobility, fought against the conservative politics of the era, and was one of the first movies to be shot from an accurate teenage perspective.