The Sun Also Rises, The Snows of Kilimanjaro, and The Short Happy Life of Francis Macomber by Ernest Hemingway
In the short story, The Short Happy Life of Francis Macomber, author Ernest Hemingway introduces the reader to the Macombers, a loveless married couple who is on a hunting safari in Africa. After an episode in which Francis runs away from a lion that he is hunting, all of the couple’s problems become exposed. His wife Margot is cold and callous to Francis because of his cowardice. The fragility of their relationship is further exposed by the presence of their guide and professional hunter Robert Wilson. He was a contrast to Francis in many ways. He was not as tall, well dressed or well groomed as Francis and he also did not show a hint of fear when the two were hunting the lion. These characters are certainly not the first couples that Hemingway described, nor are they the only ones involved in a love triangle. They do however, demonstrate the greatest deterioration of a relationship when compared to other Hemingway couples from The Snows of Kilimanjaro and The Sun Also Rises.
Before comparing the Macombers to any other couple it is important to account for the nature of their relationship. From the descriptions, both are well-built and attractive people. Macomber’s wife even made a living off her looks by endorsing beauty products. Francis was “very tall, very well built” and “considered handsome” (p. 122). An 11-year marriage has clearly begun to take its toll, however, and Macomber’s cowardice when hunting the lion only fueled his wife’s frustration with their relationship. She refuses to converse with him for the rest of the day and come nighttime, she disappears for over two hours to have sex with Wils...
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... set aside his inhibitions and live by the hunter’s code. Francis did not have a woman who loved him like Jake or Harry, but he finally was able to find a code to live by, even if it was only a short and happy time.
All of the male characters in relationships are suffering from one form of impotence or another. Jake’s and Harry’s were of a physical nature, while Francis’ was emotional. The emotional impotence, however, proved to be the most damaging. Jake and Harry still had women who loved them despite their inability to perform in the bedroom. Francis had no physical ailments. His wife however perceived his emotional impotence to be a great source of embarrassment and caused their relationship to be the most discontent of the three. Virility, while important to all of the women on some level, was only a determining factor of love for Margot and Francis.
The autobiography Night by Elie Wiesel contains similarities to A Farewell to Arms by Ernest Hemingway. These works are similar through the struggles that the main characters must face. The main characters, Elie Wiesel and Lieutenant Frederic Henry, both face complete alterations of personality. The struggles of life make a person stronger, yet significantly altering identity to the point where it no longer exists. This identity can be lost through extreme devotion, new experience, and immense tragedy.
In Into the Wild by Jon Krakauer, and The Road Not Taken by Robert Frost, Shares the same message behind the concepts of Choices, Dreams and Tragedy. First, both literature shares the same theme known as Choices. The poem by Robert Frost, Narrator said “Two roads diverged in a wood, and I- I took the one less traveled by,” As the reader can see this poem centers with the choices. The path in this poem can seen as just ordinary road, however Frost actually represents these roads as the life choices. And he decided to take the one less traveled by. Same goes for Christopher McCandless. He didn’t choose the ordinary road just like other else. And rather, he chose the less traveled path to “experiences, the memories, the great triumphant joy of living to the fullest extent in which real meaning is found.” (page 37) Second, both written works
"Death cannot stop true love. All it can do is delay it for a while." This quote summarizes Catherine and Henry's love for each other. Even though Catherine died, Henry had a huge space of emptiness left in his heart. Marriages in today's society are very serious relationships although some people don't seem to take them so seriously. Take for example Dennis Rodman, who married Carmen Electra and they divorced a week later. This shows how men are sometimes over powered by looks. My essay contrasts the relationships in Hemingway's Farewell to Arms to the relationships in Steinbeck's East of Eden. E. Hemingway displays a sense of respect for couples whereas J. Steinbeck portrays that women are venerable can't hold a steady relationship. Abra gradually fell in love with Cal and eventually cheated on Aron with his brother Caleb. Cal slowly tries to ruin Aron. Cal influences Abra's thought of Aron by saying sweet things to her. Adam smiled at her. "You're pink as a rose," he said. (590) The passage shows that Cal is trying to romance Abra. He knows Abra is venerable because Aron is away in the army and she misses him. By Aron absent, Abra needs a man and she turns to Cal.
‘Hills Like White Elephants’ is a short story authored by Ernest Hemingway about an American and a girl named Jig. In the story, the two are sitting in a train station waiting for the train to Madrid. While they wait, they have an intense ongoing debate on whether or not to abort Jig. At the end of the story, the train is about to arrive and the man carries luggage on the tracks as they prepare to leave. The end of the story does not clearly define the outcome of its decision. She said I feel good at the end of the story - happiness is a central theme of the story, but we wonder if she went through with the operation. The paper discusses the manner in which symbolism has been employed in the story to communicate about an abortion, the couple is considering to go through.
Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe infection. Throughout the whole story, his life is flashing before his eyes as he recalls all of the major events that occurred in his past. By nightfall, Harry is acting unusual, and he begins to feel as if life is not worth living anymore. After he drifts off to sleep that evening, his wife goes to check on him and discovers that her husband has passed away (Hemingway 52-77). The second great work of Hemingway, “The Short, Happy Life of Francis Macomber,” is also set in a deserted section of Africa. Francis and his wife, Margot, are on a safari adventure along with their tour guide named Wilson. The way these three characters interact with each other creates tension and provides an adequate plot for the story. The trip begins with the couple intending on hunting big game. At first they track down a lion that continuously roars throughout the night, and later decide to chase after buffalos. To add to the complications of the trip, Margot has an intimate relationship with their tour guide. The story c...
I recently read Earnest Hemingway's "The Short Happy Life of Francis Macomber." This is a story about a thirty-five year old man, Francis Macomber who is on an African safari hunt with his wife, Margot. Led by his guide, Robert Wilson, Macomber tries to display his manhood by killing dangerous creatures. This in fact has the exact opposite effect when he humiliates himself by running from a wounded lion. Samuel Shaw stated in Earnest Hemingway, "…this is about much more than a hunting yarn, although it is that, too. It is a story that examines that elemental bases of the male-female relationship and the sources of human freedom and dependence" (82). The situation is complicated when Margot sleeps with Wilson and Macomber knows about it. Macomber has another chance to prove himself when they go into an island of trees to shoot a wounded buffalo. This time he stands his ground and shoots repeatedly as the buffalo charges forward. Seeing the whole situation from the car Margot shoots at the last instant, and in a brilliant ending by Hemmingway, misses and hits Macomber right in the back of the head, leaving the reader to wonder, "Did she mean to hit him?" Prevalent in this story is Hemmingway's use of the literary conventions conflict and ambiguity.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Francis Macomber is a middle age man that is good at court games such as: tennis or squash, competitions where there are set standards and rules for play. Also, there are confined areas of play for his games. He is quite wealthy and some say handsome which add to Francis masculinity. His wife on the other hand does not think that much of him and thinks of him as a coward. Margot on the other hand his “beautiful wife”, whom really does not like Francis but stays with him anyway. She cheats on him and despises, basically because he married her only for her looks. Margot on the other hand is part responsible for the same thing because she only married him for his money. They are both stuck in a situation because they both married for the wrong reasons. Their gender roles are sort of fighting against each other because she doesn’t care about the relationship and cheats; and he tries to prove that he is a man and yet fails because he tries too hard. Masculinity is something that Margot and others at the Safari think it is an aspect of manhood that Francis lacks.
Hemingway, Ernest. "The Short Happy Life of Francis Macomber." 1936. The First Forty Nine Stories. London: Cape, 1946. 9-43. PDF File.
From Boy to Man in Flight, by John Steinbeck and The Bear by William Faulkner
“Hills Like White Elephants” is a one-of-a-kind short story. Hemingway clearly felt the need to be straightforward and direct stylistically, a trait that is said to have carried over from his work in journalism . In this story, he decided to use the third person objective point of view, making the plot both thought-provoking and confusing. One might ask, was it really necessary for Hemingway to use such a detached and vague narration? Is the third person objective point of view crucial to the story? The third person objective point of view was absolutely necessary for the story: without it, the story would cave in on itself.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
In The Sun Also Rises, Ernest Hemingway uses irony and symbolism to illustrate how a group of Americans and English expatriates lived life. They try to forget the war and restore a sense of meaning to their lives, which he would have liked to do. Hemingway’s attitudes are expressed in the book, including his idea of, “emphasize the optimistic idea of progress of life’s cycle.”
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.
Ernest Hemingway's The Sun Also Rises (1926) has been considered the essential prose of the Lost Generation. Its theme of alienation and detachment reflected the attitudes of its time.