Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The symbols in The Yellow Wallpaper short story
The symbols in The Yellow Wallpaper short story
Symbols in the yellow wallpaper essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The symbols in The Yellow Wallpaper short story
The Subjugation of Women in The Yellow Wall Paper
In the nineteenth century, women in literature were often portrayed as submissive to men. Literature of the period often characterized women as oppressed by society, as well as by the male influences in their lives. The Yellow Wallpaper presents the tragic story of a woman's descent into depression and madness. Gilman once wrote "Women's subordination will only end when women lead the struggle for their own autonomy, thereby freeing man as well as themselves, because man suffers from the distortions that come from dominance, just as women are scarred by the subjugation imposed upon them" (Lane 5). The Yellow Wallpaper brilliantly illustrates this philosophy. The narrator's declining mental health is reflected through the characteristics of the house she is trapped in and her husband, while trying to protect her, is actually destroying her.
The narrator of the story goes with her doctor/husband to stay in a colonial mansion for the summer. The house is supposed to be a place where she can recover from severe postpartum depression. She loves her baby, but knows she is not able to take care of him. "It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous" (Gilman 642). The symbolism utilized by Gilman is somewhat askew from the conventional. A house usually symbolizes security. In this story the opposite is true. The protagonist, whose name we never learn, feels trapped by the walls of the house, just as she is trapped by her mental illness. The windows of her room, which normally would symbolize a sense of freedom, are barred, holding her in. (Biedermann 179, 382). From the outset the reader is ...
... middle of paper ...
...f the wallpaper . . . "(Gilman 647).
Bibliography
Anderson, Daniel. *http://cwrl.utexas.edu/~daniel/amlit/wallpaper/whywrote/htm* Why I Wrote "The Yellow Wallpaper"? As it appeared in the October issue of The Forerunner, 1913." 1996. (19 Sept. 1998)
Biedermann, Hans, ed. The Wordsworth Dictionary of Symbolism. Cumberland House: Hertfordshire, 1996
Cunningham, Iain and Holmes, Douglass. "Sensory Descriptions in The Yellow Wallpaper." 1977.
http://englishwww.ucla.edu/individuals/mcgraw/wallpaper/senses.htm* (19 Sept. 1998).
Gilman, Charlotte Perkins. "The Yellow Wallpaper." Women's Work - An Anthology of American Literature. Ed. Barbara Perkins, Robyn Warhol, and George Perkins. New York: McGraw-Hill, Inc., 1994. 640-650.
Lane, Ann J. To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman. New York: Pantheon Books, 1990.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." 1892. The New England Magazine. Reprinted in "Lives & Moments - An Introduction to Short Fiction" by Hans Ostrom. Hold,
Ann Charters. Boston: Bedford/St. Martin’s, a 2011 book. Print. The. Gilman, Charlotte.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Loss of respect can ruin a relationship. Biff left town for many reasons, but one important one had to do with Willy cheating on his wife. During a flashback in the play, Willy is in a room with a woman when Biff knocks on the door. The woman was actually in the washroom as Biff came in, but came out before Biff left. Biff saw the woman and knew that his father was not being loyal to his mother.
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
Wagner-Martin, Linda. "The Yellow Wallpaper." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. 981- 982.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Themes from a Death of a Salesman are plentiful and confusing at times. Miller seems to say in “Tragedy and the Common Man,” by the test of feeling it is a tragedy; “The tragic feeling,” he writes, “is evoked when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing—his sense of personal dignity” (Foster n.p). What turns this self-confidence
"Charlotte Perkins Gilman's "The Yellow Wall-paper"—Writing Women." EDSITEment: The Best of the Humanities on the Web. Web. 05 Mar. 2011.
Willy, Linda, Biff and Happy are all characters that use self- deception as a way to mentally escape the terrible reality of their lives. As the play progresses, and ends Biff is truly the one and only character that becomes self- aware. At the end of the play Biff accepts the lies his family and him have been living in for years. Biff makes huge changes mentally at the end of the play, which cannot be said for the rest of the Loman family.
He is two years younger than Biff and was never put to as high of a standard as Biff. Even in Willy’s daydreams, he doesn’t say anything that his father cares too much about. Even so, Happy see’s himself as successful while only being the assistant’s assistant. Happy also feels less lonely and unaccomplished because he doesn’t have a family of his own (Miller Act II:1618). Resulting in him seeking as many women as possible. He is what Willy would consider a success while being blind to eventually share the same doom as his father. Ironically still being in his failed brothers shadow.