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Absurdism in the stranger
Absurdism in the stranger
Absurdism in the stranger
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The Stranger by Albert Camus tells the tragic story of a man named Meursault. Meursault adheres to the philosophy of absurdism, which greatly influences his worldview. Absurdism teaches that the universe is meaningless and absurd. Because of Meursault’s belief in this philosophy, most people that he encounters in The Stranger find him to be an emotionless being. Meursault cannot grasp why people do not understand him, which often makes him feel isolated from others. In The Stranger, author Albert Camus portrays the meaning of the title by emphasizing the idea of isolation in the main character, Meursault. Isolation is present in Meursault during his mother’s funeral, his relationship with Marie, and his trial.
The first major event in The Stranger that
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He seems to view the relationship as one that is convenient to him, and he does not really care about the way Marie feels. This is evidenced by the way he responds to certain ideas that Marie has. “When she laughed I wanted her again. A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so. She looked sad. But as we were fixing lunch, and for no apparent reason, she laughed in such a way that I kissed her” (35). Meursault does not seem to grasp that love is important to Marie. Love means nothing to him as evidenced by the previous example. Meursault views the relationship immensely different than Marie views it. Meursault looks at it as something physical that is convenient for him. He does not confide in Marie or try to get to know her on a personal level. Marie is interested in this part of the relationship, as evidenced by her question about love. Even in what is supposed to be a serious endeavor by human standards, Meursault is still isolated in his relationship with Marie. In addition to Meursault’s relationship with Marie, the idea of isolation is carried into his murder
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Meursault doesn’t conform to society such as understanding what we would call normal human emotions such as the emotions of love or death. The reason Meursault may seem disconnected from the felling of love is shown when his girlfriend ask about marriage. Meursault answers without caring by saying “it doesn’t make any difference to me and that we could if she wanted to” (Camus, 156). Meursault also show the disconnection of normal human emotions after his mother’s death. “… Maman’s death, but that was one of those things that was bound to happen sooner or later” (Camus, 123).
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
When Meursault returns home he decides to take another day off and relax at the beach. On his way out he sees an old man beating his dog and cussing at it ruthlessly. Normally most people would be bothered by the fact of a man beating a small dog, but Muersault watches as if nothing bad were happening. When Meursault is at the beach he meets a girl, named Marie, which he finds very attractive. Meursault and Marie become very close. As the story progresses they begin taking part in sexual activities. Marie tells Muersault that she loves him and asks if he loves her back.
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
...ists, Meursault has his own values which are incompatible to the values of the world. Values that would be very significant for most people, such as love for someone or suffering at a parent’s death, do not matter to him, at least not on a sentimental level. He simply does not care that his mother is dead, or that Marie loves him:
But in the novel, the main character, Meursault, does not show any emotion to his mother’s death. Meursault was not moral, but he was not immoral either. It is because he lacks any emotional feelings. He is detached from the world and he is seen by society as an outcast because of the way he acts. Meursault’s personality can be described as dull and boring.
Throughout the text, Meursault uses Marie simply as a means to an end to satisfy his own ambitions, without very much regard to her own inner feelings and aspirations. “That evening Marie came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to. Then she wanted to know if I loved her. I answered the same way I had t...
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The concept of attachment is associated with many female characters throughout the novel. Marie, clearly shows attachment for Meursault as she delights in physical contact, enjoys kissing in public and engages in casual sex. Furthermore, her visit to Meursault in jail consolidates her sentimental longing for him. Even evidence of Meursault’s mother showing attachment to men can be seen. When the warden of the nursing home was asked if Meursault’s mother “reproach[ed] [Meursault] for having sent her to the home ... he said, ‘Yes’” (Camus, 86). When she looses the last male figure in her life, she soon found another – Thomas Perez. “[Thomas Perez] and your mother had become almost inseparable”(18), said the keeper of the nursing home. Marie also is unable to let go of Meursault even after he turns down marriage proposals, refuses to say that he loves her and goe...
Within the Stranger, Albert Camus brought up many questions and a few answers. He created an outsider to society and showed us how he lived, Meursault.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.