The Story of Sweetheart of the Song of Tra Bong: The Use of Setting
Where does the story of Sweetheart of the Song Tra Bong take place?
Upon reading the story, one would first assume that it takes place in Vietnam.
Upon further examination, however, it becomes quite evident that it really takes place inside Rat Kiley's head. This isn't to declare the story false; instead, one should examine the influence and literary freedom that Rat flexes upon the truth. "For Rat Kiley… facts were formed by sensation, not the other way around." (101) The story occurs in two separate but equally chaotic places:
Vietnam, and Rat's head. The story intertwines between the two settings, and in order to completely grasp the idea behind them, one must first recognize, then separate and analyze the two settings.
Upon the first reading of this work, the reader finds himself dropping into the story of a seemingly misplaced girl in Vietnam. The role of Rat Kiley seems somewhat minor and irrelevant. Upon the second and third times through, however, his role as the storyteller stands out. It becomes more evident that he holds Mary Anne with the highest regard. He romanticizes her relationship with the war. He is so amazed with the fact that a girl can be seduced by the lure of the wilderness that he begins to talk about her with the listeners as if she were the attractive girl from school that everyone knows but nobody dates.
" 'You know…I loved her. Mary Anne made you think about those girls back home, how clean and innocent they all are.' " (123) Rat is pushing his views upon the listener. He is shaping how the story is seen. The reader sees "triple- canopied jungle, mountains unfolding into higher mountains, ravines and gorges and fast-moving rivers and waterfalls and exotic butterflies and steep cliffs and smoky little hamlets and great valleys of bamboo and elephant grass." (103)
The actual reality of the situation is added by the narrator, as extrapolated from Rat: that they were in an almost completely indefensible situation. Had somebody cared enough to take control of the little base, there would be no resistance. Rat wanted to let the reader know his opinion on the citizens of the Viet Cong, how he wants the listener to think of them. "Mary Anne asked,
'They're human beings, aren't they? Like everybody else?' Fossie nodded. He loved her." (107) Rat lets us know that he thinks the VC are less then human.
Why did Fossie nod, in Rat's opinion? Not because he thought Fossie felt she was
In the story, “Sweetheart of the song Tra Bong”, the reader acknowledges the similarities between average soldier and Mary Anne. In the beginning of the chapter, Rat Kiely decides to tell a story to the team about how a soldier decided to bring his girlfriend to vietnam. When Mary Anne first arrives, Rat Kiely describes her with a bubbly personality and very outgoing. But soon Mary Anne knew the truth about the war and that she had to fight in order to keep her life. Rat Kiely mentions, “ ‘...I mean, when we first got here- all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne’” (page 93). This quote shows the atrocious reality of war. It can be assumed that Mary Anne symbolizes
Rat states "She'd hopped a C-130 up to Chu Lai and stayed overnight at the USO and the next morning hooked a ride west with the resupply chopper"(90). It is irrational for this to happen and in war, a high school girl cannot climb on to a plane without notice. Even though this event appears to be fake, Rat succeeds on what he is doing to readers--showing how desperate and lonely soldiers are in war. A Vietnam soldier will go to crazy lengths for a woman or something that allow them to get away from war and forget
The reports in this novel are prefaced with a quote by Robert Shaplen, which sums up the feelings of those Americans involved in the Vietnam conflict. He states, "Vietnam, Vietnam . . .. There are no sure answers." In this novel, the author gives a detailed historical account of the happenings in Vietnam between 1950 and 1975. He successfully reports the confusing nature, proximity to the present and the emotions that still surround the conflict in Vietnam. In his journey through the years that America was involved in the Vietnam conflict, Herring "seeks to integrate military, diplomatic, and political factors in such a way as to clarify America's involvement and ultimate failure in Vietnam."
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
Tim O’Brien begins his journey as a young “politically naive” man and has recently graduated out of Macalester College in the United States of America. O’Brien’s plan for the future is steady, but this quickly changes as a call to an adventure ruins his expected path in life. In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
War is often thought about as something that hardens a soldier. It makes a person stronger emotionally because they are taught not show it and deal with it internally. People say that death in war is easier to handle because it is for the right reasons and a person can distance themselves from the pain of losing someone. However, there is always a point when the pain becomes too real and it is hard to maintain that distance. In doing so, the story disputes the idea that witnessing a traumatic event causes a numbing or blockage of feelings. Rat Kiley’s progression of sentiment began with an initial concern for the buffalo, transforming into an irate killing of the animal, and then ending with an ultimate acceptance of death. These outward displays of feeling suggested that witnessing the death of a close friend caused him to become emotionally involved in the war.
This passage gives readers an enhanced understanding of this talented author, as they see her passion for the wilderness during childhood.
The violent nature that the soldiers acquired during their tour in Vietnam is one of O'Brien's predominant themes in his novel. By consciously selecting very descriptive details that reveal the drastic change in manner within the men, O'Brien creates within the reader an understanding of the effects of war on its participants. One of the soldiers, "Norman Bowler, otherwise a very gentle person, carried a Thumb. . .The Thumb was dark brown, rubbery to touch. . . It had been cut from a VC corpse, a boy of fifteen or sixteen"(O'Brien 13). Bowler had been a very good-natured person in civilian life, yet war makes him into a very hard-mannered, emotionally devoid soldier, carrying about a severed finger as a trophy, proud of his kill. The transformation shown through Bowler is an excellent indicator of the psychological and emotional change that most of the soldiers undergo. To bring an innocent young man from sensitive to apathetic, from caring to hateful, requires a great force; the war provides this force. However, frequently are the changes more drastic. A soldier named "Ted Lavender adopted an orphaned puppy. . .Azar strapped it to a Claymore antipersonnel mine and squeezed the firing device"(O'Brien 39). Azar has become demented; to kill a puppy that someone else has adopted is horrible. However, the infliction of violence has become the norm of behavior for these men; the fleeting moment of compassion shown by one man is instantly erased by another, setting order back within the group. O'Brien here shows a hint of sensitivity among the men to set up a startling contrast between the past and the present for these men. The effect produced on the reader by this contrast is one of horror; therefore fulfilling O'Brien's purpose, to convince the reader of war's severely negative effects.
Hayslip, Le Ly, and Jay Wurts. When Heaven and Earth Changed Places: A Vietnamese Woman's Journey from War to Peace. New York: Plume, 1990. Print.
The ending of Mary Anne’s story could have been beautiful and civil to her, but ugly and chaotic to you, and that was her liberation.
Mary Anne is initially introduced to the audience, narrated by Rat Kiley, as an innocent and naïve young woman present in Vietnam solely to visit her boyfriend, Mark Fossie. She arrives in “white culottes” and a “sexy pink sweater” (86), and is deemed by the other soldiers as no more than a happy distraction for her man. As Mary Anne settles in though, her abundant curiosity of Vietnam and the war heighten, and she soon enough possesses as much interest in the war as many of the men. Forward, Mary Anne’s transformation into a soldier begins as she leaves her sweet femininity behind. No longer caring for her vanity, she falls “into the habits of the bush. No cosmetics, no fingernail filing. She stopped wearing jewelry, [and] cut her hair short” (94). Mary Anne’s lost femininity is also evident when she handles powerful rifles like the M-16. Not only does the weapon literally scream out masculi...
Throughout the novel, Tim O’Brien illustrates the extreme changes that the soldiers went through. Tim O’Brien makes it apparent that although Vietnam stole the life of millions through the death, but also through the part of the person that died in the war. For Tim O’Brien, Rat Kiley, Mary Anne and Norman Bowker, Vietnam altered their being and changed what the world knew them as, into what the world could not understand.
They were essential in showing the key parts in O’Brien’s life that lead to the turning points which lead to the creation of this novel and his ability to be at peace with what had happened in Vietnam. He finally accepted what had happened and embraced it instead of avoiding it. Works Cited Novel O'Brien, Tim.
Nurse Ratched gains much of her power through the manipulation of the patients on the