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Disney's impact on society
Women's role in disney movies essay
Women's role in disney movies essay
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Disney has a history of imagination and innovation, but a change in times also calls for a change in taste. Old classics like Snow White, Cinderella, and Beauty and the Beast all tell tales of a naïve and helpless damsel in distress, who are often saved by their charming princes. Looking back on such characters, one realizes that these iconic characters are the embodiment of everything the women’s empowerment movement is against. A movement that has drastically changed the views on women in the past decade. Today, women are looked upon as strong, independent, and brilliant individuals. And so, Disney decided to take a path similar to the movement’s with their film, Frozen. Frozen defied many of the industry’s previous stereotypes, such as giving …show more content…
It is in such communities that young girls do not receive the opportunities and attitudes they should in order for them to grow into a strong, independent lifestyle. This is where Frozen and Elsa come in. Elsa’s story while growing up can be an empathetic journey for young viewers. Young girls can relate to her being locked up and kept away from the rest of the world, although to a lower extent. For the very same reason, this empathetic connection continues even when Elsa breaks free of her bonds during the song “Let It Go”, influencing and motivating children to do the same. As Rustad claims, “The whole idea of the song is that she won’t let herself be defined by anyone else’s expectations,” (Rustad 158). Another empathetic impact the story has is with its portrayal of the relationship between Elsa and Anna. “Many viewers have siblings with whom they share a complicated or strained relationship, but very few have had the sort of romance often described in fairy tales” (Rustad 156). The complicated relationship presented in the story is a relatable factor, especially when it comes to young sisters. What these young sisters have not experienced however, are the romantic escapades characters such as Beauty experience in Jeanne-Marie Leprince de Beaumont’s version of Beauty and the Beast. Elsa is not the only one however, to break the stereotypes regarding gender roles. Anna’s character may seem out of place due to her awkward and clumsy nature, but these characteristics defy feminine ideals and the expectations of the role of an elegant
In “Little Girls or Little Women? The Disney Princess Effect,” Stephanie Hanes covers the sexualization of young girls and women in every aspect of the media that influences children and teens. She explains that girls see media figures, movies, and sports being sexualized, and how this is causing children to associate looking and acting a certain way to being ‘the perfect women’. Hanes believes the hypersexualized media is causing girls to obtain a negative body image and it’s killing their self-esteem. The author proposes what she believes society should do about overcoming this obstacle, and how people can crush the stereotypes about women; to her everyone is responsible and should aid in fixing these problems. She explains that the media
Of course, this could be justified by the target audience, as it is a Disney princess film after all. However, this relationship between two sisters is special enough to be analysed. Indeed, female friendship is often depicted as conflictive, in films such as Bride Wars for instance, whereas male friendship is made more valuable, as seen in most Seth Rodgen films. Here, the feminine solidarity is the core of the plot in Frozen, which motivates each protagonist’s designs and solves central issues of the
"The Negative Portrayal of Mothers in Disney Films" Why is it that in Disney films, motherly figures and role models are completely diminished, whereas fatherly roles are extravagant? Why does mainly a woman play the role of the villain? If you notice, you will find that in just about every classic Disney film, the mother is portrayed in a horrible and questionable fashion. However, there is always a fatherly or male figure that everyone boasts about. Let us start with the films where the main character fails to have a mother mentioned or seen at all.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future.
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Society cements certain roles for children based on gender, and these roles, recognized during infancy with the assistance of consumerism, rarely allow for openness of definition. A study conducted by Witt (1997) observed that parents often expect certain behaviors based on gender as soon as twenty-four hours after the birth of a child. The gender socialization of infants appears most noticeably by the age of eighteen months, when children display sex-stereotyped toy preferences (Caldera, Huston, & O’Brian 1989). This socialization proves extremely influential on later notions and conceptions of gender. Children understand gender in very simple ways, one way being the notion of gender permanence—if one is born a girl or a boy, they will stay that way for life (Kohlberg 1966). “According to theories of gender constancy, until they’re about 6 or 7, children don’t realize that the sex they were born with is immutable” (Orenstein 2006). The Walt Disney Corporation creates childhood for children worldwide. “Because Disney are such a large media corporation and their products are so ubiquitous and wide spread globally, Disney’s stories, the stories that Disney tell, will be the stories that will form and help form a child’s imaginary world, all over the world, and that’s an incredible amount of power, enormous amount of power” (Sun). Because of the portrayal of women in Disney films, specifically the Disney Princess films, associations of homemaker, innocence, and dependence are emphasized as feminine qualities for young children. Thus, children begin to consider such qualities normal and proceed to form conceptions of gender identity based off of the movies that portray the very specific and limiting views of women (...
In the article Construction of the Female Self: Feminist Readings Of the Disney Heroine, Jill Birmie Henke, Diane Zimmerman Umble, and Nancy J. Smith are looking at the female self and how it was developed based on two theories: Standpoint by Parker Follet and the psychological development of girls by Gilligam. That by examines gender identity especially girls and how media exposure affects them through analyzing five of Disney movies: Cinderella, Sleeping Beauty, The little Mermaid, Beauty and the Beast, and Pocahontas. They segmented the article into three titles: The Oxymoron of Power and the Perfect Girl where they introduced the two theories in which they built their critic on, Construction of the Female Self where they talk about the evolution in the female character from Cinderella to Pocahontas, and Construction of Self in Relation to Others where they talk about the evolution of the self in relation to others from power-over to power-with until power-to. Finally they concluded that even if the female character in Disney’s movies was changing to become more
Critics have warned the public audience about Disney programming’s affect on the “invasion and control of children’s imagination” (Ross 5). These movies express the typical gender roles “such as males being physically strong, assertive, and athletic, and females being prone to overt emotion, inc...
The first portrayal of “Snow White” in 1930s showed the woman to be a product of the environment around her. The influence of the environment was depicted as having a great impact in influencing the character of women due to their naïve and weak nature (Cheu 135).
Gender roles in society are becoming more flexible. The younger generation is less inclined to follow the same roles their parents and grandparents followed. In Disney’s Brave, the main character, Merida, is a perfect example of this. She does not follow the traditional feminine norms that princesses usually reflect; she is defiant toward her mother— especially in regards to her marriage — and she does not want to be a princess.
Moving forward 30 years, the societal expectations of women have progressed rapidly since the 1950s. By the 1990s, women constitute for 43% of the workforce, it is socially acceptable for both men and women to have work, and the wage gap has decreased rapidly. It is also common for families to have two-wage earners, and household/childcare responsibilities are juggled between parents. [5] Women are no longer expected to serve men as their perfect housewife, however they are expected to marry and have a successful lineage. Following Walt Disney’s death in 1966, the renaissance era of Disney presented a wide variety of films containing racially diverse leads who aspire to more than wifely duties, however they still aspire to true love.
Like a sour candy Disney seems to please some, while leaving a sour taste in the mouth for others. Disney has over the years been called out for their racist and sexist portrayal of characters on the animated screen, and the mistreatment of their “cast members”. To begin, children are very impressionable and the portrayal of woman and non-white characters have been brought to the attention of many, because of the negative impacts and biases it may create in children as they grow into adults one article states, “Disney Princesses represent some of the first examples of exposure to the thin ideal," … "As women, we get it our whole lives, and it really does start at the Disney Princess level, at age three and four." This ‘thin ideal” as everyone
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for