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Question on Mesopotamia
Egypt and Mesopotamia
Question on Mesopotamia
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Although one might think that the two statues are similar in size, they couldn’t be anymore different. The statue of Gudea is a representation of the ruler of Lagash, an ancient city-state in lower Mesopotamia. Gudea ruled during the Sumerian period 2150-2125 B.C. The statue standing no more than two-and-a-half feet high, made of a very hard stone called diorite represented an intermediary of gods. Gudea carried out great campaigns to build and restore many temples. In this photograph Gudea is wearing a robe that falls over his left shoulder, leaving his right shoulder bare. His hands are together as if praying. Many of the statues recount the divine guidance of Gudea through Cuneiform inscriptions. The Royal Acquaintances Memi and Sabu’s
Gudea is the other ruler whose legacy can be defined through art work. He ruled the Sumerian City state of Lagash and had his statue, architectural masterpieces in the form of temples and carvings in the region. The new temples that he erected had his paintings and drawings as a show of his authority in
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
The Ancient Egyptian sculpture, “Statue of Nykara and His Family”, was sculpted during the late fifth dynasty. The sculpture is a depiction of Nykara, his wife, Nubkau, and son, Ankhma-Re. The statue is in poor condition with pieces of limestone missing and chips on the three subject’s faces and bodies. The painted limestone shows the conventional colors for the male and female subjects. There is a clear discoloration among Nykara and his son’s bodies. The brownish red color they once were has eroded to a light yellowish color, which resembles the purposeful color of Nykara’s wife. The hieroglyphs on Nykara’s seat insinuate that the sculpture is meant to be viewed from the front view. This is also evident by the way the three subjects are facing forward in frontal view. There are hieroglyphs on both the chair and base of the statue near Nykara’s wife and son’s feet.
Many art works such as statues are placed throughout the world in different settings. The most common setting for statues is found in funerary settings. The importance of statues in funerary settings is that they are use to project the power the person had before his death. The seated statue of Khafre enthroned from Gizeh, Egypt, illustrates the idealized pharaoh. Another sculpture is Kouros, from Anavysos, Greece that depicts the heroism of Kroisos dying in battle. The Kouros and Khafre are similar in the way that they both radiate power and serve the purpose of honoring the dead men, yet Khafre has a greater significance because it illustrates the pharaoh in a flawless form and the audience can tell that he was a great ruler by the perfect cut sculpture.
The Votive Statue of Gudea and the Augustus of Primaporta have similar formal elements through their subjects and differ through their styles and size. The Votive Statue of Gudea is a statue of Gudea, a ruler in the Ancient Near East. The work was constructed in 2090 BC. It was made from diorite and stands two and
And just like the Greek the statue are both big and almost human size. A great example of this is the “Augustus of Primaporta, 1st century C.E. (Vatican Museums).” It truly shows the evolution of art sculpting. It is a full size very detailed sculpture of Augustus. It very detailed from his hair showing every curl and split to the small details in his armor that also depicts a story as well is shows the god of the sky looking down on him and the goddess of the earth looking up towards him as they watch the Parthians surrender to him and returning the standards shows the great power that Augustus has, and not just that but also the sculpture itself is a symbol for how Augustus wanted everyone to see him as, as god like. And it even has a little small cupid on the side which is also detailed which shows that Augusts is decedent from a
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
The early Renaissance, which had begun in Quattrocento Italy, was sparked by the beginnings of the Humanist movement. Considered a return to classical ideals, harkening to an early time when art, philosophy and architecture focused more on men’s achievements rather than entirely concern with his salvation, which dominated the Middle Ages. Although piety was still a predominant part of everyday life, the nostalgia, which became inspiration during this period, initiated a rediscovery of the ideals from the classical Roman and Greek eras. Whose art and architecture could be seen throughout Italy and Sicily. Thus, higher education became the predominant theme among influential families. From this an immergence of forgotten manuscripts and treatise
When first looking at George Washington by Horatio Greenough first thought that came to mind was Roman Art! George Washington by Horatio Greenough is a unique piece looking much like many Roman sculptures you may have seen, but upon the statues shoulders dawns George Washington’s signature non-smiling, tightly clenched face. From the neck down you’d never think that this sculpture wasn’t created in the liking of our first president George Washington, but more that of a god like Jupiter. With his bare chest exposed and muscles chiseled, you’d think George Washington was a statue of a god if his face wasn’t so recognizable. With his face determined, brows lifted and his eyes always looking at you at whatever angle, this statue surely grabs your attention.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
First off I would like to tell as to why I chose this object; this amazing structure. I know I chose a pretty easy object to do a research paper over as well as probably an over used one at that. But I tried searching for just the best object and nothing stood out to me, everything was minuscule compared to this structure. It is the object of United States of America’s freedom.
Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...
Looking at these four images alone, I can seem many similarities between the Maitreya 1 and Gupta sculptures and the Gandharan and Maitreya 2. The Maitreya 1 and Gupta sculptures are both broze, they both have similar poses, similar clothing and even similar drapery styles. These two are definitely not archaic styles but I also would call them hellenistic nor classical styles. They are like a hybrid of the three styles, because you can see the drapery but it doesn’t look realistic, it just looks lines added to the toga to make it look like it’s drapery. But like in hellenistic and classical sculptures you can see where the body is, especially on the Gupta statue. As for the Maitreya 2 and Gandharan statues I can see a more hellenistic/classical
I chose to write about the Statue of Liberty. The Statue of Liberty serves as a symbolic fixture of the principles America was founded on. She represents freedom, liberty, and opportunity. The location of the Statue of Liberty is an amazing feat in itself, it is right in the middle of a very wide and a very deep Hudson river, and at the time it was brought there, with the limited technology, was amazing. Adding to the location, The State of Liberty as everyone knows is right next to the old customs ports where thousands of hungry, and poor immigrants fresh off the boat would pass through looking for a better life. The fact that Liberty is a woman is an ingenious idea because a woman tends to be more sympathetic and willing to help, if Liberty was a man the statue would seem more cold, stiff, and even militant. Throughout history statues have been built to represent a great moment but the Statue of Liberty was build to symbolize a great idea and country. At that time in history people were flocking to America because they were either being persecuted in their home countries or they were just disappointed at the status of their lives and wanted to come to “the land of opportunity” to start a new life.