The Speckled Band by Arthur Conan Doyle and Lamb to the Slaughter by Roald Dahl

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Discuss the social and historical context of each text reflected in

The Speckled Ban by Arthur Conan Doyle and Lamb to the Slaughter

by Roald Dahl.

In this essay, I intend to compare and contrast the two short stories

"The Speckled Band" by Sir Arthur Conan-Doyle, and "Lamb to the

Slaughter" by Roald Dahl, picking out techniques used which make it

exactly, or exactly the opposite of a typical detective story/murder

mystery.

Both "The Speckled Band" and "Lamb to the Slaughter" have ingredients

for a detective story, i.e. they both have a cold murderer who is just

a little mad. On the other hand, they are presented to us very

differently, making one story very formulaic, and making the other

very untypical of the murder mystery genre.

Both Conan-Doyle and Dahl use various techniques to make their stories

more interesting; for example, in Dahl's "Lamb to the Slaughter" the

story revolves around the character of Mrs Mary Maloney, loving

housewife and psychopathic killer. Normally, many stories concentrate

on the detective or the victim, this story concentrates on the

character of the murderer. This perspective helps with the telling of

the murder, making it more unexpected. The story includes two major

plot twists; the first being the murder itself, made unexpected by

what we have seen of Mary Maloney's character, the second plot twist

is at the end, where the detectives eat the murder weapon.

Conan-Doyle used techniques in writing "The Speckled Band" also. His

story revolves around the character of the detective, Sherlock Holmes.

The story is told as seen through the eyes of his companion, Dr

Watson, providing a good example of writing in the first person.

Unlike Dahl's story, "The Speckled Band" is...

... middle of paper ...

...loney goes from loving

housewife and potential victim to possible psychopathic murderer.

Patrick Maloney develops from potential psychopathic murderer to dead

victim, and the detectives well the detectives are pretty dim to

begin with anyway.

While Dahl's characters are flexible, Conan-Doyle's stay rigid and

static. Dr Roylott stays violent, Helen Stoner stays terrified, and

Holmes stays as vigilant and observant as ever.

The main ingredient of a detective story is that the villain is caught

and justice is achieved. This happens in 'The Speckled Band', with the

poetic justice of Dr Roylott's death, but in 'Lamb to the Slaughter'

it doesn't, and the villain gets off "scot-free". Even if they had

found her out, they wouldn't have any evidence. The main ingredient is

missing in 'Lamb to the Slaughter', but even so, that doesn't make the

story any worse.

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