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Analysis of great poems
Analysis of great poems
Literary analysis of poetry
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title The title ,”The Song of the Wandering Aengus” is relatively large and provides the reader with a lot of information of what can follow in the poem. Beginning with the most noteworthy and unique word, “Aengus”, is not only a popular Irish name, but a god of love and youth. This tells us that the author or setting has to relate to Ireland in some form of fashion. It is so be seen later wether they literally implicate anything that has to do with a physical god to entity. In irish mythology, Angeus is also the god of poetic inspiration. Perhaps the poem was made with the intention to inspire a reader, or perhaps the main character of the poem goes through a dynamic change of thought. This could possibly foreshadow achievements, changes in …show more content…
This happens within the second and third stanzas. Every stanza has a distinct attitude towards the main characters perspective. This is most clearly highlighted in the diction. As stated before, the mood is explorative and understanding. A coarse word like “fire” is mentioned twice in conjunction with more light hearted words like “wand” or “flickering”. The precise first point of shift in the poem is in line 11, “But something rustled on the floor”, this is the first use of contrast in the poem, which is the word “but”. The tone from this point is clearly more happy, with words like “glimmering” and “brightening”, the lighthearted tone is far more confident than that of the text before the shift. Yet another shift occurs in the third stanza, on line 17 ,“Though I am old with wandering” Yeats says. Similar to the first shift, this is the first use of an indication of time or age. Before this point, although in past tense, no sense of day or flow of time is established. “Old” is associated to be a negative trait, Yeats use of “though” is what gives us insight to his implied tone on the aging. The pacing is much slower and less explorative, and as I said before, Yeats revisits ‘silver’. However in the later stanza, this is applied to “apples of the moon”, which in historical context is a sexual reference of forbidden fruit. The pacing, tone, focus, and overall content has shifted within the stanza, and has taken an even larger shift from the beginning. The poem progresses from an innocent, explorative mood to a matured, fulfilled [although explorative of a different natured
In the end of the narrator’s consciousness, the tone of the poem shifted from a hopeless bleak
The poem does this when it uses metaphor and personification. For instance, it states “when care is pressing you down it a bit. The silver tint of clouds of doubt.”
The common factor found within these two poems were in fact, metaphors. The writers Waddington and Tennyson both apply them to accentuate crucial opinions that influence love relations. In the third stanza, line one Waddington writes, “late as last autumn…”, however in the beginning of the poem he had written, “Late as last summer”. Therefore, autumn is a metaphor for different phases of life; spring represents childhood, summer is young adulthood and in this case autumn represents the middle age as winter would be death. Metaphorically speaking, as the season changed from a blissful summer to a dry autumn, so did their relationship. And we can all agree that as long as the clock remains to tick, time can change everything, even love. In Tennyson’s poem the fourth stanza, line two it mentions, “A shinning furrow, as thy thoughts in me”. This charmingly written metaphor refers to the author and his significant other. Tennyson uses a farmer’s tractor which produces furrows on the ground to relate to his sense since this person has had furrows of her thoughts leave a shining trace in his mind.
The poet begins by describing the scene to paint a picture in the reader’s mind and elaborates on how the sky and the ground work in harmony. This is almost a story like layout with a beginning a complication and an ending. Thus the poem has a story like feel to it. At first it may not be clear why the poem is broken up into three- five line stanzas. The poet deliberately used this line stanzas as the most appropriate way to separate scenes and emotions to create a story like format.
The Aeneid In the Aeneid, the author Virgil outlines the significance of authority by reiterating the need for Aeneas to fulfill his destiny in relation to pietas, devotion to family and country, as the central Roman virtue in the underworld. Virgil successfully uses the underworld to capture and dramatize the importance of authority by allowing Aeneas to see the future Rome due to his leadership through many forms and histories of Roman authority. Once the Trojans were on the shores of Italy, Aeneas had yet another duty to fulfill: a visit to the underground, where he met Sibyl, the "holy prophetess (pg. 149)." After the God Delian (pg.149) breathed "visionary might" into Sibyl, she and Aeneas were able to visit the Earth's hidden world. In this world, he learned what happens to the souls of the dead. Most likely, it served as a future lesson for Aeneas (especially after being guilty of neglecting his duty for his true love of Italy while indulging with Dido) which is still believed and practiced today: the kind of life that we lead; the way we die, self - inflicted or not; and how we are buried after death are all of great significance - that all good deeds in life deserve the goodness of heaven, and all bad deeds deserve the pain and the punishment of hell. "Philgyas in extreme of misery cries loud through the gloom appeals warning to all mankind: Be warned, learn righteousness; and learn to scorn no god (pg.
becomes slightly more serene and peaceful. Here, the tone of the poem is changed to a
In the last line of the second stanza, the subject enters dramatically, accompanied by an abrupt change in the rhythm of the poem:
This change in tone echoes the emotions and mental state of the narrator. At the beginning of the poem, the narrator starts somewhat nervous. However, at the end, he is left insane and delusional. When he hears a knocking at the door, he logically pieces that it is most likely a visitor at the door.
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
Almost as if something or someone is constantly trying to break free but is stopped every time before reaching its climax. Maybe a dire forecast for the entire poem? 2.2. The Turning Point Things suddenly change when the Lady of Shalott sees '… two lovers lately wed…'; (70) one night (part II). She starts to realize the possibilities the exterior world has to offer, but they are still beyond her grasp. The Lady begins to regret her weary little life inside her chambers.
...eme in his writing. Although the previous poems mentioned only represent a small fraction of Yeats’ writings, it is easy to see this repetitive idea. In When You Are Old the man’s love is never changing, however the woman’s realization of this is constantly wavering. Then in the poem The Lake Isle of Innisfree he wants to change his life from chaos to peace, and the lake never changes. Then in The Wild Swans at Coole the birds are always there, but the seasons change. The Second Coming also represents how mankind changes, but God’s principles are never-wavering. And lastly Sailing to Byzantium portrays how monuments never change, but what they mean to the viewers will always change. Yeats knew that this was something that future generations would also face, and therefore his poem will forever last in history but the importance of it is up to the future generations.
Many literary critics have observed that over the course of W. B. Yeats’ poetic career, readers can perceive a distinct change in the style of his writing. Most notably, he appears to adopt a far more cynical tone in the poems he generated in the later half of his life than in his earlier pastoral works. This somewhat depressing trend is often attributed to the fact that he is simply becoming more conservative and pessimistic in his declining years, but in truth it represents a far more significant change in his life. Throughout Yeats’ career, the poet is constantly trying to determine exactly what inspires him; early on, in such poems as “The Lake Isle of Innisfree” and “The Wild Swans at Coole,” Yeats obviously looks towards nature to find his muse, thereby generating idyllic pastoral scenery that is reminiscent of the nature-based poetry of Wordsworth. However, his later works are darkened not by his own perspective, but by the fact that he is no longer certain that nature is truly the fountain that he taps for inspiration. A number of his later poems, such as “Leda and the Swan” and “The Circus Animals’ Desertion,” employ symbolism and metaphor in order to reflect the author’s battle to find his true source. Yeats spends his career dealing with this conflict, and he eventually concludes that while nature itself may have been the source of the general ideas for many of his poems, the works themselves came to life only after he reached into the depths of his heart and sought the fuel of pure human emotions and experiences. Ultimately, he discovers that the only true inspiration comes from the trivial and mundane influences found in everyday life; the purest poetic inspiration is humanity itself.
The first stanza begins with Keats painting a picture of Autumn as being a “season of mist and mellow fruitfulness”. This is used in conjunction with the use of the image of a “maturing sun” which ripens the Autumn harvest of views and the fruits. The excessiveness of the Autumn harvest is achieved with the use of hyperbole. He describes the fruit being ripened to the core, the gourds are swelled, the hazel nuts plumped and trees bend from the weight of the apples. So the first stanza describes quiet vividly the fullness and abundance of life.
The importance of this book is that it contains some of the works of poetry which were carried out by William Yeats. Arguably, the most salient feature in the book is the attempt at portraying the shift that characterized Yeats in his work, so that his works are arranged almost chronologically to underscore this standpoint. Works that depict him as a bard of the Celtic Twilight, reviving Rosicrucian symbols and legends are the most frontal. These are followed up by works which show the shift away from plush romanticism. The same are exhibited by the heavy presence of incantatory rhythms such as “I will arise and go… and go to Innisfree”. The same is seen in the lyrics, “as passionate and cold as the dawn”.
John Keats employs word choices and word order to illustrate his contemplative and sympathetic tone. The tone could be interpreted as pessimistic and depressing because the majority of the poem focuses on Keats’ fear of death. However, if the reader views the last two lines of the poem in light which brings redemption, one might see that Keats merely wants to express the importance of this dominant fear in his life. He does not desire for his audience to focus on death, but to realize that man does not have control of when it comes. The poet uses poetic diction, a popular technique of the early nineteenth century. The poem also demonstrates formal diction that Keats is often known for. Although Keats meant for most of his words to interpret with denotative meanings, he does present a few examples of allusion and connotation. His connotations include “teeming,” defined as plen...