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Porphyria's lover vs my last duchess analysis and comparison
Porphyria's lover vs my last duchess analysis and comparison
Porphyria's lover vs my last duchess analysis and comparison
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The Similarities and Differences in My Last Duchess and Porphyria's Lover
'My Last Duchess' and 'Porphyria's Lover' are poems written by Robert
Browning in the form of a dramatic monologue. They both contain themes
of love, jealousy, contempt and obsession.
In the beginning of 'My Last Duchess' the Duke is speaking about his
wife's portrait to an envoy. In 'Porphyria's Lover' the Lover is
speaking directly to the reader, conveying his thoughts, personifying
the weather perhaps emphasizing his unhappiness ('the sullen wind soon
awake') seeing as he had a 'heart fit to break'. Both the Duke and the
Lover are watching the women whilst they speak. The Duke hints at her
having affairs; 'Fr. Pandolf's hands worked busily', 'busily' implies
that he did more than just paint her picture. The Lover in
'Porphyria's Lover' shows a similarity, as he too was suspicious of
her love, believing she would not give herself fully to him as she was
'from pride and vainer ties', from a higher rank. Both Porphyria and
the duchess are of high ranking. The difference here is that the Duke
believed his wife did not give herself fully to him, but was as
equally impressed with everyone and everything, and the Duke was too
proud to give her the same attention. In 'Porphyria's Lover' the Lover
believed Porphyria was too proud to give him her undivided attention.
The Duke felt that the duchess treated every trivial object with the
same affection she had for him, 'too easily impressed, she liked
whate'er she looked on'.
Although both the Duke and the Lover felt unloved in the beginning
neither made any attempt to convey this to their lovers. The Lover
pretended to be asleep when Porphyria entered the home ('When no voice
replied'...
... middle of paper ...
... a sculpture created for him; showing
the pompous aspect of his character.
In the beginning of the poem, the Lovers' tone is cold, hostile and
annoyed portrayed through words like 'sullen', 'spite' and 'vex'. When
Porphyria appears, his attitude becomes obsessive and appreciative, as
he watches her every movement as she 'glides' around the house,
observing her 'yellow hair'. There is still a bitter quality to his
words as he contemplates her love for him ('Too weak, for all her
heart's endeavor To set its struggling passion free'). When the Lover
realized Porphyria did genuinely love him his tone is ecstatic and
rapturous.
'Porphyria worshipp'd me; surprise
Made my heart swell
While I debated what to do.
That moment she was mine, mine fair,'
The line exposes his arrogance after he has murdered his Lover, 'And
yet God has not said a word'.
When Sophia and Princess Calizaire were four and seven years old, they were taken into foster care after their mother left them stranded at a motel. However, this simple abandonment led to a series of problems. Not only were they tossed from house to house as if they were trash, but they also suffered abuse from their foster families. On several occasions, the two sisters were beaten with belts, hangars, and heels, as well as having their heads submerged in sinks until they were near death; they ate dog food, slept outside, and were raped daily. Luckily, the two girls were able to survive, so that they may share their stories in adulthood. The women now live to warn others of the dangers of foster care, as they did through their interview with
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
strong that the two knights feel that it is worth more than life. At one point
over his wife as he refers to her as a belonging; it also shows that
When we first meet Hermia in the play called A Midsummer Night's Dream, written by William Shakespeare, she is a girl in love against her father's wishes. From the very start of the play we can see how much enamored she is with Lysander. We can also see that Hermia is a woman with her own desires, and does not liked to be forced to do things that she does not want. She does not want to marry the man that her father betrothed to her, even though it could mean her demise. Her choices of living in a nunnery and live the life of chastity was not an option for Hermia. She loved Lysander and all she wanted was to be with him.
Castille and won. This would be edward’s last victory and major battle. He turned over
Portrayal of Women in La Belle Dame Sans Merci, Lady of Shalott, My last Duchess, and Porphyria's Lover
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
Imagine a single spotlight focus solely on you as you say exactly what you feel. Everybody wants to get their point of view heard. One of the most effective ways for an individual to solely get their point across is a dramatic monologue. A dramatic monologue is a type of poetry written in the form of a speech of an individual character. Dramatic monologue can also be known as a persona poem. Robert Browning was known for his dramatic monologues. “My Last Duchess” and “Porphyria’s Lover” are two well-known poems by him. From these two poems I am going to compare the theme, use of imagery, and tone.
Robert A. Heinlein said, “A competent and self-confident person is incapable of jealousy in anything. Jealousy is invariably a symptom of neurotic insecurity.” Robert Browning’s “My Last Duchess,” told from the perspective of the Duke in the form of a dramatic monolog. It showcases the Duke conversing with the Count’s representative about a hopeful marriage to the Count’s daughter as well as recalling his late wife. The Duke uses the opportunity to express his jealousy towards the Duchess. In “My Last Duchess,” a poem by Robert Browning, the Duke expresses the theme of jealousy to hide his inner struggle of insecurity.
‘Porphyria’s Lover’ and ‘My Last Duchess’ are both poems by the Victorian poet Robert Browning. In this essay I will compare these two poems to find similarities and differences.
In the painting, Penelope and the Suitors, the artist John William Waterhouse uses detail to enlighten the spectator on how being loyal to those can truly be believed in without the fear of it being hopeless can help one to get through even the most threatening of situations. In the details of the painting itself Waterhouse discloses things that Penelope had to endure that not everyone unquestionably understood. The main focus of the painting Penelope, and in this you see that she is weaving with her back towards the the window that was lined with men; however this is while the suitors were attempting to grasp her attention. This demonstrates the idea that when people are in intricate situations they have a tendency to put more consideration into the feeling of those around them rather than those of the people among them.
English literature is continuously developing into a more complex, and interwoven network of shared, or argued ideas. Proof of this goes back into all of the varieties of literature that we have discovered from times past, as well as anything new that is written today. One example of these works of art that has been studied intensely over the years includes the story of The Duchess of Malfi written by John Webster somewhere between 1580 and 1625. This is a story of tragic loss, desperate love, and vicious vengeance which all comes together to form one of the greatest tragedies of all time.
"Porphyria's Lover" is an exhilarating love story given from a lunatic's point of view. It is the story of a man who is so obsessed with Porphyria that he decides to keep her for himself. The only way he feels he can keep her, though, is by killing her. Robert Browning's poem depicts the separation of social classes and describes the "triumph" of one man over an unjust society. As is often the case in fiction, the speaker of "Porphyria's Lover" does not give accurate information in the story.
Courtly love was a popular theme in literary works and poetry in thirteenth century Europe. Andreas Capellanus, chaplain to Marie de France and author of the classic The Art of Courtly Love defines courtly love as "...a certain inborn suffering derived from the sight of and excessive meditation upon the beauty of the opposite sex, which causes each one to wish above all things the embraces of the other and by common desire to carry out all of love's precepts in the other's embrace." In reality, courtly love was no more than an explicit court of rules for committing adultery. However, in literary works, the basis of chivalry became the presentation of lover's passion for one another and their consideration for others. I will be examining Geoffrey Chaucer's literary masterpiece, Troilus and Criseyde in light of this courtly love tradition.