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Role of religion in politics
The role of religion in politics
The role of religion in politics
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The novels Jailbird and Cat’s Cradle were skillfully written by Kurt Vonnegut in the late 20th century and though he has been criticized for his works these books speak as a testament as to why he’s far above the average author. In Jailbird, Walter Starbuck is a former bureaucrat that was tied up into the Watergate Scandal and in Cat’s Cradle Jonah/John was an author trying to find out about Felix Hoenikker for his latest book and I have found that they have some striking similarities but they also have some big differences. I will discuss the power struggles, the interconnectedness, social and political structure and how people being wilfully blind either helped or damned them. We start out meeting Walter Starbuck in jail and talking about …show more content…
the timeline of important parts of his life and those who were close to him. From the start we can see that he has lived a good bit of life and that his life is almost complete as he’s a lonely old man now with a lot of experience. He has mostly worked in the government because he considers that to be the highest calling in democracy, “I believe there is no higher calling in democracy than lifetime service in government.”(Walter Starbuck.) It may be true that he considers democracy to be the highest calling in democracy but I suspect that he likes the power he gets from having a government position as it gives him some reason in life to think he’s doing something important. Although he knew that no-one in the government really cared about what he did he still did his work to occupy his time. In the same way John from Cat’s Cradle was looking for something to occupy his time so he decided to write a book. Like Walter, John was pretty lonely too because he had no family that he saw, any current relationship or any friends. Writing a book gave his life meaning and when he travelled to San Lorenzo he gained new interest in his life in pursuing Mona. Both main characters have no real purpose to what they do and they go head on to whatever sparks their interest more than what they’re currently doing. John and Walter are like floaters in society because they aren’t one hundred percent for or against anything. They have a place in their societies because everything is interconnected and sometimes the floaters are important as they can give extra support here and there. The interconnectedness in Cat’s Cradle is obvious because in San Lorenzo the government and people are interconnected, Bokonon and papa Monzano are connected, Mona and Bokonism are connected and the Catholic church and Bokonism are also connected. All those things and people interconnected are often at odds but they help to keep a balance in the society. As we can see when papa Monzano has a connection with ice nine and gave up his spot he affected the entire island. Either fate or just really bad luck caused the fighter plane to crash into the seaside palace and made the frozen body of papa Monzano to fall into the sea and freeze up everything and cause widespread death. Papa Monzano and the life of the island were clearly connected as after his death most things died also. In Jailbird there was interconnectedness too but it was not as strong, or deadly as in Cat’s Cradle. In Jailbird Walter was interconnected with his dead wife, he was connected with the fellow prisoners, the RAMJAC Corporation was connected with the people, and Walter was still slightly connected to his son. One connection that can be assumed to be true was between Walter and his late wife because when Walter tried to make a connection with another woman, she died and he ended up in jail again. Whenever there is a connection and one side messes up or changes, everything usually goes out of control. The balance of a society is usually between two powerful forces that may contradict each other.
The government of San Lorenzo and Bokonon were the powerful forces that controlled the San Lorenzan population. The government took on the role of the punisher while Bokonon soothed the people and gave them hope and guidance. Bokonon owned the hearts of the masses while the Government owned their bodies. The conditions of their bodies were parallel to the government because they both were in poor condition and they had lots of heart because Bokonon was alive and doing well and still motivating them. The religion Bokonon started was not made to glorify a God or deity but in fact to keep fellow men sacred, “’What is sacred to Bokononists?’ I asked after a while. ‘Not even God, as near as I can tell.’ ‘Nothing?’ ‘Just one thing.’ I made some guesses. ‘The ocean? The sun?’ ‘Man,’ said Frank. ‘That’s all. Just man.’ ” (Vonnegut, “Cat’s cradle” 211). Bokonon realized that even if he could not uplift the society through governmental reforms he could give the people something that would bring the unity and peace of mind that they needed so that they can live better lives. The government enforced Christianity was not doing anything to really make the peoples life better and they rejected it because it was forced upon them, unlike Bokononism. In Jailbird the power was balanced between the authorities and the money. The money has power because it is what everyone wants and will do anything …show more content…
to have and it can either enrich or destroy their lives. Money is the reason that Walter Starbuck and many other bureaucrats went to jail in the first place and money is what allowed Walter to throw a party at the end of the novel. And the authorities’ powers were to arrest people and jail them and uphold justice in the society. The authorities showed no disparity in whom they arrested showing that no-one was above the law. The power forces in Cat’s Cradle and Jailbird were somewhat similar because one played the enforcer or punisher role while the other made them feel nice, but they were also different because in Cat’s Cradle they were directly opposing each other but in Jailbird they were not in opposition as money was a trap for those who became greedy to get caught by the authorities. The San Lorenzans had been taken advantage of by various people and when Bokonon came along with his new religion with the basic principles of keeping other people sacred and happy they readily accepted it.
San Lorenzan people likely were aware that Bokononism wasn’t really a “true” religion and was just made up by Bokonon but they followed it blindly anyways because it gave them a reason to live and gave them a sense of rebellion against their rulers. The harmless untruths, as they called it, were good enough to keep them happy. “Live by the foma that make you brave and kind and healthy and happy.” (Vonnegut, “The Books of Bokonon” I: 5). A similar kind of mentality was in Jailbird when Walter was withholding the will of Mary Kathleen. He would’ve considered the will irrelevant and hiding it was for the best of everyone but that’s why the authorities wanted to arrest him again. It’s also this same mentality that got Walter involved in the Watergate scandal in the first place. “He was speaking of the corpus delecti of my Watergate crime, which was an old-fashioned steamer trunk containing one million dollars in unmarked and circulated twenty-dollar bills. It was an illegal campaign contribution. It became necessary to hide it when the contents of the White House safes were to be examined by the Federal Bureau of Investigation and men from the Office of the Special Prosecutor. My obscure office in the subbasement was selected as the most promising hiding place. I
acquiesced.” (Vonnegut, “Jailbird” 97). Walter was wilfully blind like the San Lorenzans about what was being done with the money and it cost him his job and his freedom. I found that Vonnegut’s Jailbird and Cat’s Cradle were similar on a few fronts but mostly I found them to be more dissimilar from each other because of the nature of the stories. While Cat’s Cradle dealt with the destruction of a society and a people, Jailbird dealt with the falling apart of the protagonist’s life and how him holding on to wealth illegally caused problems twice. The both are interesting books but I enjoyed Cat’s Cradle more because of the more creative nature of the story and Bokonon’s famous calypsos. In conclusion, while both stories are fictitious they can teach some things about life like people will turn a blind eye to a wrong that makes them feel good, and that doing wrong will more than likely catch up with you in the future. I think Vonnegut produced these two great stories and I enjoyed reading them.
people were not allowed to act on their beliefs, instead their thoughts and actions were controlled
Catch-22’s nonlinearity not only forms this piece of literature into a higher-level novel with its intricate plots and timelines, but Heller’s style also accompanies the satirical comedy of the book, leading it to be a classic example of a satirical novel, and the term “catch-22” is still used today. Without the unique chronology, Heller’s most famous novel, often regarded as one of the greatest literary works of the twentieth century, would just be another war novel. The web of events, characters, and settings envelops the reader throughout the novel, providing a unique experience unlike many other books. Albeit somewhat confusing, Catch-22 is a masterpiece of comedy, a complex satire of war, and a criticism of bureaucracy that makes exquisite use of its bewildering nature. Do not steal.
They decided that if they could not make them obey through example of the higher class, than they would try and shame them into listening. The higher class would come to twist the thoughts of society creating a division in the classes through religion. Johnson shows this by explaining how every shop came on board with the idea of the banning of alcohol, “In workshop after workshop, masters gathered their men and announced that they would no longer provide drinks or allow drinking in the shop, and that the new rules derived from patriotism and religion.” This was their tactic of trying to use religion in justifying why they could enforce a no drinking policy inside of the workshop. There came to be another thing that the religious gentlemen wanted to control, the Erie Canal. When it was built, boaters started to bring about supplies through Rochester. The problem was that they came through seven days a week, including the Sabbath. This angered many church members that men would work on the Lord’s day. The group that came to oppose the Erie Canal boaters called themselves Sabbatarians. They tried to get boaters to stop coming through whether if it was through peaceful boycotting or stopping them by force. This only set a bad example for the working-class when the church members started using violence on the water merchants. This ended up doing no good other than splitting the population and defined who was against who. With the lower class not caring about religion and doing as they pleased behind the masters backs There came to be a separation socially and physically inside of the streets. The poor only hung out with the poor and the rich only hanging out with the rich. The middle-class needed to close the gap and they felt that religion was still the way to do it. So they decided to bring in evangelists to try and start
Ward, Selena. “Sparknotes for Cat’s Cradle for Kurt Vonnegut.” Sparknotes. Online. Internet. Available at http://www.sparknotes.com/lit/catscradle/. 2 Dec 2001.
Hattenhauer, Darryl. “The Politics of Kurt Vonnegut’s ‘Harrison Bergeron’.” Studies in Short Fiction. 35-4. (1998): 387. EBSCOhost. Web. 12 Mar. 2014.
The story of the Nine Guardians takes place during the presidency of Lazaro Cardenas between 1934 and 1940. Lazaro Cardenas instituted the agrarian reform to break up the large ranches owned by the elite class and end the state of peonage in which the Indians on the ranch lived. President Cardenas government opposed the Catholic Church as it was believed to be the vehicle of superstition as well as the ally of the old regime. (Mason 1962, p80) The Churches were closed and many priest lost their lives for saying Mass. (Nicholson 1992 p 9) Women were allowed to clean the relics once per month (p 43)Catholic conservative rebel groups Cristeros were operating in many parts of the State to defend the interest of the Church, which generally coincided with those of the landlords. The Cristeros bands were mainly composed of resident Hacienda workers who were stirred to rebellion by their and maintained in arms by their landlords. Economically dependant on the Hacienda system, the priest were not only the intellectual instigator of the revolt, but frequently were its military leaders. They taught that land distribution was contrary to the will of God and that the peon owed his landlord implicit obedience. (Huizer, year, p125) “To wear oneself out fighting against this iniquitous and senseless persecution”, p 234. Since the Church was under persecution from President Cardenas government Mass had to be said in secret. Amalia risks imprisonment by allowing her home to be used as a religious meeting place.
As the sweltering, hot sun signified the start of a scorching afternoon, a young boy lay in the fields harvesting vegetables for another family. He had been enslaved to perform chores around the house for the family, and was only given very few privileges. While his stomach throbbed with pangs of hunger, he continued cooking meals for them. After the family indulged in the cozy heat from the fireplace, he was the one to clean the ashes. Despite his whole body feeling sore from all the rigorous work he completed, the young boy had been left alone to suffer. As months passed by, he desired independence. He wanted to cook his own food, make his own fire, harvest his own plants and earn money. The lad soon discovered that he needed faith and courage to break away from his restricted environment. When put in a suppressive situation, every person has the aspiration to escape the injustice. This is what Harrison Bergeron and Sanger Rainsford do to liberate themselves from the external forces that govern their lives. Harrison, the main character of “Harrison Bergeron” written by Kurt Vonnegut, is a strong, fourteen year old boy whose talents have been concealed by the government. Growing up in an environment where equality has restricted people’s thinking, Harrison endeavors to change society’s views. Rainsford, the main character of “The Most Dangerous Game” written by Richard Connell, is a skilled hunter who believes that animals were made to be hunted; he has no sympathy for them. Stranded on island with a killer chasing him, he learns to make rational choices. While both Harrison and Ranisford are courageous characters, Rainsford’s prudence enables him to overpower his enemy, whereas Harrison’s impulsive nature results in him being ...
Vonnegut Jr., Kurt. “Harrison Bergeron”. Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 11th Ed. New York: Longman, 2010.215-219. Print
Vonnegut, Kurt. “Harrison Bergeron.” Short Stories Characters In Conflict. Ed. John E. Warner. Harcourt Brace Jovanovich, 1981. 344-353
...ion and was sentenced to therapy at a long-term facility after his attorneys successfully claimed that Couch was suffering under “affluenza” and should require rehabilitation instead of a term in prison. Countless of people have been prosecuted and trialed to sentence in prison after driving under the influence and hurting civilians, but, the connections and support Couth was able to obtain through wealth made him a peculiar subject unaccountable to the law. Milo’s precedence over the military and the nations involved with his syndicate proves that society functions through money. In conclusion, Heller’s satirical novel. Catch-22, effectively challenged and condemned capitalism through his character, Milo Minderbinder, and the influence he had over the other characters, military, and nations he was involved in despite the crimes and acts against humans he committed.
Catch-22, by Joseph Heller, is a fictitious novel that depicts life on an American bomber squadron on Pianosa, an island off the coast of Italy, during the closing years of World War II. A bombardier by the name of Yossarian, the main character in the story, is joined by many others to create a comic drama unlike any other. But aside from the entertainment, Heller uses Catch-22 to satirize many aspects of everyday life that consist of hypocrisy, corruption, and insanity. From the laziness of policeman to the fake happiness brought about by money, the novel is painted with a great number of points targeted against the faults of modern society. However, along with these smaller targets, a majority of the Heller’s satire in the novel is aimed specifically at the imperious bureaucracy in the military, the current nature of man, and the corruption of religion; all of which accentuate the senselessness of war itself. Through Yossarian, who is conscience of what is sane, along with characters who are not, Heller emphasizes his ridicule by making what is appropriate seem peculiar and what is ludicrous seem common, ultimately giving the reader a viewpoint that proves astonishingly effective.
Fitzgerald, who hated discussing such political questions, may ultimately be judged not only by this novel, but by the fascinating personal decisions he made in his own life. His conversion to Islam (only a few short weeks before his death in the attack on Pearl Harbor) may or may not have been the key to reinvigorating his writing, but, as Boris Becker reminds us: “He was not a racist. He was a man who was determined, in the best way he knew, to bring all races closer.”
... their religious influence and instead became areas of secular interest. When the jails were small and easier to control, so were the religious motives behind the institutions. However, as time, number of criminals, and recognition by the outside community grew, the jails needed to adapt. They had to abandon their religious motivation and instead focus their attention on more worldly issues, such as financing jails that were underfunded to begin with, and now had even more prisoners, each occupying more and more of the valuable resources. While ideological thinking went into the original designs, such as solitary confinement, this soon had to be abandoned out of lack of space. Religion was trumped by secular interest, which dominated, and continues to dominate the prison reform movements that occurred both in the mid 19th century, and those that continue to this day.
Ishtar is the Sumerian/Babylonian goddess of love and sexuality who clearly represents both the remaining presence and imminent decline of goddess worship. This decline can be seen through blatant disrespect towards Ishtar from both Gilgamesh and Enkidu. Firstly, Gilgamesh very rudely rejects Ishtar’s sexual advances by essentially calling her “damaged goods”, asking “why would I want to be the lover of a broken oven that fails in the cold...tar that blackens the workman’s hands...a waterskin that is full of holes and leaks all over its bearer” (132). Enkidu manifests this disrespect in a more physical manner: throwing the thigh of the Bull of Heaven at Ishtar’s face. However, despite the clear overtones of goddess decline, there is also
Rackstraw, Loree. “The Vonnegut Cosmos.” The North American Review 267.4 (Dec. 1982): 63-67. JSTOR. Web. 25 Sept. 2011.