Misplaced Trust in Old Friends
In two separate, yet equally important worlds the same dangers and mishaps of everyday life, cause imminent harm to not only the characters but their entire situations and environments. What affects the characters, eventually unrolls into a domino effect, affecting everything around them. In both Orwell’s 1984 and Shakespeare's Othello, the characters go through dramatic events that shift the ending of the show or novel. In Orwell’s 1984, a man named Winston is constantly fighting against his “doublethink” thoughts and against the ideals forced onto him by the absolutist government plaguing his nation of Oceania. While in Shakespeare's Othello, the main character also is constantly rethinking over his thoughts
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and about what he believes to be true versus what is being said to him and in the end this back and forth causes his demise. In both of these works, Othello and 1984, the characters within the novel warn the audience against the dangers of misplaced trust, in those the characters find completely holy and good, and the danger of poor communication between characters. Throughout the duration of one's life, a person often tends to place trust into the hands of those not capable of holding it.
The image of the one trusted gets twisted and distorted in one’s head making them see the person as someone completely trustworthy while ignoring the fact that they are actively conspiring against them. This is also true in both Othello and 1984, in both of these works the main characters form a close, trusting bond with another character who is not worthy of their trust. Winston's relationship with O’Brien demonstrates this falsified idea of trust. Winston, from the start of the novel, before he even met O'Brien, “Felt deeply drawn to him” and had a trusting connection within himself towards O'Brien. (P) Winston sees him in his dreams and fantasies about meeting him, he falls in love with the idea of O'Brien. Since Winston has already built up such a mental connection with O'Brien, trusting O'Brien the first time they shared words was easy for Winston. For in his mind they have known each other for years. However, this misplaced trust eventually leads him into captivity and torture. Othello's relationship with Iago also demonstrates, to the audience, the dangers of misplaced trust. From the get-go, Iago has it out for Othello, for personal, petty reasons. Iago makes it his goal to destroy the moor simply for his, “sport and profit. He hates the Moor.” (1.3.429) For no other reason than this, Iago seeks out the trust of the Moor and receives it …show more content…
based on conducted misdoings and sabotage brought on by Iago himself. He injected jealousy into the brain of Othello, who trusted him wholly for in the past he had no reason to. However, believing all of the words that spewed from Iago’s mouth eventually forces Othello into gut-wrenching jealousy and causes him to take both his and his wife's life. In times of utter chaos, people tend to leave communication in the dust and this ultimately only contributes more chaos due to it being left behind.
When things get rough people like to avoid talking things over for the fear of finding out the truth and instead keep things locked up, hoping to avoid the pain that could occur. This is true in both Othello and 1984 where the main characters avoid communication and find themselves in many unnecessary, grave situations because of it. Shakespeare's Othello demonstrates the indicated wholly. Othello begins the story with strong communication with his wife, Desdemona, for he trusts her and loves her dearly. However, when Iago, the main antagonist of the play, begins communicating to him that his wife is having an affair, Othello shuts off communication to his wife. Often only acknowledging her to yell or question her over falsified facts that Iago had told him. Othello eventually kills Desdemona, out of jealousy, and then he learns that all Iago told to him was untrue. His communication, and trust, with Iago, makes Othello blind to the communication of others. However, if one character spoke up for what they knew to be false, the entire situation could have been avoided. Primarily Emelia, the main cause for Othello's jealousy was by the missing, and rediscovered, the handkerchief that he had given to his dear Desdemona. Desdemona had misplaced her handkerchief and Emelia had picked it up, “And give 't Iago. What he will do with
it Heaven knows.” (3.3.341-342) When Emelia gave her husband the handkerchief, she allowed for him to destroy the lives of others through deceit. If she had spoke up to the fact that she had stolen the handkerchief, lots of character deaths could have been avoided, including her own. The government's interaction with words themselves aides to poor communication in 1984, once again demonstrating the powers of poor communication. Big Brother begins eliminating countless words out of existence for the sole purpose to limit the means in which characters have to communicate. Destroying the primary language of the area, and replacing it with a new, refined version made it indefinitely harder to pass along information. The interaction and communication among people becomes impossible because “ there are no words in which to express it.” (52) The two works demonstrate two fatal errors that one can make in a lifetime, misplaced trust and poor communication. When given ultimate power in one's life, trust and communication, or the lack thereof, will destroy one’s life in a matter of instances. However, the naked eye can not see that these things are destroying one’s life until it is to late. No one ever thinks that there trusted one is untrustworthy or that not sharing one minute detail will result in death, however it does. Violence and aggression would be nowhere without misplaced trust and poor communication, those two things are the root of all evil.
In “1984,” Orwell uses Winston to portray a single individual’s attempt to take action against a powerful government, culminating in his failure and subjugation. His individual efforts failed tremendously due to the overarching power of the Party to control every aspect of social life in Oceania. Orwell uses Winston’s deeply seated hatred of the Party to portray his views on power and social change. Winston’s actions show that even in the direst of situations ...
In the beginning Othello is seen as a calm collected man when put into an awkward situation, such as being ridiculed by his wife’s father in thinking that Othello has used some sort of magic to gain Desdemona 's infection. Othello’s calm collected ways start to deteriorate after he is convinced by Iago, a deceiving evil man that Desdemona has slept with Cassio. Othello’s self control no longer exist once he is fully convinced that it is in fact true that Desdemona has been unfaithful. His sense of what is real and what is not real is thrown out the window. Othello starts to become extremely jealous of his used to be beloved Cassio, and after considering giving back his spot as liternuanat he denies him that. He starts to become cold and distant towards his wife, and starts to call her out of her name. As Othello continues to lose control the people around him start to doubt his abilities of being able to protect Cyprus, and even his wife starts to doubt him, and agree with her father. No one knows who this man is anymore, he has started to act in an insanely matter. He can longer be his true self and take on the responsibilities of being general as he starts to crack. With Othello being faced with evil, him being calm is no longer an option for him because he can’t face the fact that the person he loves so dearly is cheating on him. Going back the they handkerchief, the symbol of his love for her. Othello seeing Cassio with Desdemona’s handkerchief sets him over the edge becoming truly convinced that his wife has betrayed him. Even when Desdemona and her maid Emila, Iago’s wife, has told him countless times that she has not been unfaithful, he is so far gone from reality that he does not believe either one of them. With the state of mind he’s in he cannot bear the thought of another man touching his wife. Othello and Iago plan to kill Cassio and Desdemona. After he
Sometimes people never know how another person’s actions affect them until it is too late. Shakespeare’s Othello rings true to this belief. Ever faithful to the “bro-code”, Othello strongly listens to Brabantio’s sullen advice, and warps Othello’s perception of his marriage to Desdemona. Othello believes every man in this play, but he does not believe in the woman who pledges her life to Othello even though Desdemona allows herself to marry in an unorthodox fashion. If it were not for Brabantio’s negative outburst, Othello’s small mind acquires no seeds of doubt towards his beloved wife Desdemona, and Shakespeare’s Othello premise ceases to exist.
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
The center of the play is the relationship between Othello and his wife Desdemona. What is initially portrayed as a marriage of love and excitement, was ruined by the influence of Othello's Personality Disorder, which causes constant distrust and suspicion based on benign events (Diagnostic and Statistical Manual of Mental Disorders - 5, 649). After a conversation with Iago on Desdemona's loyalty, Othello begins to have doubts about his marriage, thinking that Iago is also lying to him,
Othello, by Shakespeare, involves two women; Desdemona and Emilia. These two women have a lot of things in common. Both have husbands who are full of adventure and physically powerful. Desdemona is the wife of Othello, the Moor of Venice. Emilia’s husband is Iago, is youngest of the two men, employed as a confidante to Othello. Iago is filled with so much guilt towards Othello; he wants total revenge and makes Othello’s life a living hell for him and anyone he loves. Othello doesn’t know any of this revenge and confides in Iago and trusts him with everything, because he is “the most honest” (2.3.6). While all this deceit is going on around them, both women are oblivious to it, and Emilia doesn’t
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Iago knows very well that trust and deceit must go hand in hand in order for him to achieve his vengeance on Othello and Cassio. Hence, as he plans the downfalls of them, he is continually trying to obtain their undoubting trust. He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
“Communication to a relationship is like oxygen to life without it…it dies.” This quote, once said by Tony Gaskins, a motivational speaker and author, relates to Shakespeare 's play, Othello, because the lack of communication between Othello and his wife, Desdemona, causes him to kill her. Othello’s motivation to kill his wife was manipulated by Iago’s manipulation into believing she was having an affair with Cassio, Othello’s second in command in the military. Iago’s relationship with his wife, Emilia, also contains this similar lack of communication because he believes Emilia has been unfaithful to him multiple times. The men not communicating their beliefs to the women around them, leads the men into believing other’s rumors. This miscommunication
Once Iago has poisoned Othello’s mind with lies about an affair between Cassio and Desdemona, Othello becomes suspicious and distrusting of Desdemona. He is convinced that his wife is a whore, but never speaks to her about his suspicions. Othello refuses to confront Desdemona because, just as their society mandates, to him women are untrustworthy and decietful. Othello (and society) truly believes that if he asks her about Cassio, she will deny sleeping with him. Because Desdemona is a woman, she is not given a chance to speak on her own behalf. It is this same societal issue that played a part in her death. Othello the man and thus obviously stronger and more logical, suffocates Desdemona without hearing her side of the story first. The society in which they live gave Othello permission to kill Desdemona without her even really knowing why.
Othello’s own problems lead him to murder Desdemona. He has insecurity issues with himself. In the beginning of the play, Othello is confident. Iago speaks of Othello in a lowly manner oftentimes. He even calls him an “old black ram” and describes him as “tupping your white ewe” (1.1.9) when he wakens Brabantio with news of Desdemona’s marriage to Othello. Othello starts to degrade himself by saying “rude am I in speech” (1.3.96). This loss of confidence puts a dent in his relationship with Desdemona, laying the pavement for her later death. He is gullible for allowing Iago’s remarks to affect him. Therefore, Othello’s own personal conflicts lead to Desdemona’s demise.
If humans place their trust too easily, are they inviting tragedy, and thus, does that mean by the nature of a fatal flaw, is it wrong to expedite such a result? There is an evident relationship between the impact of trust and manipulation, yet also that we as individuals must be mindful that trusting too easily can lead to the deterioration of person and relationships. The attitudes and values conveyed through Iago offer audiences an understanding of the risks of misplaced trust, and how in our connected world that without full acknowledgement of the ease of manipulation, trust can invite tragedy; a testament to the lasting relevance of ‘Othello’ and the questions it