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Importance of theatre in society
Introduction to 12 angry men
Introduction to 12 angry men
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Blood and bodies laid on the ground as the Parisian revolutionaries stormed the French fortress of Bastille on July 14, 1789. This revolution exemplifies one of the many that occurred in history against absolutist rulers. Citizens rebelled and died for causes they deemed worthy. Although revolutionary acts still happen in today’s society, they more commonly appear through entertainment and literature. Recent young adult novels, such as The Hunger Games and Divergent portray characters who rebel against the government and even die for the prosperity of future generations. However, older texts also illustrate this constant cycle. In the plays Twelve Angry Men by Reginald Rose and Antigone by Sophocles, each author illustrates how one main character’s …show more content…
ultimate power can lead to rebellion and martyrdom amongst the other characters. In the beginning of each texts, the leaders Creon from Antigone and Juror Three from Twelve Angry Men style of ruling becomes apparent. After the resolution of Oedipus in Colonus and Oedipus the King, Oedipus banishes himself from Thebes and Oedipus’s sons kill each other. Creon is now “next in kin to the dead, [he] now possess the throne and all its power” (Sophocles 188-193). As ruler, he makes it clear that any citizen of Thebes who violate the law will face severe punishment. Antigone feels that Creon abuses his power because he does not let her bury her own brother. Similarly, Juror Eight “is a humorless man who is intolerant of opinions other that his own, and accustomed to forcing his wishes and views upon others” (Rose 4). Jurors, such as credulous Juror Two, find it difficult to stand up to Juror Three because of the powerful exterior he exudes. Both Creon and Juror Three demand things of the people around them like a tyrant “…because [they] cannot resist the temptations of power” (Winnington-Ingram). Many rulers and leaders hold people they control under tight restraints. Creon and Juror Three do this through their harsh decrees and their egotism. For instance, Creon declares a harsh punishment against anyone who attempts to bury Polynices, and Juror Three shows his anger against anyone who rebels. Internally, many people want to rebel, but they fear the punishment that leaders have. Few, however, are brave enough to rise against their ruler. Because Creon and Judge Three exert their power, other characters such as Antigone and Haemon from Antigone and Juror Eight from Twelve Angry Men find their leadership unfair; therefore, they show their discontent through rebellion.
Creon became furious when the Sentry informed him that Antigone broke the law and buried her brother. Antigone explains her reasons when confronted by Creon: “These laws – I was not about to break them…But if I had allowed my own mother’s son to rot, an unburied corpse – that would have been an agony!” (Sophocles 509-522). Although Antigone knows the possible consequences of her actions, she goes through her rebellious act. Kirkwood states, “Her first reaction is a personal one; the matter is one of family loyalty, where, she feels, Creon has no right to intrude.” Antigone not only rebels against Creon’s harsh laws. She first and foremost rebels for the sake of her brother. If she did not bury her brother, who would? Haemon, Creon’s son and Antigone’s future husband defends Antigone by threatening his father–if Antigone died at his father’s hand, then so would he. Although Juror Eight does not have anyone supporting him in the beginning, he explains Juror Three that “There were elven votes for guilty – it’s not so easy for me to raise my hand and send a boy off to die without talking about it first” (Rose 15). Juror Eight rebels against the other Jurors by presenting new and provoking evidence. He constantly battles with Juror Three who repeatedly presents the same evidence. The whole jury has already heard the evidence a few times, but the only Juror who demands for it to be said again is Juror Eight. In many cases “where a lone juror opposes the majority, the holdout is unlikely to resemble Juror Eight in Twelve Angry Men, who is devoted to justice and acts with integrity” (Aubrey). The jury constantly pressured Juror Eight to give up and conform, but Juror Eight’s rebellious nature and ethics lead him to fight against the lead
Juror. Antigone and Juror Eight strive to martyrdom in the end, each of their fates take a different course. The rebellion of Antigone and Juror Eight results in them being the victor of the situation they believed in; however, whereas Antigone perished to save Polynices, Juror Eight held a strong argument to achieve an innocent verdict. In her discussions with her sister Ismene, Antigone declares that she will bury her brother, even if she dies. Unfortunately, because of her cruel uncle Creon, she faces death in the end. Before leaving she proclaims, “O tomb, my bridal-bed…I’ll soon be there…But now, Polynices, because I aid your body out as well, this, this is my reward” (Sophocles 978-993). Antigone accomplished what others feared to do. Creon frightened Thebans with harsh laws. Even her own sister Ismene refused and warned Antigone. On the other hand, Juror Eight gives a man possible justice without enduring death. Before Juror Three complies and reports the boy not guilty, Juror Nine says to Juror Eight, “It takes a great deal of courage to stand alone” (Rose 63). There were eleven other Jurors in the room, but Juror Eight was the only one who thought of saving a boy from a fate he did not deserve. Juror Eight is “…motivated only by a desire for justice, and [he] would gradually, through [his] integrity and persistence, persuade the other eleven jurors to adopt [his] viewpoint” (Aubrey). He derives his viewpoint from evidence, and he shares this with the others. Gradually, others realize that there is a reasonable doubt.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Creon is in a position of great power, influence and responsibility. The extent of his power is quite clear when he sentenced Antigone to death for disobeying his order. Antigone's reasons for burying her brother were simply the fact that she was demonstrating her love, honor, and loyalty to her family. However, the reason Creon is furious is that he feels insulted that Antigone openly and publicly disobeyed him. He was also inflamed that she was his niece and his son Haemon fiancé. It is known that in ancient times when a man's authority is threatened, especially by a woman, his ego is irreparably damaged.
In Scene I of Antigone, Sentry is almost accused of breaking King Creon’s law to not bury Polyneices. “How dreadful it is when the right judge judges wrong.”(203) This quote from Sentry is saying that even though Creon is the right judge, he is judging wrong by not taking into consideration who could have actually committed the crime. Sentry reasons with the king by explaining that he will find the person who buried Polyneices. As he does, Sentry brings back Antigone, Creon is shocked and in disbelief of who
Creon required the support of the Chorus of Theban elders, and for his verdict considering what to do with Polyneices' body. When Creon came to know of Antigone’s plan he called for her and when she did not deny of the fact that she buried her dishonorable brother’s body he grew angry and assumed Ismene her younger sister had helped her. Ismene being the good sister that she is lied and said she had helped Antigone, after that Creon ordered for them to be locked up. Haemon, Creon's son and Antigone's fiancé, promised to be loyal to his father and not talk to Antigone but he tried his best to persuade his father to spare her life, but they end...
He fells that people are already starting to do that at the beginning of his rule and says, “there have been those who have whispered together, stiff-necked anarchists, putting their heads together, scheming against me in the alleys” (i 113-115). His paranoia causes him to feel that people are plotting against him, which causes him to not accept input from other people. Because he is so clear that he does not want rebellion, Creon is very unhappy when Antigone buries Polyneices and feels that this is some form of rebellion. Instead of just accusing Antigone of the illegal burial, Creon blames her for “a double insolence, breaking the given laws and boasting of it” (ii 80-81). Though Antigone never boasted about defying the law, Creon is so self-conscious that he sees the act as much more than it really is. Finally, Creon does realize that he must break away from his ignorant ways. By the time he realizes that he should “not fight with destiny” (v 101) and that “the laws of the Gods are mighty” (v 108), it is too late. He was too oblivious and caught up in his own self-consciousness that he was not able to make the right decision quickly enough. Though Creon did eventually understand his mistakes, it was not enough to save him from the wrath of the
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
The main source of conflict between Antigone and Creon is the issue of the burial of Antigone’s dead brother. Both of her brothers were killed in battle, however one brother fought against their home city and was considered a traitor. Creon issued a law that whoever tries to bury this man will be put to death. Antigone is very upset because her one brother is graced with all the rites of a hero while the other is disgraced.
After Antigone buries her brother’s body and the sentry discovers the grave, he unwillingly goes to Creon to tell him of this act. Upon hearing that the corpse has been buried, the outraged Creon accuses the sentry of doing this himself. He has no evidence of any sort but accuses the sentry of being corrupted by money and lashes out allegations at the poor guard. This is the beginning of Creon’s downfall. The sentry is correct when he says, “Oh it’s terrible when the one who does the judging judges things all wrong.” The old Creon who used to defend justice is now judging without justice.
A specific strength of Creon, the major adult character in Antigone, is his ability to make his opinions known to the entire kingdom. One example of this is the major decision that is the focus of the entire story. After Antigone’s brother, Polyneices, died in battle against his own kingdom, Creon told the citizens of the land that no one was to bury the traitor. The king felt that the strict edict was necessary because Polyneices “broke his exile to come back with fire and sword against his native city. (193)” Creon knew that a traitor to the kingdom should not be honored with the same ceremony given to one who fought for his own kingdom.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
You shall leave him without burial...” (222). Opposing the king, she neglects the decree and is now to die at the orders of the law for being disobedient; yet Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states: “No; though she were my sister’s child or closer in blood than all that my hearth god acknowledges as mine, neither she nor her sister should escape the utmost sentence-death” (530-33). Bobrick, explains that Creon values the love for his land more than he values family and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man and the laws of the god’s. The second struggle Antigone faces comes when she realizes she is alone. Antigone confides in her sister Ismene with her plans to disobey Creon; but Ismene, a clear example of how a lady was obliged to be in this time, urges Antigone not to commit the act. Antigone rejects her advice and declares that Ismene is an enemy to her now (41): “If you talk like this I will loathe you, and you will be adjudged an enemy…” (109-10). Antigone must fight on her own. Thirdly, per Bobrick, Antigone
Loyalty to the household is one of the foundational values of Grecian cultures. Both Antigone and the Odyssey portray the benefits of this devotion to kin, yet also expose the tensions that can arise while keeping an allegiance to a household. Polis, the city-state, was grounded in the concept of oikos, or households. Ancient Hellenic women were expected to uphold certain standards within society, such as burying the dead family members, pledging allegiance to the household of the betrothed, or marrying into a new household following the death of a husband. Consequently, massive repercussions, even death, could arise if a woman did not fully pledge allegiance to a betrothed household or abandoned her current family without justifiable cause.