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Essay on classical hollywood cinema
Essay on classical hollywood cinema
Classic Hollywood cinema essay
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1. The film I chose that has the Seven Tenants of Classic Hollywood Cinema is The Lucky One. This movie adapted from a fictional book by Nicholas Sparks. As a romance movie, it continues to follow each one of the Seven Tenants of Classic Hollywood Cinema. The first tenant listed is the idea that the film is set in present day, the audience is an observer. You may even get a point of view show of what the actors see. In this movie, you are quite the observer of the story that is unfolding. It begins with a scene where two platoons cross paths, at night overseas during an ambush. In this very scene, you watch as an observer the two platoon’s cross paths. The camera guides from looking at Logan, who is the main character, to looking at two troops …show more content…
In this movie, the main character is Logan. However, this is not the only distinct character we focus on. The other character is Beth, who is who Logan falls in love with. The film mainly revolves around the two of them. Other characters like Beth’s ex-husband, her mom, and her son, are still important to the movie. However, the number of scenes that Beth and Logan are in, separately and together, cannot compare to the amount the other characters are in. Even with Beth having so many scenes, the main character is still Logan. Evidence for this can be that from the beginning to the end of the film, we watch Logan’s life. We see him fighting overseas, we see his trek across the country to find the woman in the picture he picked up from the ground. We the see him falling in love, moving into a dirty house and cleaning it up, see him walking his dogs, and so many more that stem from the point of view of …show more content…
This includes classic scenes like kissing in the rain. In the film, during a rain storm, Logan and Beth run from the barn indoors and kiss outside. It also has other techniques like using sunsets as critical background and setting like many other films use for romantical scenes. There are also different techniques like spinning around the couple while they are kissing or using different lighting techniques for different moods. For example, a lot of lighting for happier scenes with brighter colors and darker colors with cool lighting for the more sad, angry
Sunset Boulevard is a hollywood classic film that digs into the aftermath of the sound era caused. Sunset blvd came out on August 10, 1950. The film was directed by Billy Wilder, produced by Charles Brackett, and starred William Holden and Gloria Swanson. Sunset blvd shows us the aftermath of Norma Desmond and how she is stuck in the past of silent hollywood. The darkness and bitterness that many silent movie experienced after they were kicked to the curb once sound came. The film is has a classic dark drama/comedy that is one of the most acclaimed films in film noir history. The film touches on the loneliness and narcissism that silent legends were enduring. The mood of the film is immediately established as decadent and decaying by the narrator of a dead man floating face down in a swimming pool in Beverly Hills.
She was willing to let go of her pride and commitment to only be with each other in a marriage so her family could live in peace. For example, Casey says, “It ain’t right, me going up there. You’re my wife” (Offutt 143). Casey didn’t want to be with anyone else, besides his wife. Although Beth told Casey to do this for their family, she didn't throw the incident in his face for being with another woman nor become angry and spiteful.
61.). A young lady and her relationship with three guys. Over her lifetime she experiences love, hurt, and pain in the three relationships. Logan, her first husband, was way older than her. Jody dies at the end of their relationship.
In the movie Ordinary People, Beth Jarrett is unable to cope with the loss of her eldest son, Buck who died in a boating accident. This situation creates a strain on her relationships with her husband, Calvin, and her youngest son, Conrad. Moreover, Beth is bitter towards Conrad because she believes he is the sole cause of Buck’s death. Meanwhile, Conrad begins meeting with a psychiatrist named Dr. Berger to help deal with his suicidal tendencies. Unlike Beth, Calvin Jarrett longs to connect with his son and give him the love that he needs. The Jarrett family could have avoided these problems if there had been stronger communication and conflict management skills. All the main characters deal with conflicts in one of two ways: silence or violence.
Analyze a film shot or scene to explain how filmmakers use cinematic techniques to tell a story, develop characters, create atmosphere, and evoke emotions.
Film noir, by translation alone, means dark film, and by that measurement Sunset Boulevard certainly fits the genre. A gloomy story that follows a jaded and sarcastic protagonist, Joe Gillis from his initial dire circumstances to his untimely death, Sunset Blvd. earns the description “dark” several times over. But there is more to film noir than crushingly depressing plotlines. There are common motifs and icons that are found in most film noirs, such as crime, dark alleys, guns and alcohol. Deeper than this, film noir features certain visual elements, character archetypes, and themes that create a unique style of film. Although some have argued that Sunset Blvd. fails to represent some of these elements, it has become known as one of the most iconic film noirs ever made. Sunset Boulevard (1950), written and directed by Billy Wilder exemplifies the film noir style through its use of visual elements (lighting, shots and angles), memorable characters, themes and overall structure of the film.
But not only is the film so similar in darkness, the scenes are short, reflecting the shortness of the panels. Unlike a more “normal” movie, the scenes change quite frequently and not only by perspective. The movie is constantly changing both viewpoint and scenes. Although this is common in action movies, it is used more widely in this film unlike in action movies that tend to use this form of filmography during very high tension scenes.
"Lights! Camera! Action!", the dramatic yet traditional prompt we associate with Hollywood and the pictures. Hollywood appears to be this extraordinary glamorous world, but in reality is it? Many people dream of being in the limelight of Hollywood; where there is an endless amount of money, power, and fame. We fail to see what's behind fame; the dark, twisted, and ugly truths hiding within those very words. Billy Wilder explores and divulges the dark yet unknown harsh realities of fame, following Hollywood's transition from silent pictures to talkies; with his film Sunset Boulevard.
The director yells “cut,” signaling that the scene has been finished. In an instant, the lights go dim as the actors and actresses disperse among the set to get their makeup and hair redone. Presumably, no other world could embrace the lights, camera, and action as well as Hollywood. One of the most well known places in California, Hollywoodland, was founded by Harvey Henderson Wilcox and his wife in 1853. In Hollywoodland, movies and films were produced for the public. After the sign was established in 1923, it was neglected, which led to the disrepair of the letters. The last four letters were taken off in 1943 as it is now known today as “Hollywood” (“History of Hollywood, California”). Los Angeles,
Another good camera technique used in Requiem for a Dream were split screens. The split screens used by Aronofsky were perfectly split in the middle. The screens used maintained a good balance of your attention on both sides. The split screens allowed you to see two characters at once, making it easy to see what each one was doing at the same time. For example, there was a scene where Harry and Marion were talking to each other. Both of their faces and bodies were shown at the same time. Each character's response to each other was shown while they were talking or touching. It emphasized each character’s love for the other, making it feel like you were in the room watching what was taking place.
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
Before each of these conventions is defined and analysed the process of making a Classical Hollywood film must first be described; it begins with either the completion of a script or the hiring of a scr...
Classical Hollywood is a tradition of methods and structures that were prominent American cinema between 1916 and 1960.Its heritage stems from earlier American cinema Melodrama and to theatrical melodrama before that. Its tradition lives on in mainstream Hollywood to this day. But what is it?
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.