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The important role of art in religion
Discuss art in the service of religion
7 deadly sins elaboration
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The Seven Deadly Sins and the Four Last Things Hieronymus Bosch created The Seven Deadly Sins and the Four Last Things around 1500. Bosch made the tabletop painting with oil paint on wood panels, and he created it in Brabant, which is presently known as the Netherlands. Incredibly, this masterpiece was conceived as a piece of furniture to adorn the bedroom in King Philip’s Escorial palace. The Seven Deadly Sins and the Four Last Things enlightened people about sins and stopped many from committing wrongdoings by instilling fear in people; it made people ponder and reflect on their actions, bringing ethics to attention. Hieronymus Bosch masterfully applies symbolism and literalism to illuminate the seven deadly sins and the process of death. He felt that he should discourage people from indulging in sin and giving into the Devil, so he dissuaded them with his gruesome art. This helped countless people realize their mistakes, and prevented many others from committing regretful and immoral actions; countless people were seeing that actions have consequences because of his artworks, especially the Seven Deadly Sins and the Four Last Things. Hieronymus Bosch was born in Brabant, now known as the Netherlands, around 1450. He was a northern European painter of the late Middle Ages, and is considered to be mysterious and elusive in history. His inspiration to become an artist began because his father, brother and uncles were painters, and therefore it is believed he was trained, or mentored, by a relative growing up. He may have been influenced by his religious group, Brotherhood of Our Lady, for a period time, because a majority of his art had religious themes. “In 1488 he joined the highly respected Brotherhood of Our Lady, an arch-co... ... middle of paper ... ...lators: Dedalus Books, Publishers of Literary Fiction. Arts Council England, n.d. Web. 27 Jan. 2014. Hornick, Heidi J. "A Wearied Explorer." Baylor.edu. Baylor University, 2013. Web. 4 Feb. 2014. "Jeroen van Aeken." 2014. Biography.com. N.p., n.d. Web. 2 Feb. 2014. Kioch, Nicolas. "Bosch, Hieronymus." WebMuseum: The Seven Deadly Sins. BMW Foundation, 14 Oct. 2002. Web. 03 Feb. 2014. Newhauser, Richard. The Seven Deadly Sins: From Communities to Individuals. Ed. Richard Newhauser. Vol. 35. Leiden: Brill, 2007. Print. Pioch, Nicolas. "Bosch, Hieronymus." WebMuseum: The Seven Deadly Sins. BMW Foundation, 14 Oct. 2002. Web. 03 Feb. 2014. Scallen, Catherine B. "The Art of the Northern Renaissance." St. Michael's College, Colchester, Vermont. 4 Feb. 2014. Lecture. "The Motivations of Hieronymus Bosch." The Motivations of Hieronymus Bosch. N.p., n.d. Web. 28 Jan. 2014.
Most of the figures within the painting are very unrealistic but very unique and detailed. All of the figures in the painting, person or animal, are expressed with different characteristics almost like Bosch is giving a personality to each figure. The animals are supposed to be a representation of demons. The demons are depicted with different colors and different pose. Most of the demons are holding a variety of weapons: shields, spears, bows and arrows, etc. When we follow the direction at which the animals in the water are pointing their weapons at our eyes meet with some solders hiding in a cave that looks like a man. It does not appear that human figures, aside from the three important ones, are the focus of the painting. Most of the humans, who are generally very small, appear inside caves and boats. The caves on either side of the painting seem to be a representation of good and bad. On the left side there appear to be nuns that look a lot like witches which is a representation of the corrupting of the church that was going on during this time period. The cave on the right is shaped like a humble man, his eye sight
Hanser, Matthew. “Killing,Letting Die And Preventing People From Being Saved.” Utilitas 11.3 (1999): 277. Academic Search Complete. Web. 30 April 2014
London: n.p., 1998. Print. fourth Bloomfield, Morton W. New Literary History. Winter ed. N.p.:
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
The two painters Jan Van Eyck (c.1390-1441) and Hans Memlinc (d.1494) are both considered great masters of Northern Art. Van Eyck is known for his execution of naturalistic detail and creating translucency in his panels. Memlinc is known for his financially minded cornucopia of work and for revolutionising the genre of portraiture. However, their differences are more pointed than there similarities. Both artists are mindful of the traditions of the Flemish school, such a the use of light to create a sense of the third dimension on the panel and the importance of landscape and background. Both artists worked in Bruges at some point; Van Eyck was an earlier master who moved to Bruges in 1430 until his death. Memlinc was German but settled there in 1465 until his death. The paintings by Van Eyck that shall be discussed are The Ghent Altarpiece, Madonna with Chancellor Rolin, Portrait of a Man and The Portrait of Giovanni Arnolfini and his Wife. The paintings by Memlinc that will be discussed are The Diptych of Maarten Nieuwenhove, Portrait of a Young Man Before a Landscape and The Donne Altarpiece.
Lipking, Lawrence I, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume 1c. New York: W.W. Norton & Co, 2006. Print.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Hieronymus Bosch was a painter who lived during the Northern Renaissance. He was born circa 1450 CE and died circa 1516 CE. The artist was born in the town of Hertogenbosch that was the capital of the Dutch province of Brabant where bosch Bosch took his name from. He was a member of the Brotherhood of Our Lady, which was a religious group that was spread all over Europe. Many members of his family were painters. Historians believe that either his uncles or his father taught him how to paint. There is little that historians know about bosch’s life and training. Bosch signed very few of his paintings and rarely ever dated them.
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
the origins of bad conscience and guilt. One of the points put forth by Nietzsche right at the
Ford, Boris, ed, The Pelican Guide to English Literature volume seven: The Modern Age, third edition, Penguin Books, Great Britain, 1973
Sin #1: People don't take meetings seriously. They arrive late, leave early, and spend most of their time doodling.
Deviance. (1998). In Robert D. Benford Macmillan Compendium: Social Issues ().New York: Macmillan Library Reference USA. 20 May 2010, Opposing Viewpoints Resource Center via Gale:
Verschoyle, Derek. The English novelists: a survey of the novel by twenty contemporary novelists. London: Chatto & Windus, 1936.
Longman. The Longman Anthology of British Literature, vol. B. Damrosch, D. (ed.). NY, LA: Addison Wesley Longman, Inc. 2000.