The Self and Society in Stopping by Woods on a Snowy Evening
For the speaker of Robert Frost's poem, "Stopping by Woods on a Snowy Evening," the time that he takes to stop and view the woods is unusual; his duties and responsibilities don't allow for him to linger. Even so, the speaker finds great pleasure in this unexpected pause in his journey. The binary oppositions present in the poem indicate that, regardless of his responsibilities, the speaker would like to remain in the woods and take in the scene set before him. For it is here in the woods that the speaker feels a sense of individualism; it offers an escape from the communal responsibilities with which he is laden. However, while the "natural" side of the oppositions within the poem seem to be privileged, the speaker finally chooses to lay them aside and carry out his duties.
The first binary opposition in the poem involves the juxtaposition of the woods and the village. The speaker recognizes that the owner of the woods lives in the village. But the speaker suggests that the owner "will not see me stopping here" because of the owner's responsibilities in the village (3). Apparently no one else is close by either. Clearly, the woods are a place of pleasurable solitude. As they fill with snow, the woods become a place of peace as well. The village, on the other hand, is not filled with snow, but with people and houses. Though it remains unseen in the poem, it is still a presence that contrasts with the woods as a scene of duty and obligation. Knowing what the village holds, the speaker wishes to remain in the woods.
The speaker, however, obviously is not used to straying from his responsibilities. The action of the speaker's horse proves this. As the spe...
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...scene in the woods. In any case, the speaker finds the woods to be a much more pleasurable experience than the demands of the village. Here in the woods he experiences a sense of peace and an individualistic self-fulfillment lacking in the village. However, although his desire to remain in such an environment is strong, his sense of duty and obligation overcomes him. Regardless of what he personally wants, the speaker decides to fulfill his responsibilities and travel those miles before he sleeps. Thus, in the end the privileging of the basic binary opposition within the poem between woods and village, self and society, seems to change. In the judgment of the speaker's action at least, duty calls.
Works Cited
Frost, Robert. "Stopping By Woods on a Snowy Evening." 1923. A Pocketful of Poems. Ed. David Madden.Fort Worth, TX: Harcourt Brace, 1996. 39.
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Robert Frost wrote many poems; however, one of his most popular themes involved isolation. The poem “Stopping by Woods on a Snowy
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"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
Robert Frost's Stopping by Woods on a Snowy Evening is about a person the speaker, who stops near the woods when it is snowing out to take a break and look around. He notices how beautiful it is to look at the snow falling in such a peaceful way out of the dark sky.
The diction is descriptive and illustrates the disparities and the images of the two roads. The storyteller has to make a choice between two roads, he considers the pros and cons of each one of them, regretting the fact that he cannot travel both of them simultaneously. In the end, he decides that the second one may be better because it’s been only taken by a few. Nonetheless, the narrator explains that he will recall this cherished incident in the future, and states that the decision he made will have a huge impact on his life. After reading the poem, the reader is confronted with the choice of either conforming to society or defying it like Frost did by taking a less stable profession.
These aspects help the speaker escape from reality. The snow symbolizes the purity and peacefulness the speaker feels while stopping in the woods. (4) The darkness can symbolize many different things. Some times darkness would be considered evil or dangerous, but I do not think this is the case in this poem. I believe the darkness symbolizes the undisturbed atmosphere of the woods.
In the first stanza, the protagonist is merely walking in the woods when he stumbles across an alternate path. Using the first person point of view, Frost depicts a clear picture of yellow woods and a character that has a choice to make as he reaches the conflict in the story and comes across a fork in the road. As the character in the story examines the best road to travel he wishes he could take both roads. In the second stanza, the character realizes that both roads appear equal, and he will only reflect later on the decision he made as the road less traveled.
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Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground in his subject matter, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression. Works Cited and Consulted Frost and Nature, www.frostfriends.org.
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Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
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