The Self-Theory Of Personality In The Movie Black Swan

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Questions around personality often refer to a person’s identity, or what “makes that person unique” (C.G. Boeree, 2006). Santrock defines personality as a pattern of distinctive thoughts, feelings and behaviours which characterise the manner in which an individual interacts with the world (2005). The word ‘person’ has Roman origins, referring to the masks worn by actors in order to portray a character (W Meyer, C Moore, H Viljoen; 2003). This definition is significant when attempting to unpack the personality of a ballet dancer in the movie Black Swan (D. Aronofsky, 2010), as there are a few levels of interpretation which can be applied here. There is the actor (Natalie Portman) who portrays the character (Nina Sayers) who struggles with her …show more content…

The organism is the individual which interacts with the environment; the phenomenal field is the entirety of the individual’s experiences and includes events or situations which occur outside of the individual as well as inner experiences and meanings which are assigned to them by the individual (W. Meyer et al, 2003). The self-concept is central to humanistic theories, and includes the individual’s perception of themselves, their abilities, and their behaviour (Santrock, 2005). In Black Swan, Nina would be the organism or the individual; her subjective, personal experience would be the phenomenal field; and the picture she maintains of herself, the way she sees her characteristics, how she judges herself based on her appearance, talents and relationships, would all constitute her self-concept (W. Meyer et al, …show more content…

Weiten, 2001). In the scene where Nina meets with Thomas to ask for the part of the Swan Queen, Nina admits that she obsesses over every dance move in an effort to achieve perfection. She says that she “just want[s] to be perfect”, which could highlight the fact she strives to live up to the high standards which have been imposed on her from others. Boeree (2006) emphasises that, because these standards stem from external elements, they are not always in line with the organismic valuing process and individuals often find these expectations unattainable (page 5). Nina struggles to meet these conditions, she practices the dance routine relentlessly and even enters into dangerous, self-harming behaviour in an attempt to maintain the level of perfection she feels is expected of her from those around her. Nina displays bulimic and anorexic behaviour, and scratches herself to the point of bleeding throughout the

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