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Into the wild
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Life is a series of questions that people strive to answer through desperate endeavors to put some value and meaning behind their existence and purpose. However, it has been a mystery as to how to achieve those answers. A popular misleading belief is that the answers to life’s questions begin from answering the biggest question of them all “Who am I?” To discover the answer to this and all other questions, people use the assistance of others around them. Interacting and forming relationships with others allows one to not only to get to know those people, but also discover him/herself in that process. Writer Robert Thurman would agree with the notion of the crucial necessity of humans to be interconnected with their community and environment, conversely he would disagree with the concept of defining and labeling the self to just be one determined identity, and he defends this argument in his text “Wisdom.” Similarly, in war veteran and author Tim O’Brien’s narration “How to Tell a True War Story” he illustrates the imperative role that the bond he shared with fellow soldiers played during the Vietnam War and in discovering new things about each other’s personality. However, writer Jon Krakauer takes readers on an expedition to follow the journey of Christopher McCandless in the Alaskan wilderness in his narrative selections from Into the Wild, trying to define McCandless’ identity and believes that isolation from society may lead to the discovery of the self. All three authors delve into the importance that the self and interconnectedness, hold in life. Although they discuss similar concepts, not all three authors have the same viewpoints about the notions. Thurman and O’Brien share similar positions about the self and interconnect... ... middle of paper ... ...ow troops during war. Although they may not share the same perspective, all three authors notice the imperative roles that self and interconnectedness play in life. Self and interconnectedness are all limitless, flexible, and indefinable. All three are fundamental elements of life but possess so much complexity that they cannot be understood from merely above the surface; instead, they require a well-developed inquiry like all three authors respectfully attempt. Work Cited Krakauer, Jon. Into the Wild. New York: Villard Books, Random House, 1996. Miller, Richard E., and Kurt Spellmeyer. The New Humanities Reader. 4th ed. Mason, OH: Cengage Learning, 2012. O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. New York: Broadway Books. 1998. 67-85. Thurman, Robert. Infinite Life: Seven Virtues for Living Well. New York: Riverhead Books, 2004.
Jon Krakauer’s Into the Wild, describes the adventure of Christopher McCandless, a young man that ventured into the wilderness of Alaska hoping to find himself and the meaning of life. He undergoes his dangerous journey because he was persuade by of writers like Henry D. Thoreau, who believe it is was best to get farther away from the mainstreams of life. McCandless’ wild adventure was supposed to lead him towards personal growth but instead resulted in his death caused by his unpreparedness towards the atrocity nature.
O’Brien writing “The Things They Carried” turned out to be a lot better than expected to both himself and others reading it. He became first novelist and National Book Award winner. Furthermore, his story was published awhile back and he still receives awards likes the Book’s highest honor, the $10,000 Fairfax Prize. Tim O’Brien has won lifetime achievement prizes for military writing and has many more stories besides this one to help him get to where he wanted to
The epigraphs presented by Krakauer before each chapter of the memoir Into the Wild dive deep into the life of Chris McCandless before and after his journey into the Alaskan wilderness. They compare him to famous “coming of age characters” and specific ideas written by some of his favorite philosophers. These give the reader a stronger sense of who Chris was and why he made the decision to ultimately walk alone into the wild.
In 1990, when he was 22 years old, Christopher McCandless ventured out into the Alaska wilderness in search for true happiness, and 2 years later he suffered a tragic death. An aspiring writer, Jon Krakauer, found McCandless’ story fascinating and chose to dedicate 3 years of his life to write a novel about him. The book entitled “Into the Wild” tells the tale of Christopher McCandless, an ill prepared transcendentalist longing for philosophical enrichment, who naïvely, failed to consider the dangers of isolating himself from human society for such a long period of time. Though Christopher McCandless made a courageous attempt to separate himself from society, in order to achieve self-fulfillment, the stubborn nature of this reckless greenhorn led him to his unfortunate demise.
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
Through The Things They Carried, Tim O’Brien moves beyond the horror of fighting in the Vietnam War to examine with sensitivity and insight the nature of courage and fear. Included, is a collection of interrelated stories. A few of the stories are brutal, while others are flawed, blurring the distinction between fact and fiction. All the stories, however, deal with one platoon. Some are about the wartime experiences of soldiers, and others are about a 43-year-old writer reminiscing about his platoon’s experiences. In the beginning chapter, O’Brien rambles about the items the soldiers carry into battle, ranging from can openers, pocketknives, and mosquito repellent o Kool-Aid, sewing kits, and M-16 assault rifles. Yet, the story is truly about the intangible things the soldiers “carry”: “grief, terror, love, longing… shameful memories (and) the common secret of cowardice” (Harris & O’Brien 21).
O’Brien wrote The Things They Carried layering themes on top of themes, but what makes it amazing is the way he presents these themes. Every single one intertwined with another. Burdens. Truth. Death. The soldiers carried their burdens and the death of their friends and enemies, and they live on as storytellers telling their war stories, but can there really be a true war story?
Tim O’Brien wrote the novel The Things They Carried in 1990, twenty years after the war in Vietnam.In the novel,Obrien takes us through the life of many soliders by telling stories that do not go in chronical order. In doing so we get to see the physical and mental things the soldiers carry throughout the war in Vietnam.Yet the novel is more than just a description of a particular war. In the things they carried Tim O’Brien develops the characters in the book slowly, to show the gradual effect war has on a person. O’Brien shows this by exploring the life of Henry Dobbins, and Norman Bowker.
“Into The Wild” by John Krakauer is a non-fiction biographical novel which is based on the life of a young man, Christopher McCandless. Many readers view Christopher’s journey as an escape from his family and his old life. The setting of a book often has a significant impact on the story itself. The various settings in the book contribute to the main characters’ actions and to the theme as a whole. This can be proven by examining the impact the setting has on the theme of young manhood, the theme of survival and the theme of independent happiness.
O’Brien begins The Things They Carried with a story of the same title, and in this memory O’Brien lists all of the things that the members of the squadron carry. In the description of what each person carries, the reader can get some image of what each character is like in appearance and personality. Also in this story, O’Brien describes one instance of destroying enemy tunnels which ends with one of their company, Ted Lavender, dying. “Love,” the second story is about Lieutenant Cross visiting O’Brien after the war has ended and discussing his love Martha. The next story, “Spin,” is a bit more relaxed and less violent in remembering fragmented memories of days when no battles are fought. O’Brien received his draft notice in “On the Rainy River,” and with this new information he runs away to Canada, but not before stopping at Tip Top Lodge to think about his decision; he decides to go and fight in the war. “Enemies,” and “Friends,” are the next two stories that tell the story of how Lee Strunk and Dave Jensen were foes that became friends. O’Brien prefaces “How to Tell a True War Story” saying that it is true. This story is the only one that has this proclamation. This story is more of a love story than a war story because after Curt Lemon dies, Rat Kiley writes his sister including in the letter all the great stuff that Lemon did. In “Dentist,” Curt Lemon’s story and fears are expanded. O’Brien tells a story Rat Kiley told him about the Song Tra
Tim O'Brien who was born in Austin, Minnesota on October 1, 1946 wrote many stories including his famous "The Things They Carried" he also wrote a short story called "Where Have You Gone Charming Billy" In the story Tim O'Brien uses his experiences from being with the army to create a very interesting story about the Vietnam war, and the experiences some soldiers had in it.(Reed and O'Brien) Tim O'Brien frequently uses experiences and memories of the characters to effectively create the theme, war is scarier than it seems.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
In Into the Wild, Jon Krakauer explores the human fascination with the purpose of life and nature. Krakauer documents the life and death of Chris McCandless, a young man that embarked on an Odyssey in the Alaskan wilderness. Like many people, McCandless believed that he could give his life meaning by pursuing a relationship with nature. He also believed that rejecting human relationships, abandoning his materialistic ways, and purchasing a book about wildlife would strengthen his relationship with nature. However, after spending several months enduring the extreme conditions of the Alaskan wilderness, McCandless’ beliefs begin to work against him. He then accepts that he needs humans, cannot escape materialism, and can never fully understand how nature functions. Most importantly, he realizes that human relationships are more valuable than infinite solitude. McCandless’ gradual change of heart demonstrates that exploring the wilderness is a transformative experience. Krakauer uses the life and death of Chris McCandless to convey that humans need to explore nature in order to discover the meaning of life.
In the short story, “How to Tell a True War Story,” by Tim O’Brien, the short story depicts how a soldier 's story can change to better entertain the listener and hold their attention. Small aspects of the story they tell may change each time in order to make the story mesmerizing enough to make the listener want to hear the story, although it may be slightly inexact compared to what really may have happened. The stories viewpoint from the soldier can be depicted in a variety of ways, depending upon what emotion the teller is remembering and partaking in when they interpret the story. There are a number of critics who have argued a similar point about O’Brien’s literary work. Upon researching, “How to Tell a True War Story,” I have learned
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the