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Literary techniques
Literary devices and their use
The point of symbolism
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In the short story “The Scarlet Ibis,” Hurst’s use of somber diction and regretful imagery conveys a solemn tone and reveals that there are limits to everything in life that should not be pushed too far. Hurst uses gloomy diction in the form of similies to show the struggles that the brother had to go through with Doodle. When Doodle and his brother arrived at Horsehead Landing, a storm came and the sun “disappeared,” causing them to head back while “darkness descended,” and then Doodle fell creating a “wall of rain” between them. (Hurst 462) Hurst starts out the scene with a simile that creates foreshadowing of an event that is about to happen when the sky turns dark because of the storm. Doodle was trying to get through the storm that had
So instead of being gentle he Makes doodle do things that he is not supposed to do. For example, the narrator’s dad made doodle a go cart so that the narrator could pull him around, but the narrator taught doodle to walk out of pride just because he did not want to pull him. So with more things that doodle does, the more he suffers and eventually leads to his death when doodle’s weak heart could not handle when doodle tried to run from the storm.
“He say Mr. Parris must be kill! Mr. Parris no goodly man, Mr. Parris mean man and no gentle man and he bid me rise out of bed and cut your throat!” (Miller 47).
Brother is too engulfed in his selfish desire for a ‘better’ brother that he does not give Doodle a chance to rest. “I made him swim until he turned blue, and row until he couldn’t lift an oar.” This excerpt shows the reader how ruthless Brother is in the training he has set up for Doodle. Brother appears to care more about him being capable of doing these ‘fun’ things than his brother having fun doing them does. “Success lay at the end of the summer like a pot of gold” When Brother says this, he relays how he is greedy for a better brother and will do anything to get what he wants.
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
20 were executed” (Blumberg). The Crucible setting is based on The Salem Witch trials, but the plot is based on The Red Scare. The author employs strict tone and rhetorical questions to convey power. This connects to the purpose of how a occurring can devastate a whole community and the people in it. Arthur Miller, the author of The Crucible, employs empowerment by expressing the challenges within each character and their influence on the trial through the characters John Proctor, Abigail, and Danforth.
Prevailing Purposes in “The Crucible” Playwright and essayist, Arthur Miller, in his play, “The Crucible”, utilizes pathos, symbolism, and irony to convey his purpose of how the events of the Salem Witch Trials had detrimental effects on the society and how far the elites went to protect their reputation . Miller’s reasoning is to expand Parris’ and Danforth purpose for their side of the argument during the witch trials. He adapts a contrasting tone in order to appeal to similar feelings with reasoning in his american readers.
As an older brother, the narrator should of taken better care of Doodle. He was crippled and needed extra care. Before Doodle the narrator was a only child. He had no experience with having a sibling. The quote “Take Doodle with you” (Hurst 345) shows that his parents were too busy to take care of Doodle. The narrator’s parents weren’t always there to guide him and tell him what and what not to do.
In order to represent that the narrator's pride caused him to act with ill manners towards Doddle, Hurst creates the internal conflict which portrays the narrator’s struggle to choose what is more important, his pride or his brother. As the narrator confessed his past to the reader, he described a memory about how Doodle walked and he announced to the family that the narrator was the one who taught him. The narrator thus responds with: “They did not know that I did it for myself; that pride, whose slave I was, spoke to me louder than all their voices; and that Doodle walked only because I was ashamed of having a crippled brother” (Hurst 419). It is important to note how the author compares the narrator to a “slave” of pride, the word slave connotes that the narrator is imprisoned by pride and creates the appearance that the force is inescapable. Throughout the story pride dictates the narrator, if
Doodle is scared of being alone and he looks up to his older brother and doesn’t ever want to leave him. “When the deafening thunder had died, I heard Doodle cry out, Brother, Brother, don't leave me! Don't leave me!" Doodle knows that he’s not like everyone else. He so helpless and weak but he try’s his hardest to stay alive. Doodles scared that he’s going to get hurt if he’s not with someone like his brother.
While there are many more significant literary devices throughout the short story, symbolism and foreshadowing are the most prevalent. These devices enhance the story, because they keep the readers attention. Symbolism and foreshadowing help the reader better understand the characters and how the brother’s actions lead to the death of Doodle.
Edgar Allen Poe’s poem, "The Raven" starts off in a dark setting with an apartment on a "bleak December" night. The reader meets an agonized man sifting through his books while mourning over the premature death of a woman named Lenore. When the character is introduced to the raven he asks about Lenore and the chance in afterlife in which the bird replies “nevermore” which confirms his worst fears. This piece by Edgar Allen Poe is unparalleled; his poem’s theme is not predictable, it leads to a bitter negative ending and is surrounded by pain. To set this tone, Poe uses devices such as the repetition of "nevermore" to emphasize the meaning of the word to the overall theme; he also sets a dramatic tone that shows the character going from weary
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
Bynum, Paige. “Observe how healthily-how calmly i can tell you the whole story’ : Moral Insanity and Edgar Allan Poe’s ‘The Tell-Tale Heart’.” Literature and science are modes of expression. Eds. Frederick Amrine.Kluwer Academic Publishers, 1989: 141-52. Rpt in Short Story Criticism. Ed. Anna S. Nesbitt. Vol. 34. Detroit: Gale Group, 2000. 273-77. Print.
The story explains the relationship between a young boy and his little brother, who had physical and mental disabilities. The narrator threatened to “leave [his brother] here all by [himself]” (line 110), locked up in the attic, when his brother refused to touch the casket he would have died in had he not survived infancy. He feels guilty after this interaction, brooding about his cruelty and sadness, thinking that he “did it for [himself]; that pride, whose slave [he] was, spoke louder to [him] than any of their voices, and that Doodle walked only because [he] was ashamed of having a crippled brother” (line
Because the sentimental novel appeals to the reader’s emotions, many of its scenes may strike the modern reader as overly dramatic. Baldwin claims "the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty, the inability to feel; the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart; and it is always, therefore, the signal of secret and violent inhumani...