The Role of the Character Bamforth and How he Changes in the Play The Long and the Short and the Tall by Willis Hall
Private Bamforth is an arrogant soldier from London who pays no
respect to authority. He is racist, well educated, aggressive, and
seeks argument wherever possible. Bamforth stands out in the patrol as
he always hopes to be the center of attention and nearly participates
in every single conversation.
In the first part of the play, the author uses Bamforth to induce
humour into the drama. Bamforth stands out with his arrogance,
thoughtfulness and argumentativeness. Even before he speaks, Bamforth
informs the reader that he has problems with authority. The first
thing he does when the patrol gets into the hut is to "shrug off his
pack, place it as a pillow and make himself comfortable". This is done
deliberately, seeking confrontation with Johnstone. He is not
intimidated by Johnstone's authority and continues to fake ignorance
of Johnstone's fury. Johnstone demands that he "get on his feet" and
ordered Bamforth to put his pack on his back, he "heaves (suggesting
slow, sluggish movement contrasted by Johnstone's fiery impatience)
his pack on to one shoulder (emphasis of disobedience as pack not put
on properly)". In the same conversation, Mitchem suggested that he
obey orders, Bamforth intentionally describes the superiors as "nits"
and speaks "under his breathe" while making sure he has the whole
patrol's awareness of his words to suggest utter disrespect. He
justifies this tone by saying he "was only coughing". When Macleish
was in charge later in the play, Bamforth elegantly displays his
intelligence, humour and quic...
... middle of paper ...
... Halls to the audience. The
realities of war are to do something one does not believe in, to
follow orders without question. War is conflict and isolation. The
Japanese soldier does not want to die, but much of the audience will
not care about one who doesn't even know English properly and does not
speak a word during the whole play, inducing Bamforth to oppose his
death greatly emphasizes the significance of his death. The whole
patrol's opposition towards him again conveys conflict. The Japanese
soldier's inability to talk and the state of the patrol being
surrounded by each of their enemies conveys isolation. His presence
represents conflict between humanity and necessity. In the end both
are lost, the Japanese prisoner dies, but neither can Mitchem save the
patrol conveying the violence and cold-bloodedness of war.
the play. It looks at the person he is and the person he becomes. It
In chapter IV of The Great Gatsby by F. Scott Fitzgerald, the character Meyer Wolfsheim is introduced when he meets Gatsby and Nick for lunch. Meyer Wolfsheim is physically described as a 50-year old, small, flat-nosed Jew with a large head, small eyes and long, noticeable nose hair. Mr. Wolfsheim seems to be a mysterious, dangerous person. For one, Wolfsheim tells a story about how his friend, with whom he was eating at the time the event took place, got shot in the stomach three times by someone outside the restaurant who asked the waiter to retrieve him. This story suggests that Mr. Wolfsheim and his friends are either criminals or have connections with criminals. Soon after this story, Mr. Wolfsheim falsely assumes that Nick is looking for a “business gonnegtion,” only to be corrected by Gatsby that Nick was just a friend, and that Gatsby was going to introduce this person to Wolfsheim at a later date. This doesn’t only support the idea that Mr. Wolfsheim is a criminal, but it reveals that Gatsby works with Wolfsheim; therefore, Gatsby is likely a criminal as well. Later, while Gatsby has to make a telephone call, Mr. Wolfsheim makes another false assumption that Nick is looking at his cufflinks; Mr. Wolfsheim explains that his cufflinks are made of human molars.
In Catcher in the Rye by J.D. Salinger, Holden Caulfield is confronted with the difficulties of both humanity and life as he struggles to find direction, as well as a connection to a world which he has lost faith in. From the very beginning of the novel, the reader can appreciate and relate to Holden’s criticism and condemnation about society and the way people in society govern themselves. “Phoniness”, a reoccurring motif in the novel, is one of Holden’s most favorite conceptions, and is his catch phrase for describing the superficiality, hypocrisy, pretentiousness, and triviality that he comes across in the world around him. The painfulness of growing up is another issue that is touched quite frequently upon throughout the novel, as it is showcased through Holden’s creation of a fantasy world where childhood is a place of innocence and honesty while adulthood is only duplicity and deceit. Finally, relationships and intimacy are also sources of discomfort for Holden as he always runs away from the possibilities of affection and crawls back into the shell of isolation that he has created for himself. These three themes, although they may seem to only be typical, adolescent dilemmas, bring to light the injustices and inherent problems in societal standards and ideals. Ranging from the dishonest nature of people, the hardships of becoming an adult, to the difficulties of creating lasting relationships, Catcher in the Rye is not simply about an erratic and irresponsible teenager lashing out at the world, but a message that reveals pressing concerns of the existing, rigid s...
The Bystander at the Switch case is a fundamental part of Thomson’s argument in “Trolley Problem.” The basis of her paper is to explain the moral difference between this case, which she deems morally permissible (1398), and the Transplant case, which she deems morally impermissible (1396). In the Bystander at the Switch case, a bystander sees a trolley hurtling towards five workers on the track and has the option of throwing a switch to divert the trolley’s path towards only one worker. Thomson finds the Bystander at the Switch case permissible under two conditions:
Through a series of events, Biff gradually comes to a realization of what is necessary for success. First, we are shown a part of his childhood where Biff is told that "the man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead." This idea appears in direct contrast to Bernard, one of Biff's childhood friends, who works and studies hard. Biff decides that Bernard will not succeed because he is "only liked, not well-liked," and being well-liked is the cornerstone of success. Nonetheless, later in the play we see that Bernard has become very successful, underscoring one of the messages in the play, that success is not just a result of popularity. Second, we are shown a scene in Boston soon after Biff has just failed math for the year. He discovers his "heroic" father having an affair. Biff comes to the painful realization that his father's values, his views, and everything that Biff had made the foundation of his life, are all completely "fake" and "phony." Unfortunately, he has nothing with which to replace it. Lastly, Biff decides to leave to try and find himself, but an argument develops between Biff and Willy. Biff begins to see himself as like his father, "nothing," just an average man trying to make a living, and quite possibly failing. Biff's earlier image of his father's greatness has crumbled entirely, leaving a lost young man trying to find his way. Biff realized that he now needs to find his own values in life. He has finally tasted reality and now must dive head first into the pot, without any real preparation.
The similar philosophies of life residing in both Willy Loman and Mr. Webb are present in both plays as they progress. Their strong belief in themselves gives them the ability to influence others by giving them advice. The advice which Mr. Webb provided to George was “start out early by showing who’s boss” (Wilder IIi 58). The confidence to tell a strong willed son-in-law shows his aptitude in his belief. Similarly, Willy was often dictating the actions of people around him. Usually his interferences would be contradictory to what others had in mind such as “No, you finish first” (Miller 1.3). His constant dictations most often cause contradictory with his dictations! At first, Willy referred to Biff as “a lazy bum” (Miller 1.2), but then later called him “such a hard worker” (Miller 1.2). This exhibits Willy’s faith in his ideas, but shows a confusion within those ideas. Mr. Webb also inherits the same weakness that Willy has. Descri...
Thesis: How does F. Scott Fitzgerald's novel, The Great Gatsby, compares the American Dream in today's generation and back in the 1920's-30's? What did the American Dream really mean and why? So why did this issue happen? Do you think America can change in the future? What is the american dream really about? When did the phrase: ‘american dream’ started? Have you ever wondered what the 20s and 30s were like back then? How can this so called dream ever bring hope to our country? These are all the questions I would like to know myself. I’ve found three online sources & one source from the novel that can help explain about the 20th century, the Gatsby novel, today's generation, and about Mr.Gatsby from the book.
In the novel “The Catcher in the Rye”, Holden is deals with one of the largest obstacles one would ever face in one’s lifetime. He must deal with the concept of development and the idea that he’s growing up, that he’s no longer a child and must accept maturity. This internal struggle is evident in multiple aspects of this novel, particularly highlighted when Holden visits the museum and the carousel at the conclusion of the novel.
life in the mid to late twentieth century and the strains of society on African Americans. Set in a small neighborhood of a big city, this play holds much conflict between a father, Troy Maxson, and his two sons, Lyons and Cory. By analyzing the sources of this conflict, one can better appreciate and understand the way the conflict contributes to the meaning of the work.
The characters and the symbols in the play have an important role in showing the different views of African Americans in America, and the issues that were taking place during all of it. The main characters are Walter, mama, and Beneatha. Walter is the hero and enemy of the play, he wants to be rich and starts a plan with his friends to try to become rich. He is a very rebellious husband, son, and brother, because in scene II mama gave the rest of the money to Walter to split between him and his sister and he gave all of it to BoBo to start ...
For my Literature Circle assignment I read the novel entitled The Catcher in the Rye, written by J.D. Salinger.Taking place in the 1950's, The Catcher in the Rye is one of the most popular American books of all time, though, its hero is not really a hero at all. Main character Holden Caufield, is a 17 year old, disproved and misunderstood, classic "screw-up", who does poorly in school, loses his team's equipment, and takes an impulsive trip to New York. Distraught by the death of his 11 year old brother Allie, Holden wanders around his birthplace of New York, reconnecting with old friends and making new enemies. The main conflict of this novel is Holden transitioning into an adult and trying to cope with his brother’s death. One main theme displayed all throughout this novel would be depression. For the duration of this novel, Holden spends his time alone, and even if he is in the company of other people, you hear his thoughts of being depressed. Most of this depression is derived from his brother’s death, but there are many other things accountable for his mental issues. Although much of this novel was just Holden’s opinions and thoughts, I found this novel to be very interesting and thought provoking.
aspects of his life. For example his affair with Abigail Williams. In the beginning of the play we
Willy grew up believing that being “well-liked” was important to becoming a success. He envisioned Biff, the once great high school athlete, becoming a success for the wrong reasons. In contrast, we see Willy’s friend Charley who lived the real American Dream as a successful man in the business world. Through Charley we see the rewards to chasing this dream, such as the access to more money, and being able to have a flexible enough job to offer Willy a spot. On the other hand, the Loman family was not lucky enough to have any type of reward from the hunt for this success. Through this play, we see how the American Dream drove Willy Lohman and the family crazy and obsessed with a false fantasy. Arthur Miller shows us that the American Dream is valid, but those who hope to substitute popularity and lucky breaks for hard work are likely to
Mark Twain’s The Adventure of Huckleberry Finn is one of the most classic American Literature Book. It consists of historical backgrounds, universality, and timelessness. But one of the most outstanding chapters of the book is chapter 27 and 28.In the two chapters, Twain’s use of the literary device – Characterization builds the character of Huckleberry Finn and show the different aspects of his character.
How Sherriff Uses Structure and Language of the Play Journey's End to Unfold the Character of Stanhope