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Fate played an important part in the plays and literature of the Greeks as is shown in Sophocles' play
Oedipus Rex
Sophocles lived during the Golden Age of Greece. He is renowned as one of the greatest dramaticist of
western literature. He was a greek through and through as he held important political positions, and he
even served as the priest of the haling diety Amynos. During his life tragedies were popular plays of the
greeks, and Sophocles noted for his writing abilites of the time, made one such play about tragedy. This
play has been the subject of much controversy and has had many diverse things said about it and its
meaning. In his play Sophocles uses fate as a major part of it as he tells a story of a man that unknowingly
kills his father and marries his mother. The greeks highly regarded fate as one of the major aspects of their
lives. The greeks believed that their lives had already been planned out before they lived them and that
things in their lives were going to happen regardless. Fate played an important part in the literature of the
greeks as is shown in Sophocles' play Oedipus Rex.
Sophocles uses a form of irony in his play to show fate. According to Maureen Howard, "Dramatic
irony, the irony of fate, is the most important element of the play."(6) According to Bert Cardullo, "Greek
tragedy has been called the tragedy of necessity or fate."(1) This is shown in the play in the way that
Sophocles takes a highly respected and wealthy man and by the end of the play he has been stripped down
to having nothing. The Oedipus is portrayed is partially debatable as Kimberly Rollins states, "Dodds
counters that Sophocles intended us ...
... middle of paper ...
...y that the greeks saw it and for the most part most of the ideals in the
play do not hold today as there is not much emphasis on fate these days.
Bibliography:
Works Cited
Cardullo, Bert. "Ibsen's Ghosts and Sophocles' Oedipus Rex." Explicator 74 1989: 41-43
Howard, Maureen C. Sophocles' Oedipus Rex. 7 Nov, 1999.
Rollins, Kimberly. On rebutting On Misunderstanding the Oedipus Rex. 7 Nov, 1999.
Sophocles. Oedipus the King. Literature and its writers. Ed. Ann Charters and Samuel Charters. Boston:
Bedford Book, 1997. 1416-1464
A Greek drama is a series of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under the theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. The grand debate over which character can hold the title of the tragic hero has been discussed in the literary world for ages.
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Sophocles was born in Colonus, Greece in 496 b.c.e. At the time of his birth, there was a legend about an exiled Theban king, Oedipus. It was said that Oedipus disappeared somewhere around Colonus, and because of this he protected the area (Magill 1). This tale was the source of three of Sophocles’ greatest plays: Oedipus the King, Oedipus at Colonus, and Antigone (Romilly 2). Sophocles’ involvement in theatre started at a young age. He sang in a chorus celebrating an Athenian naval battle. As an adult, Sophocles was credited with playing the lyre, a musical instrument, and he also played the lead role in one of his plays. However as he aged, he stopped appearing on stage because of his weakened voice. This ended the Greek custom of playwrights playing the lead role in their own plays (Magill 1).
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
Fate is an old debated concept. Do one's actions truly play a role in determining one's life? Is fate freedom to some or is it binding to others, in that no individual can make completely individual decisions, and therefore, no one is truly free. Nowadays, fate is a subject often rejected in society, as it is seen as too big, too idealistic, and too hard to wrap a persons head around. However, at the time of Antigone, the concept was a terrifying reality for most people. Fate is the will of the gods, and as is apparent in Antigone, the gods' will is not to be questioned. Much of Sophocles' work focuses on the struggle between human law and what is believed to be the god’s law. Fate was an unstoppable force and it was assumed that any efforts to change one's future were unrealistic. In Sophocles' Antigone, fate plays a crucial role the choices that the characters make.
Shakespeare utilizes his characters beliefs and superstitions in fate to add a cautioning and foreboding tone to the story. Throughout the entire play, fate dictates the actions of others and ultimately leads Romeo and Juliet to their tragic downfall.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
The play Romeo and Juliet is a classic love story written by William Shakespeare, well known around the world. The play tells the fatal love story of two young star-crossed lovers from two different feuding families. In Romeo and Juliet, we get a definite sense of fate over free will, as fate is an unavoidable force beyond a person's control, destined to happen. No matter what we do, fate still holds the final judgment of our lives. The resultant events of the characters in this tragedy are majorly caused by the hands of fate, and not solely on the voluntary choices that could have been made by each character. The play’s themes of conflict, love, revenge, and destiny all tie in with the role of fate.
Sophocles. Four Plays by Sophocles. Trans. Thomas H. Banks. New York: Oxford University Press, 1966.
The idea of fate has existed for a long time and exists even today. Fate revolves around the idea that people's lives are predetermined and that no matter what is done it cannot be changed. With the gods it was used to explain events that seemed strange. Sophocles expands on this idea by introducing Oedipus' fate. The thought of fate is strong considering no matter how hard he struggles he still receives what was predetermined. As a baby he survived the elements on Mount Cithaeron. As Oedipus was destined to live, it shows the dominance of fate. Having fate play such a large part of the play is certainly an insight into the Greek's idea that fate controls us no matter how hard we struggle against it.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass. T...
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women ofGreek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).
Sophocles makes use of many situations involving dramatic irony. In fact, the entire play could be said to be an example of dramatic irony. The audience becomes aware of Oedipus’ prophecy from the very beginning of the play. The reading from the Oracle stated that Oedipus was destined to murder his father and marry his mother. Although Oedipus is unaware of his fate, the reader knows the tragic future of the character. This use of dramatic irony allows the story to avoid the typical Greek tragedy structure and keep the reader intrigued as the events unfold.
...s you wonder if Jocasta and Oedipus had not run from their fate, what other way Sophocles would have made it happen. Also, just when the characters think they have nothing to worry about, just when they think they avoided their fate, it comes back to bite them. Sophocles makes it interesting in this way. This approach definitely keeps the reader interested because we wonder what other way he will use this writing technique in his play.