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What is the author saying about alcohol in the streetcar named desire
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I was so drunk last night that I cheated on my girlfriend, but I don’t remember it, so does it count? People instinctively try to place blame on anything but themselves, and alcohol presents itself as the perfect escape route for a guilty conscience. People often find themselves making impulsive decisions more frequently while under the influence of alcohol. However, how much poor behavior can alcohol excuse before a person must accept the consequences for their own actions? Tennessee Williams delves into the theme of alcohol dependence throughout his play, A Streetcar Named Desire. Throughout the play, both Blanche and Stanley seem to rely heavily upon liquor. Alcohol is used as both a crutch and an excuse for poor behavior in A Streetcar Named Desire, and has become even more prevalent in today’s society. Throughout A Streetcar Named Desire, Blanche Dubois, the protagonist, frequently uses alcohol to escape the hysteria that she faces each day due to the loss of both her homosexual husband and her affluence, “…retreating further into a world of fantasy and cleverly evolved artifice” ("A Streetcar Named Desire Theme of Drugs and Alcohol”). Upon entering the Kowalski’s’ household, Blanche pours herself half of a tumbler of whiskey. This act foreshadows her outright dependence on the substance. It is evident throughout the play that she tries to keep up her aristocratic façade by only drinking whiskey, which is an expensive and strong form of liquor. Blanche recognizes that drinking ruins her reputation and that it also contradicts with her “southern belle” persona, which is why she tries to conceal it as much as possible. She states when offered a second drink from Stella in scene one, “No, one’s my limit” (Williams 14). As ... ... middle of paper ... ... 2014. Marotous, George. "A Streetcar Named Desire L Themes." A Streetcar Named Desire Themes. English Faculty, Melbourne High School, 2006. Web. 05 Apr. 2014. McCarthy, Raymond G. "Alcoholism." The American Journal of Nursing.2nd ed. Vol. 59. 203-05. Print. Saitz, Richard, M.D. "Unhealthy Alcohol Use." New England Journal of Medicine (2005): 596. Web. 7 Apr. 2014. "A Streetcar Named Desire Theme of Drugs and Alcohol." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 06 Apr. 2014. Warner, Nicholas O. "Equivocal Spirits: Alcoholism and Drinking in Twentieth-Century Literature (review)." Muse.jhu.edu. Purdue Research Foundation, Dec.-Jan. 1987. Web. 22 May 2014. Williams, Tennessee. "Drunkenness." A Streetcar Named Desire and Other Plays. London: Penguin, 2000. Print. Williams, Tennessee. A Streetcar Named Desire. New York: New Directions, 1947. Print.
Raymond Carver's short story “What We Talk About When We Talk About Love” leaves the reader feeling as if they have sat down at the table with a bottle of Gin and experienced first hand the effects of alcoholism and depression. In the original version of this story the “Beginners” Carver carefully crafts the many sides of an alcoholic personality developing strong knowable characters. The fundamental personalities are left fairly intact from the original version. It should be noted that the feelings that the reader are left with are due at least partially to the severe editing of the “Beginners” done by his editor and friend Gordon Lish. With this collaboration Carvers personal struggles still shine through but his intent of hope and recover from alcoholism were left mostly on the chopping block. Through many interviews and articles Raymond Carver make clear his personal struggles with alcoholism and how it has had an effect on his writing. INTERVIEWER: Where do your stories come from, then? I'm especially asking about the stories that have something to do with drinking. Carver: “At the very least it's referential. Stories long or short don't just come out of thin air.” (The Paris Review) The inner dialog and downward spiral of an alcoholic is experienced through the interaction between these personalities while discussing the topic of love. JA: I noticed recently you're using cliches in your characterizations, and I wonder if you're just observing, or recording the way a mind works. RC: It's there for a purpose; it's working for me, I think, not against me. Or at least I hope and assume this is the case!
One in every twelve adults suffer from alcoholism in the United States, and it is the most commonly used addictive substance in the world. The World Health Organization has defined alcoholism as “an addiction to the consumption of alcoholic liquor or the mental illness and compulsive behavior resulting from alcohol dependency.” Reiterated themes encompassing Jeannette Walls’ father’s addiction to alcohol are found in her novel, The Glass Castle: a memoir, which displays instances of financial instability and abuse that hurt the Walls children for the rest of their lives. The Walls’, altogether, are emotionally, physically, and mentally affected by Rex’s alcoholism, which leads to consequences on the Walls children.
During these times, domestic violence was commonplace and many blamed alcohol as the culprit. Reformers also noticed that alcohol decreased efficiency of labor and thought of alcohol as a menace to society because it left men irresponsible and lacking self control. One reformer, named Lyman Beecher, argued that the act of alcohol consumption was immoral and will destroy the nation. Document H depicts the progression of becoming a drunkard from a common m...
It is a fact of life that Alcoholism will distort the victim’s view of reality. With authors, they put parts of their personality and symptoms of their condition into their characters sometimes, flawed distortions included, with varying degrees
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Drinking: A Love Story (1996) is a memoir by Caroline Knapp where she shares her experience of gradually becoming an alcoholic. She found drinking to be the most important relationship in her life; she loved how it made her feel, how it coped with her fears and worries. She chronicles some of the effort and self-realization required for recovery from this addiction, but her primary focus is on the charm, seductiveness, and destructiveness that she was able to find in two decades as an alcoholic, hopelessly in love with liquor. Her relationship with alcohol started in early teenage years and progressed through young adulthood, until she finally checked herself into a rehabilitation center at the age of thirty-four.
Character Conflict in Tennessee Williams’ A Streetcar Named Desire. Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Many Americans, religious leaders, and political leaders saw alcohol as the key to all that was evil, a curse on the nation. Significant numbers of people believed that the consumption of alcoholic beverages presented a serious threat to the integrity of their most vital foundations, especially the family (“Prohibition” 846).
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
A Streetcar Named Desire is about Blanch Dubois a thirty year old southern belle. In the play Blanche loses her ancestral home of Belle Reve and her husband commits suicide leaving her emotionally scarred. Blanche then goes to live with her sister and her husband Stanley Kowalski, whom she finds vulgar and inappropriate. She attempts to hide from her past, but eventually the people there find out she had many affairs, even one with a student, and was forced to leave her teaching job (Marotous, 2006). At the end of the play she begins losing her mind and is sent to a mental hospital.
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.
Zelman, K. (1995, Dec). Retrieved from The Alcohol Debate: Should You or Shouldn't You: www.medicine.net