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Women's role in patriarchal society
Status of women in medieval and renaissance
Status of women in medieval and renaissance
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Recommended: Women's role in patriarchal society
in a patriarchal society, women lie at the bottom of the social hierarchy. A patriarchy judges women for their beauty and innocence rather than merit and intelligence. Throughout the twenty-four books of The Odyssey as well as Game of Thrones, a modern day rendition of medieval society written by George. R. R. Martin, women struggle for power in society. In these societies, in order to be accepted and respected, women need to submit to society. Most of the women in these two plots are mothers and seductresses. In the Odyssey, Penelope plays the role of the mother, innocent to all and caring, on the other hand, the Ithacan maids, unloyal to to Odysseus, play the non loyal servants. Circe: the goddess of magic is the seductress. Convincing unsuspecting men into her household, only to experience physical transformations. In Game of Thrones, Cersei Lannister, the oldest daughter of Tywin Lannister, represents the mother …show more content…
When Odysseus is lost at sea, his housing staff remains. Within his staff there were fifty and some maids. Twelve of these maids slept with the suitors, doing this it went against both Odysseus’s will and his son, Telemachus. In response to what to do with the traitorous maids Telemachus says, “No clean death for the likes of them, by god! Not from me- they showered abuse on my head, my mothers too! You-sluts-- the suitors’ whores!” (22.488-490). To Telemachus a ‘clean death’ is a quick beheading, which is quite gruesome. For Telemachus to wish something worse upon these women illustrates how looked down upon they are. These women are traitors to the nobles of Ithaca, the worst possible crime. Albeit killing them quick, Telemachus hangs them, and lets their bodies blow in the wind. Not only is this horrific, it completely dehumanizes these women. Thus showing how being traitorous and non loyal as a woman had severe
The Odyssey: Portrayal of Women How does Homer portray women in the epic, The Odyssey? In order to answer this question you must look at woman and goddesses as two separate groups of people who are "people". This is because they are portrayed in two separate ways. You see, a regular woman like Penelope is looked at as beautiful but has.
Some women are known for the deeds of their sons or husbands, but never for a heroic deed of their own, their personalities, and what they do themselves. It seems the only accomplishment women could achieve was being beautiful. Theseus "had no joy of"(195) the princess Ariadne because she died before this was possible. Homer makes it sound as if Ariadne's life was useless because she did not give Theseus pleasure. The only woman we hear of for a different reason is Klymene, and we only hear of her because she "betrayed her lord for gold."(195) This is the only time we hear of a woman for something she did, and once we do, it is a negative remark. Penelope, Odysseus' queen, is paid attention to only because of her position. Because she has a kingdom, she has suitors crowding around her day and night. Being a woman, Penelope has no control over what the suitors do and cannot get rid of them. The suitors want her wealth and her kingdom. They do not respect her enough to stop feeding on Odysseus' wealth; they feel she owes them something because she won't marry one of them. One of the suitors, Antinoos, tells Telemakhos "...but you should know the suitors are not to blame- it is your own incomparably cunning mother."(21) Even Telemakhos doesn't respect his mother as he should. When the song of a minstrel makes her sad and Penelope requests him to stop playing, Telemakhos interrupts and says to her, "Mother, why do you grudge our own dear minstrel joy of song, wherever his thought may lead.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
They are expected to serve the suitors and put up with their rude demeanor. During the course of the ten years that the suitors are there, many of the housemaids sleep with them. Upon returning to Ithica, and slaughtering the suitors, Odysseus makes the housemaids who slept with the suitors clean up their dead bodies. After this he hangs them by the neck, with this gesture he indirectly calls them “harlots”. This is one of many feelings toward women of that time.
The women presented throughout The Odyssey provide a respectable representation of women in ancient Greece in general. There are several women introduced in The Odyssey, all of various backgrounds and social classes. The most notable women or type of women in this epic include goddesses, Penelope, and the housemaids and servants.
The image of seductresses is a recurring motif in The Odyssey. These women are a temptation to Odysseus. They attempt to keep Odysseus from accomplishing his goal: his homecoming. Circe is a bewitching goddess. She entices Odysseus’ crew into her palace with her enchanting voice. However, after she feeds them, she promptly turns them into pigs. Circe also succeeds in enticing Odysseus; he stays with her one year as her lover. It is so long that his crew declares that it is “madness” (326). They say that it is “high time” that Odysseus thinks of his homeland (326). Later on, Odysseus and his crew encounter the sirens. Knowing the danger they pose, Odysseus has all his men’s ears stopped up with wax. However, Odysseus wishes to hear their song; so he asks his crew to tie him to the mast. The song of the sirens is so sweet and enticing. Their “ravishing voices” almost make Odysseus forget his desire to return home (349). His heart “throbbed” to listen longer; he signals for his men to let him go free. The grea...
...in literary works has often reflected the way that women were viewed at the time of each work’s creation. For three works, The Odyssey, The Wife of Bath, and Sir Gawain and the Green Knight, each author chose to oppose the prevailing view. The characters that these women play are crucial to the hero’s success or failure. Each woman is able to overcome adversity and oppression to prevail over the male sex. By doing so, they can be viewed as being a role model to all the women who read these works. Even though, there may not have been noticeable changes in the way women were treated in each work’s respective time period, they serve as a divergence away from traditional values and set a framework for further success in equality.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
A main purpose of women in the poem is to define the characters of Odysseus and Penelope. Women's seductive natures serve as a test of character for Odysseus. His choice to leave the sexual pleasures of Kirke and Calypso is proof of his virtue and desirability as a husband. The same depiction causes the virtuous Penelope to stand out in the large pool of vileness as a desirable wife. The contradictions also have a significant affect on the poem and the reader.
“A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Ibsen). This saying also applied to the times of the Odyssey, an epic constructed by the blind, eight century B.C.E. poet, Homer. As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves. He engraved into his poem women’s roles; the roles of women, as mothers, wives, seductresses, and goddesses are exemplified in this epic, when shown in comparison to the men of that era.
In Homer's epics women were very respected by journey and warrior men. The women were looked upon as beautiful, nurturing human beings. The mortal women in Homer's "Iliad" were mostly known for being faithful wives and very giving mothers. These women care for their children, such as Odysseus's mother did, when he was in great need of confidence and reassurance. After the death of Odysseus's mother, she returned as a shade from the underworld to tell Odysseus, "Your wife weeps for your return as she lives in your house with a loyal heart, and your son has kept your kingdom whole."(90) This gave Odysseus the confidence in his heart to continue on home to Ithaca, to reunite with his dear wife, Penelope. A perfect example of how nurturing and dedicated the women were, not only to their children, but also to their husbands.
The first major female character introduced in this epic is Penelope. Penelope is the wife of Odysseus, and the mother of Telemachus. She is portrayed as a strong-willed widow, who even after not seeing Odysseus for twenty years, keeps her trust in her husband to return home. The main tool is the rule of law, but even before laws customs could be used” (rwaag.org).
He could have simply let all of the men leave or punish them in some other way, but he chooses to create the ultimate bloodbath instead. He is on the ultimate quest for vengeance, and the only way for him to feel satisfied is by killing all of the suitors. He justifies his actions by believing that he is defending his honor and his family. To make matters worse, Odysseus then demands that his women servants carry the bodies of the dead suitors outside where Telemachus and the herdsmen will “hack” and “slash” them until the men “blot out of [the women’s] minds the joys of love they relished under the suitors’ bodies” (453). The servants are forced to obey the suitors when they siege Odysseus’s home. Yet, Odysseus sees the women as another reminder of the betrayal by his own citizens. Selfishly, he believes the only way to rid himself of another betrayal is by
Odysseus believes it is okay to treat women with disrespect due to the fact that he
Though Robert Fagles and Emily Wilson translated the Odyssey only twenty-one years apart, the differences in book nine are striking. With the portrayal of Calypso, a prisoner of the island Ogygia, and Odysseus, the character who the tale follows, being so adverse, it can be easy to see who translated what. These two translations of The Odyssey conflict one another because of the character depiction of Calypso and Odysseus in book nine.