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Rap culture influence on teens
The history of rap music
Sexualization of women in rap music
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Music is a medium that reaches a wide number and variety of people. Some genres are marketed more towards a specific audience than others. Rap music has influenced the thoughts and behaviors of young African Americans since its creation in 1970. West African artists told stories with drum accompaniments which later on became popular with the urban youth on the east coast, who performed it as street art. Like everything else in pop culture rap music has evolved with the technology of today, however, there is still a solemn underlying tone in the genre that had been present for centuries. Rap music and the message it sends has been embraced by African American youth since the beginning of its time. Sex has always been what attracts the most consumers no matter what product is being sold, music is no different. In the case of rap music, sex is one of the most controversial topics that have effects on both the female and the male population. The exploitation of the African American female comes in many forms from simple lyrics in a song, to having women half naked dancing in a music video. Many rappers over the last thirty years promote the dehumanization of women’s bodies. These songs paint images of women being nothing more than sex toys and play things for men simply because they …show more content…
have money and status. A perfect example of misogyny in rap is a song “Tip Drill” by Nelly which is a music video that features multiple women without very many clothes on which implies that the only reason they are there is to please the men. At the end of the video Nelly is seen swiping a credit card in between a dancers buttocks and then she proceeds to shake them for him. Throughout the video, the women’s faces are barely seen and can only see their lower body which are hardly covered. The concentration of the women’s bodies is due to the song title “tip drill” which is a slang term for a female that has an unattractive face, but has a nice body. Nelly received a lot of backlash from many viewers including a protest of his video by Spelman University students. Although widely inventive with words another big artist whose lyrics are hurtful to women is Detroit born rapper Eminem. From rape fantasy to emotional and physical abuse Eminem is one of the most known rappers known for his horrifying song lyrics. Although he is the father of a teen girl, he continues to churn out songs that describe the graphic abuse of girls and women. His lyrics have included descriptions of raping a young "fetus" with an umbrella, machine gunning a woman down and explicitly murdering his ex-wife who is the mother of his child. This past year he produced a song that made light of the domestic abuse case that Janae Rice experienced at the hands of her husband while also attacking a female celebrity at the same time “I’ll punch Lana Del Rey right in the face twice, like Ray Rice in broad daylight in the plain sight of the elevator surveillance, until her head is banging on the railing, then celebrate with the Ravens. This video has almost nine million views and over thirteen thousand comments with users showing both disdain and support for Eminem’s lyrics. There are a multitude of artist who help perpetuate rape culture. While on a radio show New Orleans rapper Rick Ross discussed his lyrics to a remix of “U.O.E.N.O” “Put molly all in her champagne, she ain’t even know it, I took her home and I enjoyed that, she ain’t even know it.” When asked about his choice of lyrics Ross denied that they were in connection with rape but that his words were wrongly interpreted. Rick Ross’ rape-y lyrics were also met with backlash as people on social media ridiculed him for putting that scenario in a song. Among those who are emerging main stream musicians comes a group of hip hop skaters, led by rapper Tyler the Creator who is as charismatic as he is horrifying, is a group called Odd Future. The group is riddled with artists who talk about physically and sexually abusing women like those are normal things to do. The saddening part is that these artists often times show no remorse as if they don’t have female relatives or acquaintances. Male artists use misogyny as a way to show that women are inferior to themselves, and in essence that shows that they are tough and deserve “street cred.” Rappers are often considered soft, or fake if they shy away from the hyper masculinity that the music suggests. Hip hop artists may also use tactics like innuendos or the defamation of women to help gain commercial success. Social media has taken a front seat for feedback between artists and the fans that they make their music for.
Fans can now, within minutes or seconds of hearing a new song, let the artist know exactly how they feel about their songs. Rapper Tyga recently put out a song about his relations with Kylie Jenner called “Stimulated” which was received by disapproving ears mostly because Jenner was underage days before the song was put out. Twitter users immediately started bashing both the artist and Jenner for the song and video with most tweets full of disgusted users. Some even went as far as directing their distaste for Tyga and his song calling him a pedophile and a great deal of other
names. In the last thirty years the hip hop culture has supported, glorified and normalized the objectification, exploitation, or victimization of women. It is a vicious cycle that will not be broken unless the artist take some responsibility in their work and try to change it. With more and more females emerging in the music industry that are promoting the feminist movement, and the fans finding a way to have a voice that reaches the artist, steps are being made to better hip hop and make it great once again.
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
The healthy relationships portrayed in the media are few and far between, which leaves Black women to make choices based on the options they have and perceive. For that reason, it is not complicated to understand why Black women are the least likely to marry in the environment of the over-sexed woman and a pimp. The portrayal of Black women as lascivious by nature is an enduring stereotype. To understand more fully the media’s role in shaping the culture of African-American experience, one must first examine the stereotypes projected by TV stations like, BET, MTV, and VH1. The songs and music videos created by such hip-hop artists as 50 Cent, Dr. Dre, and Snoop Dogg have built ...
Oswald, Janelle. “Is Rap Turning Girls into Ho’s?” The Black Book: A Custom Publication. 3rd ed. Ed. Sam Pierstorff. Modesto: Quercus Review Press, 2012. 171-175.
It is a day in the summer of 1974 on the block of 1520 Sedgwick Avenue, Bronx, NY. The grass is blazing, the air is fresh, and the kids are shrieking with joy. This is where it happened. DJ Kool Herc popped in his new record playing smooth rhythms of jazz and blues with the integration of Jamaican sound creating a new genre that would soon sweep the nation. He called it Hip-Hop. Some would call it “black noise”, but to urban African Americans it was music they could own; music they could learn to appreciate and adore. As they faced afflictions like racism, oppression, drugs, and much more, they used this new found hip- hop to express their thoughts and feelings. Today, we try to understand where this passion and substance in rap has escaped; if it was left to wither in the blazing grass, or blow away in the fresh air. Today, we try to understand what is hip hop, and why it’s becoming the “black noise” we once denied it to be. Ever since rap officially emerged in the 1970s, critics had a negative reaction; even when rap had meaning and substance and consisted of people telling their stories. Now that rap has become more contemptuous, critics have began to question what rap is really about. It is clear themes have changed: But at what point? And how? Furthermore, how has this impacted blacks and their image, who dominate the rap industry. Conclusively, while themes in mid 20th century rap have been known to revolve around aspects like politics and unity, currently rap has underwent a dramatic change now producing themes that promote violence, among many other things, and has ultimately painted a negative image of African Americans.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
What most listeners do not understand is that a lot of hip-hop music is not understandable from the get-go. It takes intense analyzation of lyrics and an open mind to be able to understand what it is really about. Some people can’t understand what is being said just by listening with their ears, and they don’t bother to go study the lyrics. They then leave with the perception that hip-hop is chalk full of, well, nothing. One of the greatest rap lyricists of all time, Shawn Carter, also known as Jay-Z, says, “People don’t bother trying to get it. The problem is that so many people don’t even know how to listen to the music.” Mister Shawn Carter has also said that rap is poetry. He mentioned not to forget that the lyrics in the song were transmitted from feelings, thoughts and emotions to lyrics written on a piece of paper. He went on to say that if you hung that piece of paper up on a wall and someone went up and read it as it was, they’d say, “Wow, this is genius. This is poetry.” McHorter’s opinion on rap can and will be agreed upon by many, many people; however, this conclusion can only be reached without h...
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
Rap has been around since 1973, when Kool DJ Herc introduced this new mash of jazz, soul, gospel, and reggae. This culture has been focused around African Americans, and since has served as a voice for the underrepresented, that is spreading violence, alcohol, and drugs. In this genre the most popular and successful boast about who has murdered more foes as breezily as other artists sing about love. Rap music tells stories of drugs, violence, and alcohol. The youth of America is constantly exposed to this kind of music, and our teenagers are being desensitized to the effects of these stories.
McWhorter, John. “Rap Music Harms the Black Community.”Popular Culture. Ed. John Woodward. Farmington Hills, MI: Thompson Gale, 2005. 53-59.