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Charlotte perkins gilman essay on theme
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In the late 1800s, the oppression of women was prevalent in American society. This idea is present throughout Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper,” where she portrays the story of an anonymous woman going through the rest cure based on her personal experience. The rest cure was supposed to be a cure for depressed women in which they were isolated for three months and told they could not do anything productive in hopes that getting enough rest would cure their depression. However, Gilman shows that this was anything but the case and that the rest cure actually caused problems more severe than what the victim first started with. In her work, Gilman shows to what extent women were oppressed in the 1800s by showing the …show more content…
severe impact of isolation while going through the rest cure. In her story, isolation becomes maddening and causes the protagonist to become addicted to studying the wallpaper patterns of a strange yellow wallpaper. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, isolation is the main contributing factor to descent to madness. Isolation causes the protagonist to become obsessed with the wallpaper, become lonely, and lose her grip on reality. While many aspects of the rest cure causes the descent to madness in “The Yellow Wallpaper,” these aspects can all be traced back to isolation. In Gilman’s short story, isolation causes the protagonist’s obsession with the wallpaper.
At the beginning of the story, it is shown that the patient is “absolutely forbidden to ‘work’ until [she] is well again” (Gilman 1). This shows that the protagonist is not only isolated from the outside world while going through the rest cure, but is also isolated from any sort of stimulating activity, causing an obsession with the wallpaper. At first she finds the wallpaper to be horrifying, but eventually she becomes consumed by its patterns. The protagonist “[follows] that pattern about by the hour. It is as good as gymnastics” (Gilman 2). She uses the wallpaper to try to create excitement for herself where there isn’t any, developing an addiction to it. Eventually, the obsession becomes so strong that she starts to see a woman in the wallpaper, a woman that “seemed to shake the pattern, just as if she wanted to get out” (Gilman 5). This shows great progression in her descent to madness at it displays how she is starting to imagine things. This woman in the wallpaper also epitomizes the protagonist’s own situation, showing that the madness caused by her isolation makes her desperately want to get out. To sum it up, the protagonist’s obsession with the yellow wallpaper is caused by isolation due to the fact that she finds the wallpaper to be the only source of excitement. Since the obsession with the wallpaper is a huge representation of the protagonist’s descent to madness, it is
clear that isolation is the main contributing factor to descent to madness.
In the short story, The Yellow Wallpaper by Charlotte Perkins Gilman, the narrator of the story is a woman who is struggling with her mental health. Throughout the story, she progressively gets worse in her condition, due to the lack of mental health awareness, and her treatment plan. To start off, she is given the “rest” method of treatment.This is a treatment that focuses on letting the brain rest due to the thought that mental health issues were just a matter of an overactive or overstimulated mind. The narrator’s husband is the reason why her condition continued to get slowly worse, his main concerns were making her normal again, even if he hurt her in the process. Although this story can be interpreted many ways, through symbolism and
Throughout the late 1800s Americans were workaholics, constantly working in order to make a living for their families at home. Women stayed home and took care of the house as well as the children. The short story “The Yellow Wallpaper” takes place in the late 1800s.The author, Charlotte Perkins Gilman is no stranger to the hysteria that took over women in the 19th century. According to Mary Ellen Snodgrass, after her own postpartum emotional collapse and treatment in 1887, Gilman knew about the situation women were experiencing (“Gilman”). All the pressure of working and raising children affected all Americans, but society blamed the nervous depression mainly on women because they were women. Charlotte Perkins Gilman conveys her own life experience and illness that she went through and how women were treated during the 1800’s.
Through the story "The Yellow Wallpaper," written by Charlotte Perkins Gilman, the main character is driven into a state of madness as a result of isolation. The narrator explains that she is suffering from a slight nervous depression, leaving her husband to treat her with rest. She and her husband moved to a house in the country house expecting improvement. During this time, she is placed in a solitary room with walls covered in yellow wallpaper against her will. The excessive abundance of social isolation that this character experiences brings her to an inevitable mental breakdown.
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
The oppression of woman is evident in the everyday life of a women living in the 19th century. This oppression was not only localized to their duties at home, but it made its way into women’s health issues as well. Women of the 19th century, and even still at the turn of the century, were suffering from postpartum depression, and they were misdiagnosed because postpartum, like almost any woman's illness, was treated as illness of the womb. “The Yellow Wallpaper,” by Charlotte Perkins Gilman, affirms that the oppression of women resulted in their injurious medical treatment, which, in the end, was the equivalent to life in prison.
In Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," Gilman makes adamant statements about feminism and the oppression of women during the 19th century. This story allows the reader to see into the mind of a woman who is slowly going insane and suffering from postpartum depression. During the 19th century, women were forced into a certain stereotype, that of wife and mother. Women were not allowed to express and challenge themselves the way men were. Just as the narrator of the story is trapped in her room, women are trapped in pretentious acts that do not allow them to explore their creativity and intelligence. Gilman displays how easily one can go insane when they are suppressed by a patriarchal society. Gilman’s illustration of a subordinate wife, fully dominated by her husband, proposes a sense of gender stereotypes, as well as the treatments prescribed for the mentally ill; as the narrator is forced to become unproductive, John continues to act superior to his wife and treat her like a prisoner and child.
These thoughts always seem to be optimistic and minimizing of her symptoms. This reflects the standard view of mental illness in the 19th century, which assumed the condition, was just a temporary state of over expressed emotions within a woman. (Gilman. 956) Gilman herself however, used imagery and symbolism to express her ideas concerning her mental illness and the patriarchal ideals that surrounded them. The yellow wallpaper in the story symbolized Gilman’s state of mind. At first, like her depression, the wallpaper was simply an eye sore. It was not disabling to the room however, made it not as appealing as before. As the story progresses, Gilman forms an obsession with the wallpaper. This represents the declining of her mental state and the obsession she developed with her life conditions. We can see the mental illness is now fixated in her like she is fixated on the wallpaper. The wallpaper’s distracting features controlled her mind like her husband controlled her. She was mostly alone when staring vastly into the wallpaper. She begins to see humanly images in the paper. This becomes her sense of social stimulation that her husband forbids her to have. She becomes disgusted with the wallpaper as she is likely disgusted at her disease for disabling her and her husband for limiting her freedom. The humanly image soon develops into “a woman
Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and limited access to people. However, due to isolation, the woman creates a delusional relationship with the yellow wallpaper in her bedroom. It’s patterns stand for everything that is going on in her current life. She is a lonely woman who yearns to escape the walls around her and be free.
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
Louisa May Alcott once said, “The emerging woman… will be strong-minded, strong-hearted, strong-souled, and strong-bodied… strength and beauty must go together.” American men and women in the late 1800s to the early 1900s were expected to occupy separate spheres of society, with men leading a public life at work, and women leading a domestic life at home. Free time for women was to be spent taking care of the family, not socializing or indulging in luxury for oneself. However, women throughout the late nineteenth century to the early twentieth century began to break away from their designated spheres and established feminist ideals that are still present in modern society. These feminist values of strong, independent women can be observed in
In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” we are walked through the journal of a women who has been diagnosed, by her husband, with what he believes is merely, “temporary nervous depression” (Gilman 216). Since the protagonist’s husband, John, believes the only way she will get better is through moderate exercise, and lots of rest, they rent a house where she can have tranquility and rest until she is better (Gilman 216). At first glance “The Yellow Wallpaper” seems like a simple story of a women trying to get better in a house that she doesn’t particularly like. However, through further analysis it can be seen that through the use of symbolism Gilman’s “The Yellow Wallpaper” is a critique on the role of women in nineteenth-century American society.
In January of 1892, author Charlotte Perkins Gilman published her short story, “The Yellow Wall-paper” in The New England Magazine. Gilman’s work illustrates the public perception of woman’s health in the 19th century and is considered to be an important part of early American feminist literature. During the 19th century women were confined to the idea of the “ideal” woman and the “domestic sphere.” According to Barbara Welter, in her 1966 paper entitled “The Cult of True Womanhood: 1820-1860,” an ideal woman embodied piety, domesticity, pureness and submissive. Women would find true happiness in taking care of their families and living a simple and uncomplicated life. “The Yellow Wall-paper” follows the mental deterioration of the female narrator, who recently gave birth. She has been advised to relax, eat healthy and exercise so her health will improve. Gilman’s “The Yellow Wall-paper” exposed the danger the antiquated belief had on women in the 19th century. Gilman’s use of the yellow wallpaper illustrates a
In “The Yellow Wallpaper” is a short story by Charlotte Perkins Gilman, the narrator’s oppression and repression are strictly based on gender role and marriage. The women we see in the story are meant to find fulfillment in the home, while her physician husband has trapped her in the room all day and give her little contact with the outside world. It shows disrespect for women in marriage. Maybe if her physician husband understands her more, she might get better. By using perspective, setting and irony Gilman paints a picture of how many women are imprisoned by masculine authorities also realistic picture of the problem in human societies, gender role and marriage of African-Americans in Civil War Medicine.
The fight for gender equality and mental illness awareness is still an ongoing campaign in the twenty-first century, however this battle had begun nearly two hundred years ago by whom some would consider as one of the first pioneers of feminism and an advocate of mental illness. Charlotte Perkins Gilman was an outspoken writer, feminist, and social activist who was impacted by the political, economic, and social influences of the nineteenth century. Her short story, “The Yellow Wallpaper,” mocks the influences of her time as it is following the journal of a married woman suffering from depression, and in order to help improve her
Home, in contemporary literature, often plays an integral role often symbolizing security, unison, and support; although, things were not always this way. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts the all-too-real struggle many women faced in the nineteenth century and earlier. This short passage portrays the narrative of female intellectual oppression – an examination of nineteenth century social mores. The passage voices the common practice of diagnosing women with “rest cure” who displayed symptoms of depression and anxiety with a supposed treatment of lying in bed for several weeks, allowing no more than twenty minutes of intellectual application per day. Women, at this time, were considered to be the second sex – weaker and more fragile, unable to grapple the same daily activities as men – and such the “rest cure” prevents women from using any form of thinking, trusting the notion that naturally the female mind is empty. Not even were