In Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," Gilman makes adamant statements about feminism and the oppression of women during the 19th century. This story allows the reader to see into the mind of a woman who is slowly going insane and suffering from postpartum depression. During the 19th century, women were forced into a certain stereotype, that of wife and mother. Women were not allowed to express and challenge themselves the way men were. Just as the narrator of the story is trapped in her room, women are trapped in pretentious acts that do not allow them to explore their creativity and intelligence. Gilman displays how easily one can go insane when they are suppressed by a patriarchal society. Gilman’s illustration of a subordinate wife, fully dominated by her husband, proposes a sense of gender stereotypes, as well as the treatments prescribed for the mentally ill; as the narrator is forced to become unproductive, John continues to act superior to his wife and treat her like a prisoner and child.
An example of John’s feelings of superiority over Jane, is shown in how he adores the fact that she is a weak woman, who depends greatly on him. Throughout the story her behaviors exhibit that she feels inferior to her husband. Jane obeys every command John gives without asking any questions. Jane delivers, “He is very careful and loving, and hardly lets me stir without special direction” (Gilman 474). Jane is forbidden to complete tasks on her own. Jane’s feelings of inferiority are deeply rooted from being under her husband’s complete control. Jane explains, “I meant to be such a help to John, such a real rest and comfort, and here I am a comparative burden already!”(Gilman 474). John does everything for ...
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... and unjust environment drove the narrator insane. This story showed in depth how patriarchal our society was in the 1900’s. This story reveals the position under which society put women under. Women were expected by societal norms to fit the stereotypical ideal of what a woman should be. It points out the problem in a patriarchal society which is sexism and oppression towards women. This story demonstrates the struggle women had in terms of being heard and respected. Since this short stories publication, women have gained many of the rights that men have had for decades before, but there is still a long way to go before women and men are completely equal.
Perkins Gilman, Charlotte. “The Yellow Wallpaper.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 12th ed. New York: Pearson, 2013. 637-49. Print.
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Gilman, Charlotte P. “The Yellow Wallpaper.” Making Literature Matter. Eds. John Schilb, and John Clifford. 5th ed. Boston, MA: Bedford/St. Martin’s, 2012. 954-967. Print
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” has opened many people’s eyes since it was first published in 1892. In the beginning, readers only acknowledged Gilman’s story as showing how women with mental illnesses were treated by physicians during the 1800’s. They overlooked the deeper meaning the text contained, and it was not until later that readers discovered it. Eventually, “The Yellow Wallpaper” became known as feminist literature. Gilman does a great job showing how women suffered from inadequate medical treatment, but above that she depicts how nineteenth century women were trapped in their roles in society and yearned to escape from being controlled by males.
would not say it to a living soul, of course, but this is dead paper
The narrator finally achieves an authoritative position in her marriage, with John unconscious and her creative imagination finally free of all restraints. Her continual “creeping” over his prone body serves as a repeated emphasis of this liberation, almost as if the narrator chooses to climb over him to highlight his inferiority over and over again” (Harrison). John was a weak person, Jane suffered from a nervous disorder which was made way worse by the feelings of being trapped in a room. The setting of the nursery room with barred windows in a colonial mansion provides an image of the loneliness and seclusion she experienced. Periods of time can lead to insanity. Maybe her illness wasn’t that bad but he made it worse on her part because he was a sick husband. Some critics have argued “Is the narrator really liberated? We’re inclined towards saying “no”, given that she’s still creeping around the room and that her psyche is broken”
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
“There are things in that paper that nobody knows but me, or ever will” (Gilman 483). Using the central symbol of the wallpaper Ms. Gilman allows her protagonist, Jane, to articulate the state of her own mind via her obsession with the wallpaper of her room. The descriptions of the wallpaper change in complexity to reflect the degree with which the Jane’s mind has descended into psychosis. The wallpaper’s description also serves as a visual frame of reference for the reader as the main character begins to hallucinate.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Literature for Composition: Reading and Writing Arguments about Essays, Fiction, Poetry, and Drama. Ed. Sylvan Barnet, William Burto, and William E. Cain. 8th ed. New York: Pearson Longman, 2007. 765-75. Print.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Ed. Nina Baym. The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2003. 832-844.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Inside Literature. Ed. R. S. Gwynn and Steven J. Zani. New York, New York: Longman Publishers, 2007. 144-158.
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.