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The portrayal of women in literature
Depiction of women in literature
Depiction of women in literature
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Acting is the performing of a position or the role of a character for a temporary amount of time. Richard Yates’ Revolutionary Road, a tragic novel, challenges the preconceived notion that the 1950’s was a cheerful time where everyone had the perfect lifestyle in the Suburbs by introducing his readers to three distinct characters who are anything but pleased with their life. Yates proposes the idea of escape as a common thread in society of which everyone dreams, but no one can capture. Due to their desire to escape reality, April, Frank, and Helen turn to acting and role playing to change their personalities through hiding flaws, putting on a happy façade, and playing house.
Throughout his life, Frank struggles to find his place causing him to take on the role of a strong, attractive, masculine man, thereby hiding his weak side. With the help of mirrors, Frank is able to adjust his face through “tightening his jaw and turning his head a little to one side to give a…commanding look” (Yates 16). By doing this, he gives off a more masculine vibe. Often he chooses to do this when he is around April so she notices that Frank is a real man. Through physical strength, Frank is also able to prove his masculinity. During a fight between Frank and April on Route 12, Frank swings “out one trembling fist…and brought the fist down on the roof of the car” to not only prove his strength to April but to all the cars passing by (Yates 29). Frank tends to be blinded by his insecurity of unmanliness and as a result makes bad decisions. April gets pregnant twice and knows that she is not responsible enough to take care of them, nor does she want them. April turns to the idea of an abortion, but Frank finds out and immediately talks her out of it b...
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...and impulsive” and buys a puppy (Yates 352). Since the Wheelers and John disappointed her, the dog presents her with a new, demanding maternal role. Several times Helen positions herself to be a motherly figure, however disappointment and rejection causes her to jump from person to person to satisfy her needs.
Revolutionary Road explores the unattainable idea of escape. April, Frank, and Helen, struggle with escaping from reality and use role playing and acting as an outlet. However, nothing goes the way they want and become stuck with an even more miserable life than what they started with. Yate’s novel proves that during the fifties, people were not susceptible to escaping suburban life either because they were happy with how their life is or they were afraid of the unknown.
Works Cited
Yates, Richard. Revolutionary Road. New York: Random House,1961. Print.
Her brother leaves her alone because he trusts her to be able to deal catch gophers on her own. He showed her how to get gophers and believed in her to get them on her own. As she was “all by herself” she contemplated the hardship she faced and how she would deal with it. The girls “mind went running” as she laid still on the grass to “Judy Craig’s gopher” but that quickly left her mind and all she could think about was the hardship of acceptance from her brother. The girls brother leaving her alone with the job of catching gophers shows that he is finally willing to accept her, but because of this acceptance he expects her to do something against her own morals. The girl was faced with an ambivalent
In the novel Orphan Train, by Christina Baker Kline, we witness a relationship develop between Molly, a seventeen year old in the foster care system, and Vivian, a ninety-one year old widow that is looking to clean out her attic. As the book progresses, we see them grow closer through telling stories and bonding over their joint hardships. Kline goes out of her way to illustrate this strengthening friendship through many little hints in the novel.
...cts with his parents when they are trying to help him. He and his parents get frustrated and impatient when something does not go as planned. Arguments often take place regarding how Frank wants something done because he cannot do it himself.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
He uses every single penny they have at the pubs. It drives Frank mad and he loses all respect for him. Frank completely loathes his father when he upsets his mother. He makes her angry, which Frank cannot stand. “My heart is banging away in my chest and I don’t know what to do.
Having attended a leading drama school, April portrays herself as a golden person to her suburban audience until others around her make mistakes and she loses her grip, causing her performance to sink below those of the amateurs. No longer has a golden person in the eyes of the public, April allows the “weight and shock” that she is a “graceless, suffering creature” with a “constricted” appearance and a “false smile” to overwhelm her (Yates 13). Her sudden epiphany puts her in a limbo between what she wants to be and what suburbia dictates she is, a middle-class housewife whose only purpose is to take care of her
”(3) Marie, Jeannette’s mother, completely refuses to take care of her own children. She doesn’t care for her children as any mother should. Any child, even at the age of three, should not be making hotdogs in a hot oven. This act shows how much independence her father has instilled in her.
Have you ever wanted to take the summer off from work and escape from reality in order to travel around the world without having any worries? Well this is what Henry and Lyman in the “Red Convertible” by Louise Erdrich decided to do one summer. Henry and Lyman are two brothers who grew up on the Indian reservation. They perceive life on the reservation as an ongoing circle with a harmonious atmosphere. During their trip to Montana and Alaska Henry and Lyman’s idea of a carefree life is only reinforced, but when Henry is sent to Vietnam this perception is surpassed by a new reality and changes Henry’s reactions to the surrounding circumstances.
Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 6th ed. New York: Pearson-Prentice, 2010. 40-49. Print.
During the first scene of House of Cards, the viewers are given their first impression on Frank Underwood. Frank walks out of his house to the sound of a crying dog that has been hit by a car. He approaches the dog alone and gives a monologue to the audience. Frank mentions how he has no time for useless pain and he is one that likes to take charge by finding a solution. He then begins to snap the dog’s neck. This simple monologue sums up Frank’s ruthless and dominant personality throughout the show. This scene is just one of the many scenes that represent how Frank does not let anything stand in his way, especially women.
When Jane is shunned by Mr. Brocklehurst in front of the entire Lowood population, Helen is the one person that does not immediately judge Jane. In fact, she makes her feel more comfortable in a place that is filled with punishment and hypocrisy. Though Lowood does not truly feel like home, Helen is able to provide Jane with not only all the compassion she needs as well as support and respect. This is one of the first loves Jane experiences on her journey and it allows her to become more open to the love she finds in her future endeavors.
The main characters, Jo and her mother Helen are not the typical 'straight-laced ' characters that were often seen in the kitchen-sink dramas of that time and represented with strong, independent personalities that aided the development of the new woman. Helen is a single mother who believes desperately that she needs a man to make her life easy and uses her sexuality to get ahead in life, dragging her daughter through her own disastrous relationships one after the other. Despite Helen 's apparent need for men, she does not confine herself the expectations that society and her own daughter have for her. Remarkably, Helen seems to be in control of how she takes advantage of the men in her life and to what extent she depends on them to use her. It is clear that she only sees men as way to find financial satisfactio and is open about her interest for the contents of their pockets over an emotional relationship. She even admits freely that Jo’s own father had “not much going on upstairs” and was a half-witted fool, but handsome and nice. Helen is a great example of how women choose the lives they live and take control into their own hands. However, Helen is also represented as a selfish character, in particular neglecting her stereotypical motherly roles. She is determined to enjoy life yet whilst
Through personal experience, reading and research an insight can be gleaned into how improvisation can play such an important role in aiding the Actor's development of theatrical character. Through personal experience, reading and research an insight can be gleaned into how improvisation can play such an important role in aiding the Actor's development of theatrical character. To fully comprehend how liberating improvisation can be as a doorway to one's creative self, one has to experience and understand the process. The Actor's tools begin with him or herself. The key to accessing this inspired part of a self is through the process of playing games.
Picnic at Hanging Rock is a well-loved Australian book, written by Joan Lindsay in 1967 and film, directed by Peter Weir made in 1975 based at the real geographical location of Hanging Rock in Victoria. The story tells the journey of a group of private school girls who, along with their teachers, take a trip up to the rock. Unfortunately for the school group, the day takes a turn for the worst and results in great trouble for the college and everyone involved in the mystery. Our theatre class were lucky to have put on a stage adaption of Picnic at Hanging Rock for our midyear show. We performed this in the Launceston College drama rooms on May 15-16. The show was a great success due to the amazing work put in by all actors and technical crew, and our director; however there was a lot of individual work that we each had to do to ensure our success in our characters performance. I played the character of Marion Quade, who is among the 3 girls to go missing at the hanging rock. Marion was a fairly difficult character to portray due to the circumstances and setting of the play. Marion was unlike any character I’d portrayed before which was an exciting experience because rather than focusing on how hard it was, I focused on growing my abilities and exploring something new. To create this different character and achieve a successful performance I explored my vocal work and the use of my voice, my physical work and the use of my body and body language and my characterisation in my understanding of my character. I combined these with the technical design of the show and the performances by the other actors to contribute to the success of the show.
Capitalism had an effect on every aspect of the 1940s’ American society. McCarthy witch hunts were rife and creating a fear of communism, many American artists and authors felt disenchanted by society as their individualism was under threat. The play was written and performed post WWII, in a period where everyone was anxious and worried on a daily basis. The audience knew they were living in a capitalist country where everyone was out for themselves however Miller was one of the first dramatists to confront and display a working-class family struggling in the face of cruel and heartless business society. Such criticism of American society was rare during this period however Miller still presents us with a scathing criticism of modern American values.