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Raft of the medusa, gericault analysis
Essay about the raft of medusa
Essay about the raft of medusa
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The Raft of the Medusa is one of the most remarkable paintings in history due to its artistic nature and the inspiration. Théodore Géricault, a renowned French painter, designed the design between the years 1818 and 1819 following the Napoleonic war of the 19th century. His paining was inspired by a shipwreck that left almost 40 people dead. The painting was designed from pain and misery, in remembrance of the individuals who died from the shipwreck. However, the image does not depict the whole tale as the story surrounding the incident is too tragic to be put in images. Théodore crafted the image hoping that the art enthusiasts would be able to get a glimpse of the real incident. In his book, Ways of Seeing, John Berger (1972) claims that any image has an outer meaning and a deeper meaning that can only be deduced by people who understand the art and its origin. The next discussion will assist one to derive the main themes of this particular artwork. It will help reveal details such as the timeframe and the source of inspiration of the art. Lastly, it will discuss the impact of the art to the creative industry and the world in general. …show more content…
The ship crashed into a sandbank with French people who were attempting to colonize Senegal. The life savers who were sent to save the day were futile in their mission and perished with the other individuals. The ship narrowly escaped several maritime battles only to capsize on a sandbank. Out of 150 people who had boarded the ship, 10 survived the shipwreck and only two lived to tell the story. Géricault gathered information from these two witnesses and used it to retell the story though his creative
John Taylor’s picture of the signing is very realistic, especially when compared to Wolf’s picture, which is in a much more abstracted form. In Taylor’s picture the viewer can easily recognize natural objects shown in their true form. For example, the landscape in the background of the piece is easily recognizable as a forest. The layout is filled with tall trees and wavy grass. The
The artist creates motion by the use of colors and everything else appearing calm. At first glance you just notice an explosion of multiple bright colors, but once you look deeper you notice the bigger picture. This image was created just months after the 9/11 attack on America. This image represents hope, renewal, and promise. This picture showed that America is still strong and standing and will move on with and have hope.
What were conditions like on the boat? What type of boat is it? What section of the boat does Fievel and his family travel in? (10 pts)
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
I chose the art piece entitled An American Ship in Distress because it looks pretty amazing. Another reason I chose to analyze this piece as opposed to the others is because it was the piece I liked the most, therefore making me analyze it more closely and discover other aspects of the work would make me appreciate it more. I also chose this because I enjoy being on boats and this really caught my attention. In this art work it shows a ship being tossed around by the stormy ocean waves. The artist who painted this piece is named Thomas Birch. The medium is an oil painting on canvas. This painting was made in 1841 and it’s from the Putnam Foundation. This work does fit into a genre and it’s a waterscape.
The political side which emerges from the use of humor, irony, and attack against an unqualified and unskilled art community, particularly in the context of contemporary politics. The picture makes fun of the arrogance and presumption of the art critics as the author wants to show that art analysts cannot determine and judge the beauty, aesthetic, and meaning of a picture without the opinion of the cow.
The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
In the Odyssey, it can be witnessed that Homer repeatedly describes Odysseus as ‘the man of craft’, by which he means the craft of story-telling. Storytelling is seen throughout The Odyssey, but the entry to Phaecia and his entry to into his home in Ithaca are two prime examples in which the reader can see that storytelling is the primary craft by which Odysseus achieves his return home.
A Sunday Afternoon on the Island of La Grande Jatte, located in the Art Institute of Chicago, is one of the most recognizable paintings of the 19th century, a painting made by Frenchman Georges Seurat. Finished in 1886, it has gained much of its recognition over the time of its completion; the pop culture of today has played a pivotal role into the popularity of it. An example of that is being apart in one of the most recognizable scene in Ferris Bueller's Day Off, where one of the main characters is solely staring at the painting until he can’t even recognize the artwork. This painting also gets much attention because it was an early example of the style of pointillism, at the time; pointillism was becoming a new way of expressing one self with the new technique. It also brought upon about the way we saw paintings, and what we gained from the artwork as whole. In all this painting has become an icon in the art scene, due to the technique it used, and how much of an impact it has had in today culture.
Imagine you can own one of the famous painting in the world. Which one would it be? What will you do with it? If I got to own a famous painting, I would hang it in my bedroom and I’ll show it to my family. In this situation, If needed to narrow it down it will be The Persistence of Memory by Salvador Dali or Nighthawks by Edward Hopper. These paintings are extremely different, and their artistic movement is opposite from one another. By the end of this essay, you’re going to know the differences and similarities of these paintings.
...s work The 3rd of May, 1808 is a very detailed and dramatic narrative within a collection of war themed works by the artist. I believe that by using the formal elements of color, texture, shape, lines, space, and the value I was able to sufficiently provide evidence that Goya offers a sequential order of direction for the audience to comprehend from their personal viewing. The twisted and grief stricken work creates a massive emotional connection and the artist plans for the viewers’ to grow and understand this message. The subject highlighted is obvious that Goya is passionate on his stance and outlook on war is suggested in the work. It’s obvious that Goya’s formal organization of his color palette, variation of brushes, repeating shapes, and play with lighting all correspond to depict man’s savage and at times monstrous actions are justified during war.
Gericault’s “Raft of The Medusa” from 1819 depicts aspects of idealization that correlated with 19th century romanticism.
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
This chapter will analyse aspects of the history of painting, how the principles of representation developed by painters influenced photography and how photographers constructed and composed an image and chose subject matter. When we initially think back to the invention of
There is a full-on war upon the ship, with the Africans killing any and every man they can get their hands on. They leave two survivors so that they can be sailed back home. However, the men trick them and change sailing directions at night until the American Navy intercept them. Immediately, the remaining fifty-three African men are escorted off the ship