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The effect of social media on the behavior of teenagers and youth
Effects of social media on teens
The effect of social media on the behavior of teenagers and youth
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Relooking at the Radicals: The Female Eunuch, Relevant or Redundant? I am looking at the ways in which one of the most radical voices of the second wave of feminism; Germaine Greer, offered a systematic deconstruction of the notions of femininity and womanhood in her seminal text The Female Eunuch and more specifically how she explored ideas of sexual liberation, the formation of sexual identity and the exploratory nature of female pleasure in the context of the years leading up to publication of her novel in 1968. The sexual liberation movement which began in the 1960’s started to coincide with the feminist ideologues of the Women’s Liberation movement due to a shared understanding of the necessity to confront the traditional hegemony; which …show more content…
Greer continues to explain how the denial and unwillingness to discover the workings of the vagina has manifested an even deeper mystification when considering the vaginal orgasm and therefore the concept of clitoral stimulation has been neglected in the desertion of female genitalia in medical science and society. With publications of Anne Koedt’s essay The Myth of the Vaginal Orgasm (1968) and Simone de Beauvoir’s The Second Sex (1958???) receiving worldwide acclaim for the revolutionary emphasis upon female pleasure; this ideology was a proclamation advocated and shared by the radicals of the second wave. And many of Germaine Greer’s contemporaries collectively united on the issue of society and the medical industry’s confusion and denial surrounding any attention upon the …show more content…
It has now become apparent that the element of female pleasure has now been even further removed from contemporary culture and phallocentric idolism has become more applicable than at the time of publication of The Female Eunuch. In Jessica Ringrose’s essay Are You Sexy, Flirty or a Slut? Exploring ‘Sexualisation’ and How Teen Girls Perform/Negotiate Digital Sexual Identity on Social Networking Sites (Find date) Ringrose explains how teen girls are under pressure on social networking sites to convey a visual display of sexuality due to the escalation of hyper-sexualised, pornified discourse being circulated online. When discussing the representations demonstrated through choice of interactional linguistics and site ‘skin’ by young people on the social networking site Bebo, she states: “ Masculinity is epitomized in buying consumer goods…with which to gain access to the sexually commodified female body. Femininity in contrast is epitomised through approximating the sexually commodified body, performing as a sexual object, and occupying the position of the sexually desirable ‘baby girl’.” (pg
A man does not have to fear not being attractive, a “good guy,” or an “asshole,” and women do not have to be viewed as “whores”or “virgins” and seen as prey. Serano argues for a world that “women are allowed and encouraged to be sexual without having to be nonconsensually sexualized...and men can be respectful of women without be desexualized”(421). Most adults are using their smart devices on an everyday basis, and social media has proven itself to be a key player in the spread of information. With the advent of social media, adults can raise awareness for and promote equal roles in society for men and women through popular pages like those of celebrities. The local and national government can also promote such a lifestyle. Conventions and seminars are often used to raise awareness for a certain cause. Such events can be sponsored by the state to help adults change their perspective, leading to a change in mindset. As long
First of all, this novel can be looked at as representative of the sexual revolution in the 1970s. According to Linda Grant, author of Sexing the Millenium, up until the mid-1960s, single women had a difficult time obtaining birth control and were given the responsibility of remaining virgins until they consummated a marriage. Abortion and homosexuality were not only illegal, but were taboo topics of discussion. Furthermore, a number of women were trapped in loveless marriages due to strict divorce laws (2). Lillian B. Rubin, author of Erotic Wars, describes the beginnings of the Sexual Revolution:
There was the desire to be a Liberated Woman and there was also, during this time, the women's liberation movement. The whole time leading up to the women's liberation movement in the late 60's, it became evident that a change in the lives of women would be necessary. The Civil Rights movement was taking place as well as other social movements. Women began to realize that although they were t...
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
Accordingly, I decided the purposes behind women 's resistance neither renamed sexual introduction parts nor overcame money related dependence. I recalled why their yearning for the trappings of progression could darken into a self-compelling consumerism. I evaluated how a conviction arrangement of feeling could end in sexual danger or a married woman 's troublesome twofold day. None of that, regardless, ought to cloud an era 's legacy. I comprehend prerequisites for a standard of female open work, another style of sexual expressiveness, the area of women into open space and political fights previously cornered by men all these pushed against ordinary restrictions even as they made new susceptibilities.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
De Beauvoir Simone. “The second sex” Ch.1. 2009. Science Fiction Stories and Contexts. Ed. Stephen A. Scipione and Marisa Feinstein. Boston: Bedford/ St. Martin's, n.d. 119-34. Print.
Female beauty ideals are an overwhelming force in teen media. Approximately 37% of articles in leading magazines for teen girls emphasize a focus on physical appearance. This is none to surprising considering two of the top contenders in this media genre are Seventeen and Teen Vogue. CosmoGIRL and Elle Girl were among the ranks of popular teen magazines, but in recent years have become exclusively online publications. Add in a dash of publications Tiger Beat and Bop, and it becomes glaringly obvious that girls are charged with the prime directive of looking good to get the guy. The story becomes more disturbing when the actual audience, which includes girls at least as young as eleven years old, is considered. In a stage when girls are trying for the first time to establish their identities, top selling publications are telling them that their exteriors should be their primary concern of focus. Of course, this trend doesn’t stop with magazines. A study conducted in 1996 found a direct correlation between the “amount of time an adolescent watches soaps, movies and music videos” a...
During the early 1900s, in the years linking the Victorian and post-World War I eras, female identity and role was drastically shifted and altered by vocal suffragettes. Fighting for women’s rights, these radical women were seen as “naughty children, excited ladies, misguided ladies, wild women, howling fanatics, shrieking sisterhood, masculine women and viragoes” (Carstens, 63). Suffragettes voiced the right for female vote, education, as well as marriage, and encouraged them to take part in masculine activities. These activist women were not only patronized for their bold behavior, but also accused of unsexing the Victorian woman. In other words, their characters contradicted normative feminine behavior. At the time, medicine was evolving in terms of physiology and psychology, and many
Beauvoir, Simone De., and H. M. Parshley. Introduction. The Second Sex: By Simone De Beauvoir. London: n.p., 1972. 13-29. Print
Over the last few years, there has been a lot of discussion and debate over the topic of sexting. It has become a widespread phenomenon, the number of teenage girls and boys, men and women who participate are rapidly increasing, and with this too comes the rise of moral panic within societies. Individuals within the communities are becoming more and more fearful, afraid and shocked at this new form of youth culture hysteria. Although young people ‘expressing’ their sexuality has become much more open and free as of the last decade or so, the real uproar of panic is due to the risks they involving themselves in as well as the damage and harm they are inflicting on themselves, whether they know it or not.
Fausto-Sterling, Anne. Sexing the Body: Gender Politics and the Construction of Sexuality. NY: Basic Books, 2000.
Simone de Beauvoir, in her 1949 text The Second Sex, examines the problems faced by women in Western society. She argues that women are subjugated, oppressed, and made to be inferior to males – simply by virtue of the fact that they are women. She notes that men define their own world, and women are merely meant to live in it. She sees women as unable to change the world like men can, unable to live their lives freely as men can, and, tragically, mostly unaware of their own oppression. In The Second Sex, de Beauvoir describes the subjugation of woman, defines a method for her liberation, and recommends strategies for this liberation that still have not been implemented today.
I can recall a time when the media was influencing my life and actions. The week after I graduated high school, my girlfriends and I took a trip to Cancun, Mexico, where the MTV beach house was located that summer. As I look back on the week of drunken partying and sexy guys, I can only wonder how I made it home alive. How could any young woman find this behavior acceptable? Every young woman there was flaunting their bodies to the young men around them. They were proud to be sexual objects. Where did they learn such debauchery? This is the kind of woman that is portrayed throughout MTV and various other aspects of the media. They have even coined the term “midriff”—the highly sexual character pitched at teenage girls that increasingly populates today’s television shows—in order to hook the teen customer. Teenage women increasingly look to the media to provide them with a ready-made identity predicated on today’s version of what’s “cool.” The media is always telling us that we are not thin enough, we’re not pretty enough, we don’t have the right friends, or we have the wrong friends… we’re losers unless we’re cool. We must follow their example and show as much skin as possible. The type of imagery depicted by MTV-- as well as people like Howard Stern, the famous “Girls Gone Wild” videos, and various Hip Hop songs—glorifies sex and the provocative woman.