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Analysis of Othello's psychological problems
Analysis of Othello's psychological problems
Concept of sexuality in literature
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The thing about being human there are pros and cons to it. The great thing about it is that we are able to come up with great inventions. But when comes to emotions that 's when things start to get confusing. Our emotions play a big role in the way we act towards our own kind. Us being humans we have many types of emotions, we have anger, happy, sad, excited and so much more. In poem Othello, The Moor of Venice by William Shakespeare take place in Venice. It starts off where Roderigo and lago are in an argument over Othello. Rodrigo jealous because he is in love with Desdemona who is married to Othello and Iago is jealous because Othello chose Michael Cassio as a Lieutenant who has no experience in military life and Lago has a lot of experience
The reason for this is either because we don’t trust them or we got the news hearing the information through someone else. When hearing it through someone else 's mouth and not hearing from your loved one, it really makes you suspect your partner and start second guessing them. In Othello, that is what exactly what happened. Earlier on in the story, Iago emits that he heard rumors of Othello having an affair with his wife, Emily. For instance, in the poem, Lago says “twixt my sheets 'Has done my office. I know not if 't be true….” (1.3 390 ) .When Lago heard these rumors and how Othello wouldn’t take him as a Lieutenant. That 's when the last straw broke, it got to the point Lago wanted to make Othello suffer in pain by getting back at him by saying Desdemona is having an affair with Cassio. Othello though says he wants proof of this by telling lago “For she had eyes, and chose me. No, Iago; I’ll see before I doubt; when I doubt, prove; And on the proof, there is no more…” (2.3 189-191). When Othello says this to Lago he then realizes he got Othello on his toes to point it makes him paranoid to the fact he believes that Desdemona is having an affair with Cassio by the evidence of Othello 's handkerchief that had strawberries on it and that it was placed in Cassio’s room. Between Othello and Iago it 's based on sexual suspicion on their spouses but for Rodrigo he has sexual desire
For Rodrigo, he only had a sexual desire for Desdemona. lago takes that as an advantage and uses that against Rodrigo. The way Iago manipulates Rodrigo is by getting him to sell his own land, give Lago more money or even start fights with drunk Cassio. What Iago says to Roderigo is “Put money in thy purse,.....” (1.3 344). Lago realizes to get to Rodrigo to do whatever he wants all he has to do is to repeat himself a couple of times and Rodrigo would finally do what Iago asks him to do. As for Cassio, the way Lago gets at him is by getting Cassio drunk and having Rodrigo go and fight Cassio which then follows a consequence for Cassio. Cassio then loses his place as a lieutenant and during the time Cassio and Roderigo are fighting Iago stabs both the men. Lago first stabs Cassio because Iago told Roderigo he should go kill Cassio but once the soldiers start coming up the stair Iago then switches from one side to another making it seem like he was on Cassio 's side the whole time by stabbing Rodrigo. He then blames Cassio 's prostitute lover Bianca. At the end of this story it leads to a very sad ending for Desdemona because in end of the story she is killed by Othello because he suspected that she was having an affair with Cassio and tells Emily on why Desdemona is dead that 's
Othello and Iago are diverse in their characters and in their colors. It could be said additionally, notwithstanding, that they are comparative because of their untrustworthiness. Iago is overcome with his longing for vengeance to such a degree that he places it vigorously. Othello 's adoration and possessiveness of Desdemona assume control him until he in the long run would rather murder her than permit any other person to have her. In this way, despite their differentiations, Iago and Othello both speak to the furthest point of the same thing - human emotion.
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
The theme of reason versus emotion can be found by analyzing individual character’s actions in William Shakespeare’s Othello. However, the line between to the two decision-making mindsets is not always very apparent. Three characters – Iago, Desdemona, and Othello – will be analyzed to show that Shakespeare wanted to blur the line between reason and emotion and demonstrate that individuals do not necessarily operate with only one or the other.
Some critics discuss the breakdown in sympathy for Othello during the 20th Century. Do you agree that this is the case and does it apply to Giovanni? As defined by Aristotle in his analysis of tragedy, an audience must experience a sense of catharsis to be affected by a tragedy, meaning it is key that sympathy is felt for the tragic hero or the tragedy will be ineffectual. What makes Othello a successful tragedy is the way that Shakespeare establishes pity for Othello throughtout the play, even in his lowest moments as a character, and it is the lack of this in Tis Pity She’s A Whore that means the audience loses any sense of pathos by the end of the play.
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
Iago knows very well that trust and deceit must go hand in hand in order for him to achieve his vengeance on Othello and Cassio. Hence, as he plans the downfalls of them, he is continually trying to obtain their undoubting trust. He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Iago has a sophisticated way of deceiving the characters of the play, making him a very intelligent person. Early in the play Othello introduces Iago to the Duke of Venice as, “My ancient / A man he is of honesty and trust” (!. iii. 284-85). This is but one of the times in the play that Iago is referred to as honest and true. Throughout the play Iago is considered to be honest, but is actuality the villain. In order to maintain this false image one has to have a beguiling character. After Othello and his lieutenant, Michael Cassio, return from the war against the Ottomans, there is a celebration. At this celebration Iago puts his manipulation to work. He knows that Othello and Desdemona’s love for each other is very true, but he tells Rodrigo that Desdemona had love for Cassio: “With as little a web as this will I ensnare as great a fly as Cassio. / Ay, smile upon her, do…” (II. I. 164-65). This quote shows that Iago deceives Roderigo into believing that Desdemona loves Cassio, when in Roderigo’s eyes it is virtually impossible. Iago basically controls Rodrigo because Iago deceives him into believing that he can have Desdemona, by both Cassio and Othello.
Already, in Act I, the reader can see how Iago is playing to Rodrigo’s emotions in order to gain personal revenge on Othello. The reader can see that Iago will use Roderigo as a pawn in his plan; knowing Roderigo will do whatever he says. Iago’s reasons as to why he would offer to break up Othello and Desdemona’s marriage include that he is outraged that Othello promoted Casillo instead of him and that he has suspicions that Othello slept with his wife, Emilia (1203). This is the driving factor to Iago’s deceitful actions in the play.
Iago uses his ability to convince those around him and his hatred, for seemingly the majority, of the other characters to manipulate and accomplish his own ploys. In the beginning of the play, Iago confesses his hatred for Othello. This hatred compels Iago to manipulate others within the play. Iago wishes to cause the most mayhem that he can, and he uses every character to do so. In the play, Iago acts almost as a puppeteer to the other characters, pulling their strings and getting them to do as he wishes. With Othello, Iago tells him that his wife, Desdemona, is cheating on him with Cassio. This manipulation is done due to the pure hate Iago has for Othello and the plan to get Roderigo together with Desdemona. Iago is also seemingly puppeteering Roderigo in hopes to get Cassio killed for both Roderigo to gain Desdemona and for Othello because of the alleged affair with Desdemona. Iago spares no expense when it comes to his plans in the play. As it states in Act 3 Scene 3 “I will in Cassio's lodging lose this napkin, / And let him find it. / Trifles light as air / Are to the jealous confirmations strong / As proofs of holy writ” (Shakespeare, Othello lines 1994-1997). In this excerpt, Iago takes Desdemona’s handkerchief in hopes to frame Cassio and prove the affair. This shows that Iago leaves out no details when manipulating the other characters which shows his true ingenuity and cunning ability when
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
Rodrigo’s character serves as an example of true jealousy over love, rather as a facade to cover-up another motivation, as seen with Othello and Iago. He displays a decline in power once wrought with jealousy, rather than the upshot seen in the other two. Iago and Othello take matters into their own
Angry over being passed up for a promotion Iago decided to take matters into his own hands. In order to become lieutenant Iago devised a plan that included breaking up Othello’s marriage and eliminating Cassio as competition. Iago enticed Roderigo to be his partner in crime with the promise of attaining Desdemona’s love. Desdemona had many suitors since she was an attractive young woman, yet she “shunned [t]he wealthy,” (Act 1, Scene 2, Line 66-67), which included Roderigo, who owned multiple plots of land. Roderigo, who was naïve for thinking Iago actually had his best interest in mind, was easily persuaded since he was obsessed with Desdemona. The truth of the matter was that