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The Presentation of Rome and Egypt in the Play Antony and Cleopatra
One of the foremost of themes in the play of Antony and Cleopatra
alongside “tragedy” and “love” is the differences between the two
“worlds” of Rome and Egypt. Throughout the play, Shakespeare
frequently presents and demonstrates to the audience the reality and
differences between these two “worlds” in many ways and forms. In this
essay I will discuss how Shakespeare does this and how he presents it
to the audience.
Antony, who is the primary character in the play, portrays the ideas
of the two “worlds” of Egypt and Rome very clearly. Shakespeare
presents Antony as a different man when in Rome and a different one
when in Egypt.
Shakespeare organises the plot of Antony and Cleopatra around the
theme of conflict between Rome and Egypt immediately. In the opening
scene the two soldiers Philo and Demetrius discuss Antony’s
surrendering of his military duties to the exotic pleasures of Egypt
and Cleopatra. Both Philo and Demetrius discuss the divide in world
where one is governed by discipline and reason (Rome), and the other
ruled by pleasure and love. Both Philo and Demetrius discuss and claim
that Antony’s "captain's heart" now serves as,
"The bellows and the fan / to cool a gypsy’s lust”
This reflects their view of the world being divided into two entities.
And that Egypt is ruled by a “gypsy”, or in other worlds a whore.
The reason why they refer to Cleopatra as a whore is because a whore’s
job is to sleep with many men without any feelings for them. This is
what Cleopatra does and has done and both Philo and Demetrius believe
Antony is just wasting ...
... middle of paper ...
... messenger to him, and she tell the messenger,
“Well, go to, I will. But there’s no goodness in thy face if Antony be
free and healthful- so tart a favour, to trumpet such good tidings. If
not well, thou shouldst come like a fury crowned with snakes, not like
a formal man”
Cleopatra sends the messenger and tells him that if he sees Antony
with a miserable face, be “healthful” i.e. happy, and if he sees him
with a glad face, then “come like a fury crowned with snakes”.
Cleopatra deliberately deceives Antony with the power of love and
passion.
Shakespeare presents ideas of conflict and differences between Rome
and Egypt very clearly. He continuously raises the question to the
audience as to which “world” is more superior and more powerful.
Shakespeare leaves it to the audience to come to their own judgement.
Antony to the senate house, and he shall say you are not well today. “
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
When researching the three earlier versions of Cleopatra (1917, 1934, and 1963) I found a similar theme in costume for all three time periods. The role of Cleopatra in regards to costume design and character portrayal were all heavily influenced by the current state of America and its fashion. All three designs created for the movies were inaccurate historically for the real Cleopatra, but was accurate in depicting that specific times fashion.
In this research paper I will be writing about Cleopatra VII. Her early life, family and her relationships’. Cleopatra VII was born around 69 BC and was the daughter of Ptolemy XII Auletes and Cleopatra V of Egypt. Her parents got married in the year 79 BC. Her father Ptolemy XII Auletes was the king of Egypt during 80-58 B.C. and 55-51 B.C. He was born in 117 BC and was also known as the “Piper” because he played the flute. He died in 51 BC, Alexandria, Egypt from being exiled. Her mother Cleopatra V was the queen of Egypt, born in 95 BC. She vanished around the time of Cleopatra’s birth in 69 BC then died in 57 BC. Some people believe she was either murdered or that she may have died while giving birth. (“Cleopatras Family”)
Meta: Embodying all things Ancient Egypt, the latest game from Novomatic proves to be a throwback in more ways than one. Cleopatra’s Choice is an enchanting game to say the very least, but will it reward you with riches?
soon as she appears on the stage, 'If it be love indeed tell me how
Similar to the 1963 film Cleopatra, in Plutarch's The Life of Antony, sexism is maintained in the passage and compatible with its message. Through the author's portrayal of Cleopatra and Antony, he spreads the message that obsession with power is bad and the idea that manipulation and attempts at domination are signs of a bad ruler. Sexism is compatible with such messages because as indicated by Plutarch, Cleopatra utilizes sexist expectations of women in order to manipulate Antony through her aspirations of domination. Therefore, similar to the films Cleopatra and Quo Vadis, because Cleopatra is unsuccessful as she commits suicide in the end and is found "lying dead upon a golden couch," as well as is portrayed as an immoral ruler in Plutarch's Life of Antony, sexism is portrayed in the passage as a negative quality that leads to failure. (Plutarch, Life of Antony, 85) However, Plutarch differs in his treatment of sexism and attitude towards Cleopatra to the extent that he appears to place the fault with Cleopatra. While he maintains that sexism is a negative quality through his portrayal of Cleopatra playing into sexist expectations, by casting Cleopatra as a manipulative woman, Plutarch appears to be blaming Cleopatra for her own weaknesses as a ruler as well as for Antony's downfall. Although the film Cleopatra displayed how Cleopatra got power by using her sexuality and having Caesar and Antony fall in love with her, Plutarch Life of Antony portrays her as even more of a manipulator of men. For example, the author mentions that Cleopatra "pretended to be passionately in love with Antony herself, and reduced her body by slender diet; she put on a look of rapture when Antony drew near, and one of faintness and melancholy when h...
"For Rome, who had never condescended to fear any nation or people, did in her time fear two human beings; one was Hannibal, and the other was a woman" (Lefkowitz and Fant 126). During a time dominated by male rulers, Cleopatra VII Philopator (69 BCE – 31 BCE), the Last Pharaoh of Egypt, stood out among them all. With Egypt’s wealth at her disposal, she was “incomparably richer than anyone else” (Schiff 2). The amount of power a ruler had at the time of Cleopatra’s existence depended highly on the level of financial stability. However, wealth was not all Cleopatra was known for. She exhibited high militant leadership skills equal to that of her male counterparts to keep Egypt a prosperous country.
There are two reasons why The Aeneid is associated with the Shakespearean play Antony and Cleopatra. First, The Aeneid was written by a Roman named Virgil who, among many other reasons, wrote it as a tribute for Augustus Caesar, the leader of the Roman Empire. Augustus Caesar was formally named Octavian and is a character in Shakespeare's play. Secondly, both The Aeneid and Antony and Cleopatra share a common theme of a patriotic, heroic man having to choose between duty to his country and the passionate love of a beautiful, foreign and strong queen. In The Aeneid, the lovers are Aeneas and Dido and Antony and Cleopatra are the lovers in Shakespeare's play.
William Shakespeare's Presentation of Octavius Caesar in Antony and Cleopatra Shakespeare portrays Octavius Caesar as a very complex character in 'Antony and Cleopatra.' Shakespeare shows the audience how he has very strong feelings about War, leadership, the relationship between Antony and Cleopatra, and his sister Octavia. These attitudes can be seen as being too rational, too ambitious, and too efficient. However it is these characteristics which in some ways, form the particular contrast with Antony, which shows us his complex character, which also contributes to the conflicts which arise in the play. Shakespeare is very clever in the portrayal of Caesar; he uses Caesar as a foil for Antony, however he is a character in his own right.
Around 69 B.C, one of the most famous female rulers ever known was born, she was Cleopatra. She was the descendent of the Egyptian ruler, Ptolemy XII, and she would eventually became the queen of ancient Egypt herself. She was known for being extremely intelligent and very charming, and because of this many romans feared her and viewed her as a threat. When her father died the throne of Egypt was left to her and her brother, Ptolemy XIII, and rivalry formed between the two, making her even more determined to become the sole ruler of Egypt. Cleopatra had trained all her life to be the successor of Egypt and she hungered for power. Like her father, she tried to have peace with Rome and maybe even have power over them. She would gain her power by having Caesar one and only son, Caesarion, the loyalty of Marc Antony, a well-known general who was popular among the troops in Rome, and of course by using her intelligence and Egypt’s resources. Cleopatra was a successful ruler because she had a thirst for power.
“Here, as before, never, so help you mercy, how strange or odd soe'er I bear myself,— As I, perchance, hereafter shall think meet to put an antic disposition on,— that you, at such times seeing me, never shall...note that you know aught of me:—this is not to do, so grace and mercy at your most need help you, swear.” (Hamlet)
What started as a dim and rocky reign, Cleopatra’s tenure spent ruling Egypt turned out to be extremely beneficial for the dying kingdom—at least until her death in 30BC. Cleopatra kept her kingdom from falling to the ruins it was destined for by using her undeniable wit and charm to create allies in all the right places. Though history likes to remember Egypt’s last great leader as nothing more than a teasing temptress, Cleopatra’s power ultimately stemmed from her clever leadership and smart networking.
One of the biggest internal struggles in Shakespeare’s Antony and Cleopatra is Antony’s struggle between reason and emotion. One of the times this is shown is when Antony turns his ships around after noting that Cleopatra has done so in Act III scene 10. Shakespeare decided to show Antony’s internal struggle by having him follow Cleopatra to emphasize how strongly his emotions and reasoning lead him to mix business with pleasure, intertwining his role of general with his role of lover. From turning his ship around mid-battle to dressing himself after spending the night to outright stating his feelings, Antony shows over and over the unavoidable mutual existence of his roles as general and lover.
The adage is a sham. Caesar himself feels Antony has fallen from his glory and honour as well as the following. " Thou didst drink the stale of horses and the gilded puddle which