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Siddhartha novel essay
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'For ages, the river has been a sign of eternity and has served as a symbol of spiritual awareness to many people'(Rahula 39). The river in Siddhartha, by Hermann Hesse, is an important symbol. Hesse provides many references to the river throughout his novel, and it serves many purposes in his writing.
Siddhartha who is the main character, grows up with his father and mother on a riverbank, in India. He decides to leave the world of the Brahmins to seek his own way. Govinda, Siddhartha's companion, follows him to the world of the Samanas. After a few years with the Samanas, Siddhartha decides that he wants to move on yet again. He and Govinda go to listen to the teachings of the Buddha. Siddhartha once again decides to move on, but Govinda chooses to stay with the Buddha. Siddhartha next experiences the world of Kamala, a world of lust. Siddhartha leaves this world and finally ends up on a riverbank, where he discovers the importance of the river from the ferryman, Vasudeva. He finally attains Nirvana through listening to the river. Throughout the life of Siddhartha, the river takes on many important meanings, making it the most important symbol in the novel.
The river represents the circularity of life. This is illustrated by the fact that Siddhartha grew up "In the shade of the house, in the sunshine on a river bank by the boats, in the shade of the sallow wood and the fig tree" (Hesse 3) and that he spent the final few years of his life living on a river bank. The circularity is apparent here, because he ends up back by the river, where he started his life. The river also shows how, although everything is moving, it all stays the same. "He saw that the water continually flowed and flowed and yet it was always t...
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... to find Nirvana, and guides him through his many journeys. It serves many purposes and is profoundly emphasized in Hesse's writing. The river remains a symbol of spiritual awareness and of eternity.
Works Cited
Fickert, Kurt J., Hermann Hesse's Quest York Press, 1978.
Freedman, Ralph,"Romantic Imagination: Hermann Hesse as a Modern Novelist," PMLA 73 June 1958.
Hesse, Herman. Siddhartha. Dover Publications, 1998.
Mileck, Joseph, "The Prose of Hermann Hesse: Life, Substance and Form," German Quarterly 27 May 1954.
Otten, Anna, ed. A Hesse Companion Suhrkamp, 1970.
Radhakrishnan, C. A. Moore, A Sourcebook of Indian Philosophy Princeton University Press, 1957.
Rahula, Walpola, What the Buddha Taught Grove Weidenfield, 1959.
Tusken, Lewis W., Hermann Hesse: The Man, His Myth, His Metaphor University of S. Carolina, 1998.
Hermann Hesse’s novel “Siddhartha” is one of spiritual renewal and self discovery. The novel revolves around the life of one man named Siddhartha, who leaves his home and all earthly possessions in an attempt to find spiritual enlightenment. The novel contains many themes, including the relationship between wisdom and knowledge, spirituality, man’s relationship to the natural world, time, love, and satisfaction. To portray these themes, Hesse employs many different rhetorical devices, particularly diction, symbolism, and point of view. These devices allow us, as a reader, to reevaluate our lives and seek fulfillment in the same way that Siddhartha did.
Govinda is Siddhartha's childhood friend. He is a foil to Siddhartha, serving as a benchmark for the latter's progress toward enlightenment. Govinda spends part I of the novel with Siddhartha and then leaves to follow the Buddha. He reappears at points of transition in Siddhartha's life, and is with Siddhartha at the novel's end to learn his wisdom. Kamaswami is the merchant for whom Siddhartha works while living in town. It is from the clever though impatient Kamaswami that Siddhartha learns how to conduct business and concern himself with money and material goods. Vasuveda is the ferryman with whom Siddhartha lives for the last third of the novel.
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Siddhartha is a much respected son of a Brahmin who lives with his father in ancient India. Everyone in their town expects Siddhartha to act like his father and become successful. Although he lives a very high quality life, Siddhartha is dissatisfied and along with his best friend Govinda- wants nothing more than to join the group of wandering ascetics called Samana’s. This group starves themselves, travels almost naked and must beg for the food they survive on. This group of people believes that to achieve enlightenment and self-actualization: body image, health, physical and material desires must be thrown away. Although this is the life Siddhartha wished for himself, he soon discovers that it is not the right choice for him. Near desolation, Siddhartha happens upon a river where he hears a strange sound. This sound signifies the beginning of the life he was born to live – the beginning of his true self. Hesse uses many literary devices to assure Siddhartha’s goal of self-actualization and creates a proper path for that success.
During the movie and the novel there are many similar themes. There are many examples that show compassion for all living creatures. Having respect for all living beings is a belief for Buddhists. In the movie, Heinrich was building a movie theatre for the Dalai Lama. The townspeople were helping them, but while they were digging they noticed earthworms were living there. It would be cruel for them to kill the earthworms; so in order to build the movie theatre they must remove all of the earthworms and put them somewhere else to live. In the novel, Siddhartha always had respect for nature. The river is an object that meant a great deal to him. Siddhartha could never disrespect the river because that is what helped him get further on his journey to enlightenment.
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Frequent allusions to the river correspond w/ Siddhartha's infinite thoughts of Unity and his initial plans to strive for it. Siddhartha has a number of specific goals during the course of this novel, but in no way does this detract from the bare nature of his ultimate goal. The accomplishment of specific goals was an important part of the progression approaching his absolute state of Unity.
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In conclusion, the Rampart scandal was terrible for LAPD’s image and reputation, it was terrible for the people who were harassed by the police, and it was bad for the officers who were sucked into being corrupt and unethical. Throughout this paper there is a resounding aspect of supervision. With better supervision there may be some dislike, but it will keep the department in order and it will create the cohesiveness that a department needs to be successful.
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