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African Oral literature contribution to Writers
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In a patriarchal society men normally have the power. This power is generally handed down generation to generation as seen in Sundiata where the lineage of the first kings of Mali is explained generation by generation (Niane 3). It can also be seen in The Romance of Tristan and Iseult when “[T']he barons, Andret, Guenelon, Gondoine, and Denoalen pressed King Mark to take to wife some king's daughter who should give him an heir...”(Bedier 26). In these examples men generally have the primary power. However, there is an argument to be made that women, in both Sundiata, and The Romance of Tristan and Iseult have some significant power in their society.
In Sundiata the power that women have can be seen as knowledge that is gained through experience, and the craftiness to use this knowledge. Sassouma Berete knows this power of craftiness all too well. When Sogolon is to marry the king, Sassouma Berete uses her craftiness to spread rumors about Sogolon. As D.T. Niane writes in Sundiata, “It was known that she was not beautiful [Sogolon], but the curiosity of everyone was aroused, and already a thousand anecdotes were circulating, most of them put out by Sassouma Berete, the king's first wife” (Niane 10). This suggests that Sassouma Berete understood the power of using her experience and craftiness to create a hostile atmosphere for Sogolon.
When Sogolon becomes pregnant with Sundiata, Sassouma Berete begins the process of determining how it would affect her and her children. D.T. Niane, writes, “What would become of her, Sassouma Berete, if her son, already eight years old, was disinherited in favor of the child that Sogolon was going to bring in the world?” (Niane 13). In this example Sassouma Berete uses her experience and craftines...
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Lastly, when Iseult is set to leave for her impending marriage to King Mark, “her mother gathered herbs and flowers and roots and steeped them in a wine, and brewed a potion of might... (Bedier 41). This love potion, that was intended to be shared between Iseult and King Mark on their wedding night, again shows the power that women possessed.
In both Sundiata and The Romance of Tristan and Iseult women do have power within the society. This power is shown through their knowledge, experience, and craftiness. This power that they possess in both the Epic and Romance story are crucial to the success and failure of both stories.
Works Cited
Bedier, Joseph. The Romance of Tristan and Iseult. New York: Vantage Books, 1994. Print.
Niane, Djibril Tamsir., David W. Chappell, and Jim Jones. Sundiata: An Epic of Old Mali. Harlow, England: Pearson Longman, 2006. Print.
Power is an influence that affects people every single day. Whether it is born into or gained, it can affect the individuals that have it in their lives positively or negatively. Usually, however, it affects the individuals negatively. When it does affect the individual negatively, it is usually referred to an idea known as “the paradox of power.” In the novel A Thousand Splendid Suns by Khaled Hosseini, the paradox of power is a recurring theme, and plays hand-in-hand with gender role in the novel. The men portrayed in the novel are taught to think that they are supposed to control women and their freedom, while the women are taught to be submissive to the men. Many of the men are conservative and believe
...re treated poorly but they can overcome their circumstances so that they may still contribute to society in a powerful way. Although women in the epic Sunjata, Indian and Greek society are all seen as the subordinate gender, the women in the epic Sunjata are strong people by making the best out of situations. Some could say that women control the story. In the beginning, the hunters would not have killed the buffalo woman if not instructed to. Also, if Sogolon hadn’t pressured Sunjata to stand, he wouldn’t have walked his all his life.
In medieval literature, the role of women often represents many familiar traits and characteristics which present societies still preserve. Beauty, attractiveness, and grace almost completely exemplify the attributes of powerful women in both present and past narratives. European medieval prose often separates the characteristics of women into two distinct roles in society. Women can be portrayed as the greatest gift to mankind, revealing everything that is good, pure, and beautiful in a woman's life. On the other side of the coin, many women are compared to everything that is evil and harmful, creating a witch-like or temptress quality for the character. These two aspects of European culture and literature show that the power of women in medieval narrative can be portrayed through both evil and good, and more often than not, power is derived from the latter.
Most classical society’s political and social organization revolved around the idea of patriarchy, a male dominated social system. This system exacerbated the inherit difference between men and woman and assigned gender roles based on these observations. Men were generally regarded as superior to woman therefore given greater religious and political roles as well as more legal rights. As the natural inverse, women were subordinated and seen as week; their main roles reproductive and domestic. Information about patriarchy in the classical era, though abundant, was, for the most part, written by men, therefore history does not give us an accurate depiction of women’s viewpoints. Four societies of the classical era, India, China, Greece, and Rome, adopted a patriarchal system, however, due to many factors, each developed identifiable characteristics.
In the story, women claim that having power over their husbands is to have their independence, trust and respect. “Freedom to do exactly as we please, with no one to reprove our faults and lies.” (Page 188, lines 112-113) It also says that women are thought of as pretty much helpless which helped create the strong desire to be dominant. “We are thought if as dependable, discreet, and
There are no perceived notions of Isolde truly falling in love with King Mark. However, King Mark’s nephew, Tristan will forever be mindlessly chasing Isolde due to a mixture of lust, passion, and love potion that they both shared while venturing back after defeating Morholt. Tristan's uncle eventually learns of the affair between Isolde and Tristan and with that knowledge King Mark plans to entrap his nephew and his bride. Nonetheless, while this love triangle conflict is occurring he endangerment of a kingdom now so fragile, is now cessation of war between Ireland and Cornwall. Mark acquires what seems proof of their guilt and resolves to punish them. King Mark decides that Tristan will face death by hanging and Isolde by burning at the stake. Before their date of death King Mark lodges Isolde in a house of Lazar which harnesses a leper colony. However, with Tristan’s love so strong he escapes on his way to the gallows where he makes a leap from a chapel and rescues Isolde as well. The lovers seek for safety into Morrois a forest not too far from King Mark’s castle. The couple seeks refuge there until discovered by The
In many cultures, patriarchy is embedded in customs. Head of state, head of the family, leading positions would usually fall on a man, and woman would have the privilege to support them as implied second-class citizen. As Walter Lee said to Beneatha: “Who the hell told you-you had to be a doctor? If you so crazy ‘bout messing ‘round with sick people then go be a
Sundiata developed into a great leader of Mali through hardships, religion, and core/tributary/periphery relationships of states. The djeli who transmitted this information to the translators, is also a manifestation of an institution important in Sundiata’s epic, because without djelis these stories would be lost forever. Sundiata learned about the formation, running and maintenance of African states through interactions with the communities he was introduced to.
Paterno, Domenica R. "The True Lion King of Africa: The Epic History of Sundiata, King of Old Mali."
Since the beginning of time men have played the dominant role in nearly every culture around the world. If the men were not dominant, then the women and men in the culture were equal. Never has a culture been found where women have dominated. In “Society and Sex Roles” by Ernestine Friedl, Friedl supports the previous statement and suggests that “although the degree of masculine authority may vary from one group to the next, males always have more power” (261). Friedl discusses a variety of diverse conditions that determine different degrees of male dominance focusing mainly on the distribution of resources. In The Forest People by Colin Turnbull, Turnbull describes the culture of the BaMbuti while incorporating the evident sex roles among these “people of the forest”. I believe that the sex roles of the BaMbuti depicted by Turnbull definitely follow the pattern that is the basis of Freidl’s arguments about the conditions that determine variations of male dominance. Through examples of different accounts of sex roles of the BaMbuti and by direct quotations made by Turnbull as well as members of the BaMbuti tribe, I intend on describing exactly how the sex roles of the BaMbuti follow the patterns discussed by Freidl. I also aim to depict how although women are a vital part of the BaMbuti culture and attain equality in many areas of the culture, men still obtain a certain degree of dominance.
...hey were servants, like Ariel and Caliban, representing the traditional social world of European societies. The other men’s power came from the inheritance of their social positions, asserting their will on those below them, without little physical work. While in both stories, women were dominated by male power and their greatest values appeared as possessions of men, on certain occasions, women were able to break away from being subservient by standing up for what they believed in. Ekwefi risked her own life to be with the man she loved and to save her only surviving daughter, while Miranda stood up to the mistreatment of Ferdinand and openly admitted her feelings. However, these small scenes cannot fight the male dominance in both Things Fall Apart and the Tempest, and show the same gender problems in both the civilized and “savage” societies of the colonization.
The whole concept of a patriarchal society came about during the early Mesopotamian era, they believed that: “The husband and father made all the key decisions, and the wife gave humble obedience to this male authority. Patriarchal family structure rested on men’s control of most or all property, starting with land. Marriage was based on property relationships, and it was assumed that marriage and therefore subordinate to men was the normal condition for woman. (Woman in Patriarchal Societies, 42)” The roles that men have played throughout history haven’t changed much, men have always been at the top of the food chain. It is the men that have always had the upper hand when it came to what woman get. While studying history this semester I have
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
Ever since anyone could remember, men have always been above women, but little do they know that at one point women had more power than men. However, the roles of man and woman flipped very quickly and drastically, like a supernova, changing history. And although men dominate most fields of work and important roles, women are very crucial to the stability of society. Without women, we wouldn’t have knowledge about the cause of HIV, molecular structures of coal and graphite, x-ray diffraction, or genetic transportation. But just because women aren’t in power anymore doesn’t mean they are powerless. There are rights movements and education movements supported by both men and women that stem from gynarchy, gyneolatry and gynaeceum.
Ortner (1974, in Rosaldo & Lamphere) attempts to answer the questions why women, as she sees it, are universally subordinate to men. She admits that the relative power women wield and the actual treatment they receive vary widely between societies, that each society’s concept of the female position is likely to consist of several layers and that the cultural ideology may well be distinct from the observable state of affairs, but sets out nonetheless from the premise that women have ... ... middle of paper ... ... different societies and the relationships between gender and power and sex and gender are far from clear-cut. In order to elucidate the position of women in a particular society we must examine the complexities and nuances of its social relations and culture rather than imprudently applying our own categories.